MALAWI PRIMARY SCHOOLS STUDY NOTES

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STANDARD SEVEN NOTES


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UNIT 1 FACTORS OF PRODUCTION
UNIT 2 MARKETING FUNCTIONS
UNIT 3 WATER CYCLE
UNIT 4 WATER POLUTION
UNIT 5 WATER CONSERVATION
UNIT 6 SOIL FERTILITY
UNIT 7 SOIL STRUCTURE
UNIT 8 SOIL PROFILE
UNIT 9 SOIL EROSION AND SOIL CONSERVATION
UNIT 10 FARM MACHINERY AND THEIR USES
UNIT 11 SAFETY MEASURES WHEN USING FARM MACHINERY
UNIT 12 MAINTENANCE OF FARM MACHINERY
UNIT 13 TYPES AND IMPORTANCE OF FLOWERS
UNIT 14 FLOWER NURSERY ESTABLISHMENT AND MANAGEMENT
UNIT 15 SITE SELECTION AND LAND PREPARATION FOR FLOWER PRODUCTION
UNIT 16 TRANSPLANTING FLOWERS UNIT 17 MANURE AND FERTILIZER APPLICATION IN FLOWERS
UNIT 18 WEED CONTROL IN FLOWERSUNIT 19 TENDING FLOWERS
UNIT 20 PEST AND DISEASE CONTROL IN FLOWERS
UNIT 21 HARVESTING FLOWERS
UNIT 22 TYPES AND IMPORTANCE OF VEGETABLES
UNIT 23 NURSERY ESTABLISHMENT AND MANAGEMENT FOR LEAF VEGETABLES
UNIT 24 SITE SELECTION AND LAND PREPARATION FOR GROWING LEAF VEGETABLES
UNIT 25 TRANSPLANTING LEAF VEGETABLES
UNIT 26 FIELD MANAGEMENT PRACTICES FOR LEAF VEGETABLES
UNIT 27 IMPORTANCE OF RABBITS
UNIT 28 HOUSING AND FEEDING RABBITS
UNIT 29 DISEASE AND PARASITE CONTROL IN RABBITS
UNIT 30 IMPORTANCE AND SYSTEMS OF AGROFORESTRY

UNIT 1 FACTORS OF PRODUCTION                                       
Factors of production are the resources that are used to produce crops and livestock.

MAJOR FACTORS OF PRODUCTION

  • land
  • labour
  • capital
  • management
  • Land

This is where most of the farming activities take place.

 

THE CHARACTERISTICS OF LAND THAT AFFECT AGRICULTURAL PRODUCTION

  • Size
  • Fertility
  • Slope

 

Size:

  • If a farmer cultivates a big area, the total yield will be more than from a tiny land.

 

Fertility:

  • A fertile land has enough nutrients, air and moisture for crop growth. Such land will yield more crops.

Slope:

  • Land with a gentle slope maintains its top soil because it is not easily eroded. Such land supports plant growth.
  • Labour
  • This is the effort of people in doing farm operations or work done by people.

 

  • Capital
  • This refers to materials available on the farm for production.
  • Capital items are cash, farm inputs, equipment, tools, buildings and livestock.

 

  • Management
  • This refers to the farmer's knowledge and skills in performing farm operations.

Farm management involves:

    • planning the farm work
    • controlling the use of land, labour and capital
    • supervising the work
    • making farming decisions
    • budgeting for farm activities
    • organizing the land, labour and capital

 

UNIT 2 MARKETING FUNCTIONS

Marketing functions are activities conducted by producers or intermediate buyers in order to make profit and satisfy the needs of customers.

 

MARKETING FUNCTIONS
Marketing does not only involve buying and selling. Marketing involves many activities.
These include:

  • buying
  • selling
  • processing
  • grading
  • packaging
  • advertising
  • storage
  • transporting
  • market research

 

Buying

  • This means paying for goods to own them.

ACTIVITIES INVOLVED IN BUYING

  • determining needed goods
  • identifying where to obtain the goods
  • choosing desired goods
  • bargaining
  • paying for goods
  • collecting the goods for use

IMPORTANCE OF BUYING

  • the buyer becomes the owner of the goods in order to use them when needed.

Selling
ACTIVITIES INVOLVED IN SELLING

  • deciding where to sell
  • displaying products to attract customers
  • pricing products
  • issuing or offering the produce to the customer
  • collecting payment

 

IMPORTANCE OF SELLING

  • It enables the farmer to obtain a reasonable income which can be used to buy inputs for the farm business or to satisfy personal needs.

 

Processing

  • Processing means changing the raw materials into finished products. Processing increases the value and usefulness of agricultural products.


Agricultural raw materials and their processed products

ACTIVITIES INVOLVED IN PROCESSING
ª grinding
ª pounding (milling)
ª cleaning
ª shelling
ª  boiling
ª sieving


ª winnowing
ª  drying
ª slicing
ª  salting

 

Transporting

  • This involves carrying the agricultural produce to the market.

 

IMPORTANCE OF TRANSPORTING GOODS TO THE MARKET

  • Goods are made readily available to customers.
  • The farmer can also easily sell the produce at a better price since many customers at the market will compete to buy the produce.

 

ACTIVITIES INVOLVED IN TRANSPORTING

  • assembling
  • identifying mode of transport

 

Market research

  • This involves finding out prices of various products in different markets.

 

IMPORTANCE OF MARKET RESEARCH

  • Market research helps the farmer in deciding what to produce and where to sell it.

 

ACTIVITIES INVOLVED IN MARKET RESEARCH

  • interviewing people
  • recording responses
  • interpreting information

 

Grading

  • This involves sorting out produce to ensure uniformity in quality.

 

Different types of agricultural produce are graded differently depending on certain factors.

 

FACTORS FOR GRADING

  • size
  • shape

  • colour
  • tenderness
  • taste
  • age
  • weight

 

ACTIVITIES INVOLVED IN GRADING

  • sorting
  • weighing

 

IMPORTANCE OF GRADING

  • it helps in pricing the produce
  • it enables the farmer to get more money for produce of high grade
  • it encourages the farmer to aim at producing quality products.

 

Packaging

  • This involves placing the produce into appropriate containers.

 

ACTIVITIES INVOLVED IN PACKAGING

  • wrapping
  • sealing
  • labelling
  • weighing

 

IMPORTANCE OF PACKAGING

  • it makes pricing the produce easy
  • it makes it easy for customers to choose produce in quantities suitable for their needs
  • it makes it easy for customers to carry produce in quantities suitable for their needs

 

Storage

  • This involves keeping the produce in a safe place

 

ACTIVITIES INVOLVED IN STORAGE

  • application of chemicals
  • cleaning storage facility
  • stocking

IMPORTANCE OF STORAGE

  • it preserves the quality of the produce
  • it makes the product available when customers need it most
  • it helps the farmer to sell at a better price to increase profit

 

Advertising

  • This involves telling people about a product, letting the customers know why it may be best for them to buy it.

 

ACTIVITIES INVOLVED IN ADVERTISING

  • displaying
  • attractive wrapping
  • labelling

 

IMPORTANCE OF ADVERTISING

  • it helps in increasing sales

 

 

UNIT 3 WATER CYCLE

MEANING OF THE TERM ‘WATER CYCLE’
Water cycle is the continuous movement of water on above and below the surface of the earth in different forms.

or
Water cycle is the continuous movement of water on, above and below the surface of the earth in different forms.

 

These forms can be liquid, gas or solid.
Since it is a cycle, there is no beginning or ending.

 

PROCESSES AND STAGES OF WATER CYCLE
Some of the processes and stages are evaporation, transpiration, condensation, precipitation, surface run-off and infiltration.


  • Evaporation

Evaporation is the loss of water from soil and water bodies into the atmosphere in form of vapour.

 

  • Transpiration

Transpiration is the loss of water from plant leaves into the atmosphere through plant openings in form of vapour.
The combination of evaporation and transpiration is called Evapotranspiration.

 

  • Evapotranspiration

Evapotranspiration is the loss of water from the soil, oceans, lakes, rivers and plants into the atmosphere as vapour.

 

  • Condensation

Condensation is the process by which water vapour in the atmosphere is changed into droplets. When there is an accumulation of water droplets clouds are formed.

  • Precipitation

Precipitation is the falling of water from the atmosphere to the earth in form of rain and hail. Precipitation is also called rainfall.

  • Surface run-off

Surface run-off is the water that flows on the soil surface following the slope of the land.


  • Infiltration

Infiltration is the entry of water into the soil.

 

  • Percolation

Percolation is the moving deeper of water in the soil increasing the amount of ground water.

 

  • Ground water

Ground water refers to large amounts of water stored below the earth's land surface.

 

  • Open water bodies

Open water bodies refers to water existing on the land surface such as rivers, lakes, ponds, oceans and dams.

 

UNIT 4 WATER POLLUTION
Pollution is the contamination of the environment with harmful and poisonous substances arising from human activities.

 

CAUSES OF WATER POLLUTION

    • disposal of human wastes
    • constructing pit latrines close to water bodies
    • disposal of domestic, industrial and hospital wastes into water bodies
    • siltation of water bodies
    • use of poisonous herbs and chemicals when catching fish
    • application of fertilizers, herbicides and pesticides to crops in the field which are then eroded together with soil into nearest water bodies

 

EFFECTS OF WATER POLLUTION ON AGRICULTURAL PRODUCTION

    • reduced work done by the farmer
    • death of plants
    • death of livestock
    • blocking irrigation pipes
    • shortage of water for irrigation

FUTURE’S WHEELS SHOWING CONSEQUENCIES OF WATER POLUTION

 



WAYS OF CONTROLLING WATERPOLLUTION

    • building proper and well located pit latrines
    • using recommended chemicals in proper amounts for agricultural activities
    • avoid urinating, defecating, bathing washing clothes and dishes in water which is used for drinking, animal production and irrigation
    • avoid damping kitchen, industrial and hospital wastes in water bodies
    • protecting wells and boreholes by fencing them and cementing the floor
    • provide ground cover to prevent siltation

 

WAYS OF KEEPING WATER SAFE

    • boiling
    • adding chemicals such as chlorine and water guard
    • filtering
    • protecting boreholes and wells
    • siting pit latrines away from water sources

 

UNIT 5 WATER CONSERVATION

Water conservation refers to the ways of reducing water loss from soil allowing more water to infiltrate in the soil and collecting surface run-off for future use.

 

WAYS OF CONSERVING WATER

    • use of vegetative cover
    • application of organic matter
    • mulching
    • use of contour ridges, bands and box ridges
    • constructing dams
    • removing silt and other material that accumulate in water bodies
    • making ridges across the slope
    • maintaining vegetative cover along river bank
    • water harvesting

 

UNIT 6 SOIL TEXTURE
Soil texture is the coarseness or fineness of the soil.
or
Soil texture is the percentage of sand, silt and clay in a soil.


CLASSIFICATION OF SOILS BASED ON TEXTURE
There are three main classes of soil based on texture. These are sand, clay and loam soils.

CHARACTERISTICS OF CLASSES OF SOIL

Class of soil

Characteristics

Sand

  • large particles
  • feels coarse
  • large air spaces
  • holds little water
  • little amount of nutrients
  • easiest to till and ridge

Loam

  • medium particle
  • feels fine and soft
  • medium air spaces
  • holds moderate amount of water
  • holds medium amount of nutrients
  • easier to till and ridge

Clay

  • small particle size
  • feels sticky when wet
  • small air spaces
  • holds a lot of water
  • contains high amount of nutrients
  • difficult to till

 

 

SOME CROPS SUITABLE FOR DIFFERENT SOIL CLASSES

Class of soil

suitable crops

Sand

cassava, groundnuts, Irish potatoes, sweet potatoes

loam

maize, groundnuts, beans, peas, pigeon peas, tobacco, okra, Irish potatoes, soya beans

clay

rice, sugarcane, cotton


UNIT 7 SOIL STRUCTURE

Soil structure is how soil particles are held together.
or
Soil structure is the arrangement of soil particles to form different shapes.

 

CHARACTERISTICS OF DIFFERENT SOIL STRUCTURES
There are different types of soil structures. Some of these soil structures are loose, crumb and compact.

 

Loose structure

  • the individual soil particles are lightly held together
  • it has large pore spaces between the particles
  • it loss water quickly
  • it is very easy to break

 

Crumb structure

  • the individual soil particles are moderately held together
  • it has medium pore spaces between the particles
  • it breaks quickly
  • it holds moderate amount of water

 

Compact structure

  • the individual soil particles are strongly held together
  • it has very mall pore spaces between the particles
  • it loss water quickly
  • it is difficult to break
  • it holds high amount of water

 

UNIT 8 SOIL PROFILE

Soil profile refers to the vertical section through the soil showing horizontal layer.

 

Most soils have four main layers.
These are top soil, sub soil, weathered rock and parent rock.


 

LAYERS OF SOIL AND THEIR CHARACTERISTICS
Top soil

  • This is upper layer of soil profile.
  • Most living organisms are found in this layer.
  • This layer has a high organic matter content.
  • This gives the layer its dark brown or black colour, better aeration and high nutrient content.

 

Sub-soil

  • This layer lies below the top soil.
  • There is less organic matter or humus.
  • This layer has a lighter colour than top soil.
  • The colour may be red or reddish brown.
  • The layer contains some nutrients washed down from top soil.

 

The washing down of nutrients from top soil to the sub soil is called leaching. Roots of most crops do not reach this layer.
Generally, the sub soil is less fertile than top soil.
However, some deep rooted crops such as trees may penetrate this layer.

 

Weathered rock

  • This layer lies below the sub-soil. It contains gravel, broken rocks.
  • The colour of this layer varies.
  • It depends on the mineral composition of the rock and penetrate this layer.

 

Parent rock

  • This is a rock which has not been broken down to form soil.
  • It is also called a bed rock.

THE CHARACTERISTICS OF TOP SOIL THAT PROMOTE CROP PRODUCTION

Characteristics

Importance for crop production

high nutrient content

supplying adequate amount of plant food for growth

better aeration

supply air (oxygen) needed for seed germination and root respiration

better water retention

supply adequate water for seed germination and plant growth

black colour

it helps the soil to absorb heat which provide warmth necessary for seed germination and seedling development

high humus content

humus improves soil aeration, water retention and nutrient content of the soil

presence of soil organisms

these help to improve soil aeration like earth worms

 

 

UNIT 9 SOIL EROSION AND CONSERVATION
Soil erosion
Soil erosion is the removal of top soil by the action of water and wind.

 

CAUSES OF SOIL EROSION

  • careless cutting down of tree
  • cultivating on steep slopes
  • cultivating along river banks
  • making ridges along the slope

 

EFFECTS OF SOIL EROSION

  • loss of fertile soil resulting into low yields
  • reduced amount of ground water as a result of fast moving water which reduces infiltration
  • silting of rivers, streams, dams and lakes reducing the amount water bodies and destroying aquatic life
  • formation of gullies leading to reduction of land for cultivation
  • exposure of plant roots causing lodging of crops

 

SOIL CONSERVATION

  • avoiding overstocking
  • making terraces on steep land
  • mulching
  • correct spacing of crops

  • strip cropping
  • making ridges across the slope
  • making box ridges
  • making contour bands

 


TERRACES ON STEEP SLOPE
Making terraces on steep slopes. This conserves soil by reducing the speed of running water.

 


MULCHING
Mulching material reduces the speed of running water which can carry soil away.

 


STRIP CROPPING
Strip cropping involves alternating strips of poor cover crops (maize) with good cover crops (groundnuts) across the slope.
The soil that has been eroded by poor cover crops is trapped by good cover crops.



RIDGES ACROSS THE SLOPE
Making ridges across the slopes reduces speed of run-off

 


BOX RIDGES
Making box ridges reduces amount of run-off by holding water in the boxes.

 


CONTOUR BANDS
Making contour bands holds water and reduces amount of run-off thereby controlling erosion.

 

 

UNIT 10 FARM MACHINERY AND THEIR USES

 

FARM MACHINERY AND THEIR PARTS

There are different machinery that farmers use. These include ploughs, ridgers and sprayers.

USES OF FARM MACHINERY

MACHINERY

USES

plough

tilling the soil

ridger

making ridges

sprayer

applying chemicals to crop and animals to control pests, parasites and diseases.

 


PARTS OF A RIDGER

 

PARTS OF A PLOUGH


PARTS OF A SPRAYER

 

 

 

 

 

Control tap

 

 

USES OF PARTS OF PLOUGH AND A RIDGER


PARTS

USES

handles

enable the farmer to hold and guide plough and ridger

beam

holds all parts of a plough or a ridger

share

Cuts the soil into thin layer

hake

sets the depth of ploughing

depth wheel

helps to move the plough or ridger and maintains depth

hitch

attaches the plough or ridger to the chain or axle

mould board

throws the soil cut loose by share to one side and turns it over (for plough)

wings (for ridger)

pushes the soil to each side so that on the return run a complete ridge is made during ridging

 

USES OF PARTS OF A SPRAYER


PARTS

USES

plastic container

holds the spray materials

plain pump barrel

creates pressure which forces the spray to come out through the lance

lance

delivers the spray

nozzle

a hole through which the spray comes out

control tap

helps to control the amount of spray that comes out

sieve

filtering the spray to avoid blocking the nozzle

shoulder strap

for holding the sprayer

nozzle cups

holds nozzle disc in position


UNIT 11 SAFETY MEASURES WHEN USING FARM MACHINERY

SAFETY MEASURES WHEN USING PLOUGHS AND RIDGER

  • Ensure that the machine is in good working order
  • Soil must be fairly moist when either ploughing or ridging
  • There must be no stumps or large stones in the field during ploughing or ridging
  • The plough or ridger must be handled firmly and correctly
  • The nuts and bolts must be tight
  • Oxen used to pull the plough or ridger must be well trained
  • The yoke must be tied to the plough property

 

SAFETY MEASURES WHEN USING SPRAYER

  • keep the control tap tight.
  • avoid sucking or blowing through the nozzles to prevent chemical poisoning
  • always wear protective clothes when spraying
  • face away from the wind side when spraying so that chemicals are not blown into the face.
  • do not eat, drink or smoke while spraying.
  • the sprayer must be thoroughly cleaned after use
  • wash your body with soup after spraying
  • chemicals from the sprayer must be properly disposed of to avoid pollution of air, soil and water.

 

UNIT 12 MAINTENANCE OF FARM MACHINERY

MAINTENANCE OF A RIDGER, A PLOUGH OR SPRAYER
Remember the following points or rules when caring for a ridger, plough and sprayer:
J know the parts and how they work or function
J set the machine correctly for it to perform properly
J clean the machines and dry them immediately after use to prevent rusting
J grease all movable parts to prevent friction between them
J tighten nuts and bolts to prevent spoiling the threads on the nuts and bolts
J replace warn out parts such as the share, mould boards, nozzle and handle.
J transport a plough or a ridger properly in an ox-cart or by tying the handles to the york and pulling it on the depth wheel in reverse position.
J paint the machinery at the end of each growing season
J keep plough, ridger or sprayer in dry store room or shed for safety
J use the machine for purposes it was made
J read the accompanying manual if available
J lift up or lay down the machinery after use and avoid throwing them away anyhow


UNIT 13 TYPES AND IMPORTANCE OF FLOWERS

TYPES OF FLOWERS
There are different types of flowers based on how they grow.

  • creepers or climbers

These flowers have stems which need support because the stems are weak and grow along the ground. The flowers look beautiful when supported by a wall, strings, trees and fences. Examples of the creepers are money plant, and bougainvillea.

 

  • ground covers

These flowers have stems which do not grow tall. The stems do not need support. The flowers produce many side branches and cover the ground. Examples of such flowers are geranium, periwinkle, marigolds, zinnia, dahlia and ferns.

 

  • trees

These flowers have stems that grow very big and tall. The stems are also tough. The trees are grown because they produce beautiful shape, fruits, petals and leaves. Examples of such flowers are jacaranda, acacia and conifers.

 

  • shrubs

These have stems which are thick and tough after first year of growth. They produce many branches which can be trimmed to a variety of shapes. Examples of such flowers are hibiscus, roses, fushsia, and poinselta.

 

IMPORTANCE OF FLOWERS
J They decorate the surrounding
J Source of income
J Source of medicine
J Source of raw material
J Provide protection
J Some flowers are grown to scare away harmful pests and other animals such as marigold and night queen.

 

 

UNIT 14 FLOWER NURSERY ESTABLISHMENT AND MANAGEMENT

ESTABLISHMENT OF FLOWER NURSERIES
Establishment a flower nursery involves site selection, land preparation, planting or sowing, weeding, pest and disease control and hardening off.


Site selection

FACTORS TO CONSIDER WHEN CHOOSING A SITE FOR A FLOWER NURSERY

  • Should be close to water supply for easy watering
  • Should be close to home or office or fenced area for protection
  • Loam soil for good drainage

 

Land preparation
Land preparation involves the following:

  • clearing the land
  • constructing a fence
  • preparation of planting materials

 

Preparing nursery bed
Preparation nursery bed for cuttings

    • till the cleared site to break to break the hard subsoil so that water drains freely
    • level the tilled land to make the plate flat
    • mark the bed 1 metre wide 5 centimetre high using bricks, soil or wood so as to create a basin for easy watering
    • fill the marked are with 15 centimetre depth of river sand for free drainage for easy rooting
    • cover the top of the prepared bed with a clear plastic paper. This will protect the bed from direct sun heat, too much water from rains and will produce heat that will make buds of cuttings to open quickly

 

Preparation of nursery bed for seeds

  • small seeds can be established in trays with holes at the bottom, large seeds can be sown in the pots filled with soil
  • prepare soil to fill trays or pots by mixing top soil rich in manure, sand and madeya or sawdust, rice husks in the ratio 2:1:1
  • arrange the trays or planting pots on levelled land to form a 1 metre wide bed
  • fill the container with the soil

 

Planting
Planting cutting

  • select planting materials from fresh clean stems to prevent carryover of pests and diseases
  • make a 15cm long cutting by making the base flat and making the cut close to a node in order to easily identify the side to place in soil
  • cut the top of the cutting in a slanting manner to allow water to drain away
  • remove leaves from the cutting except 2 leaves at the top of the cutting for fast growth

  • water the planting bed adequately
  • plant cuttings 7.5 cm deep and the correct way up and in a slanting manner
  • avoid excessive watering to prevent damping off and leaching

 

Planting large seeds

  • make a hole in the potted soil
  • place the large seed in the holes
  • water the pots adequately

 

Planting small seeds

  • make a drill in planting trays
  • sow small seeds in the drill thinly
  • cover lightly with soil
  • cover the trays with grass
  • water the planted trays

 

MANAGING A FLOWER NURSERY
The activities involves in managing flower nursery include watering, weeding, controlling pests and diseases and hardening off.

  • watering should be done twice a day early in the morning and late in the evening
  • weed by uprooting
  • pests and diseases should be controlled using appropriate measures
  • hardening off – before transplanting seedlings reduce frequency of watering so that seedlings withstand field conditions

 

 

UNIT 15 SITE SELECTION AND LAND PREPARATION FOR FLOWER PRODUCTION

FACTORS TO CONSIDER WHEN SELECTING SITE FOR GROWING FROWERS

  • type of flower
  • height of flower
  • colour of flower
  • colour of surroundings

 

LAND CHARACTERISTICS

  • slope of the land – make use of land characteristics. For instance, on steep land plant ground covers or make terraces for planting flowers, on rocks make a rock garden

  • site of the bed – the site of the flower bed will affect the size and type of flower.

If flowers are to be planted between gutter and wall, it may be a narrow bed and choose rooted flowers to avoid damaging the structure.

 

LAND PREPARATION
When preparing land follow the following steps:

  • choose the site for flower garden
  • mark the bed according to the desired size and shape
  • lay out the bed according to design
  • dig the marked area to a depth equal to root depth of flowers DEPTH OF HOLE FOR DIFFERENT TYPES OF FLOWERS

TYPES OF FROWER

DEPTH OF HOLE

shrubs

30 cm deep

ground cover

7.5 - 15cm deep

trees

90cm deep

  • cover the planting hole with the top soil first, then subsoil mixed with well decomposed manure

 

UNIT 16 TRANSPLANTING FLOWERS.

STEPS FOR TRANSPLANTING SEEDLINGS INTO FLOWER POTS

  • Watering the plants 3 – 4 hours before transplanting so that roots, stems and leaves are full of water as well as the soil around the roots.
  • preparing soil for pot filling
  • filling soil in flower pots
  • making a planting hole
  • lifting the seedlings with a hand trowel without damaging the roots
  • place the lifted seedlings into the hole made in the planting pot without bending the roots.
  • cover the transplanted seedlings up to the collar neck
  • press the soil around the seedlings to make seedlings stand firm
  • place the potted plants under shed when it is hot season
  • water the transplanted plants.

 

STEPS FOLLOWED WHEN TRANSPLANTING SEEDLINGS TO FIELD BEDS

  • water the field bed hole 3 – 4 hours before transplanting
  • dig a planting hole

place the pot in the hole

  • remove the planting pot by tearing on the side, this is to allow free growth of stem and roots later, circulation of air and water
  • cover the plant with soil to the collar neck
  • press the soil around the plant to make seedling stand firm
  • water the transplanted seedlings
  • mulch the seedling to protect from excess sunlight
  • water the plant every 4 days until it get established

Transplanting should be done on a cool day or early in the morning or late in the afternoon to reduce loss of water from the seedlings.

 

 

UNIT 17 MANURE AND FERTILISER APPLICATION IN FLOWERS
FERTILISER AND MANURE APPLICATION TO FLOWERS
Fertilizers and manure are applied to flowers to encourage growth.
Different types of manure are applied such as compost manure and animal manure. Well decomposed manure should be applied.
The manure can be mixed with soil before transplanting.
When the flowers are well established, the manure can be spread (broadcasted) in the flower beds. Where the flowers are planted in the rows sparsely planted, the manure can be applied in grooves. The common fertilizers applied in the flowers are 23:21:0+4S and CAN.
The fertilizers are applied using dollop method, banding method and broadcasting method depending on how flowers are planted.
Apply 23:21:0+4S soon after transplanting. When flowers are well established apply CAN.

 

 

UNIT 18 WEED CONTROL IN FLOWERS

COMMON WEEDS IN FLOWER GARDENS
Some of the weeds in flower gardens are star grass, datura, oxalis, chisoso, Tridax, galisoga. A flower garden has to be free from weeds for it to be beautiful.


METHODS OF WEED CONTROL IN FLOWER GARDENS
In a flower garden, weeds can be controlled using the following methods:

  • light hoeing
  • hand weeding
  • slashing
  • chemical weeding

 

GUIDELINES WHEN WEEDING FLOWER BEDS

  • ensure that weeds are well controlled
  • avoid destroying the flower plants
  • ensure the garden is left neat

 

WHEN TO USE DIFFERENT METHODS OF WEEDING

METHODS

WHEN

hand weeding

when weeds are very close to plant
when flower plants are closely spaced

light hoeing

when space between flowers allows use of a hoe without damaging the flower

slashing

when flowers are widely spaced

chemical weeding

when controlling weed before they emerge killing the weeds using selective herbicides

 

 

UNIT 19 TENDING FLOWERS

MEANING OF THINNING
Thinning is the removal of excess plants on a flower bed or field.

 

REASONS FOR THINNING

  • to reduce competition between plants and nutrients, air, water, space and sunshine.
  • to ensure healthy growth of the flower
  • to maintain beauty of the flowers

 

PROCEDURES FOR THINNING

    • water the flower beds to make the soil moist
    • uproot the weak, diseased or any excess plants leaving the correct number per station

MEANING OF PRUNING
Pruning is the removal of unwanted parts of a flower plant such as dead, old, excess and diseased branches, leaves and flowers.

 

REASONS FOR PRUNING

    • to improve quality of the flowers
    • to maintain plant health
    • to restrict growth
    • to train the plants

 

PROCEDUCE FOR PRUNING FLOWER

    • remove dead, old and diseased leaves
    • remove dead heads and fading flowers
    • remove branches which are dead, trailing, diseased, excess and off shape by cutting them from the bottom upward to avoid tearing the flower plant. The cutting should be done at an angle to facilitate water drainage

 

MEANING OF TRIMMING
Trimming is the cutting back of flower branches.

 

REASONS FOR TRIMMING

    • to make a desirable shape
    • to make flower plants become less bushy
    • to restrict growth

 

PROCEDURE FOR TRIMMING

    • measure the desirable height and mark
    • cut back the branches to the intended height
    • cut the branches to the desirable shape

UNIT 20 PEST AND DISEASE CONTROL IN FLOWERS

PESTS AND DISEASES OF FLOWERS

 

  • PESTS OF FLOWER


Mealy bugs
These are found on undersides and axils of leaves and young shoots. They produce a sticky substance called honeydew on which grows a black mould. They live by sucking plant juices. They can be controlled by using clean planting materials.


Aphids
These cause twisting of leaves and flowers. They also produce sticky substances called honeydew that attracts ants. They can be controlled by using dimethoate or marathion, hot pepper and garlic.

 

Scaley insects
They are identified as bumps on stems and undersides of leaves where they produce substance called honeydew resulting in stunted growth. They live by sucking plant juices. They can be controlled by Marathion or Noadazinon.

 

White flies
They are found on undersides of the leaves and produce sticky substance called honeydew where a black mould can develop. They live by sucking plant juices. They can be controlled by clean planting materials.

 

Spider mites
These are found on the undersides of the leaves. They suck plant juices. They can be controlled by interplanting with strong smelling plants like marigold and using Dimethoate, Actellic and Rogor.


Slugs or Snails
They are found around dark, moist, decaying matter. They eat leaves. They can be controlled by hand picking or use of sodium bicarbonate and common salt.

  • DISEASES OF FLOWERS Grey mould
    • This is caused by fungus.
    • It affects leaves, flowers and roots.
    • It can be controlled by cutting away the dead rotting part and burn it
    • It can also be controlled by fungicides

 

Beech bark disease

    • It is caused by fungus spread by scale insect
    • It affects the bark and penetrates inwards until the tree dies
    • It can be controlled by felling the infected tree to minimise the spread of disease

 

Giant polypore fungus

    • This disease is caused by fungus
    • It usually affects mature or over-mature trees
    • It attacks the roots
    • It can be controlled by cutting down the tree and burn it

 

 

UNIT 21 HARVESTING FLOWERS

There are three products that can be harvested from flowers and shrubs. These are:

  • true seeds
  • cuttings
  • real flowers (cut flower)

 

PROCEDURE
The best stage to harvest or cut flowers for sale depends on the types of flowers. Generally, flowers must be harvested just before or as soon as they reach maturity. The bud should not be completely open.
Cut the flowers during the cool morning hours. At that time dew should dried.


Use a pair of scissors, garden share, secuture and knives to cut the flower. These materials should be kept sharp to ensure that stems are cut evenly and not crushed. Crushed stems restrict the ability of the flowers to take up water thereby reducing their life.

 

PRESERVING FLOWERS

  • Air drying

Flowers are cut at uniform length and hang upside down in branches in a dark, dry room to prevent fading of colour through sunlight

 

  • Pressing

Flowers are pressed between newspapers. Alternating layers of flowers and paper are pressed between two boards. A heavy object is then placed on the top board. The pressed flowers are usually stored in the stuck until needed.

 

  • Dipping in a mixture of water and glycerine

Flowers are dipped in a solution of water and glycerine for two to three weeks.
Freshly harvested flowers should be placed in lukewarm water that has floral preservatives. The preservatives increase flower's life.

  • Drying in silica gel

Silica gel absorbs moisture from flowers. Flowers are placed in a closed container with silica gel. It is recommended that flowers dried in this way should be stored and displayed in the closed containers to keep out moisture.

 

 

UNIT 22 TYPES AND IMPORTANCE OF VEGETABLES

TYPES OF VEGETABLES
There are two main types of vegetables. These are indigenous and exotic

 

Indigenous vegetables
These are vegetables found naturally in a country for example Malawi.
These include chisoso, mwanaaligone, luni, bonongwe, limanda, thugwi, chewe, bowa and njerenjedza.

 

Exotic vegetables
These are vegetables introduced in a country from elsewhere.


These include cabbage, rape, carrot, tomato, bowa and eggplant.

 

CLASSES OF VEGETABLES
Vegetables can be classified according to edible parts. The following are the classes of vegetables:
Leaf vegetables
Cabbage, mustard, bonongwe, rape and spinach.

 

Root, tuber and bulb vegetables
Carrot, European potatoes, onion, sweet potatoes and beetroot.

 

Fruit vegetables
Tomatoes, eggplants, pepper, pumpkins, cucumbers.

 

Legume vegetables
Peas and fresh beans, fresh cowpeas

 

For some vegetables the whole plant is eaten such as mushroom.

 

IMPOTANCE OF VEGETABLES

  • sources of food
  • sources of income
  • sources of employment
  • sources of raw materials

 

UNIT 23 NURSERY ESTABLISHMENT AND MANAGEMENT FOR VEGETABLES NURSERY ESTABLISHMENT
Some of the activities involved in vegetable nursery establishment are site selection, seed selection, seed bed preparation and sowing.

 

SITE SELECTON
A vegetable nursery should be near a water source near the home or school for easy management and on sandy loam soil for easy drainage

SEED SELECTION
It is important to select good seed for sowing to ensure high germination percentages and health strong seedlings.
Seed can be selected from previous crop or bought.
Check the expiry date to avoid buying seeds which have overstayed as this will lead to low germination percentage.

 

NURSERY BED PREPARATION
After selecting site for a vegetable, it must be fenced.
The land must be tilled to a depth of more than 15cm to loosen the soil and improve the drainage. The bed should be 1 metre wide and 15 cm high.
A bed can be of any length.
The bed must be flat to avoid run-off.
Make a mixture of two parts of loam soil, one part manure and one part sand. Spread the mixture over the bed to a depth of 15 cm.

 

SOWING SEEDS
Large vegetable seeds as those of pumpkins, peas and beans can be sown directly on the field beds.
Small seeds should be sown in furrows (drills) 1.5 cm deep and 10-20cm apart along the width of the seedbed in straight lines for easy management and extraction.
Spread the seeds thinly in the furrows and cover lightly with soil. Erect a raised mulch which will also serve as a temporary shade.

 

NURSERY MANAGEMENT
Vegetable nursery management involves a number of activities.
These activities include watering, weeding, thinning, pest and disease control and hardening off.

 

Watering
Water seedbeds in the morning and late in the afternoon everyday until the seedlings are four weeks old.
Avoid watering at midday when evaporation is highest.


Avoid under-watering because it will result into wilting.

 

Weeding
Weeding is necessary to reduce competition between weeds and seedlings for nutrients, water, light and space.
It also reduces the attack by pests and diseases.
Hand weeding is recommended to avoid damaging roots.
It is necessary to make the soil loose using a small, sharp stick or a hand folk.

 

Thinning
Thinning can be done when there are too many seedlings in the farrows (drills). Seedlings may be thinned to 20cm apart when they are about two weeks old.

PEST AND DISEASE CONTROL
Seedlings have to be protected from pests and diseases. Some pests of vegetable seedlings are caterpillars, grasshopper, nematodes and aphids.

 

PEST CONTROL IN VEGETABLE NURSERY

PEST

CONTROL

Aphids

spray marathion
spray with tephrosia

grasshoppers

spray Carbaryl

cutworms

drenching the soil with actellic 1ml in 1 litre of water

caterpillars

spray Carbaryl at a rate of 85g in 14 litres of water

All these pests can be controlled by spraying with tephrosia or using smelly mulching materials like lemon grass, mpungabwi or plant strong smelling crops for example garlic.

 

DISEASES
Dumping off is one of the common diseases in the vegetable nursery. It is caused by fungus and promoted by overwatering.


It can be prevented by:
ª sowing at recommended spacing
ª sterilising the soil before sowing
ª dusting the seed with a fungicide such as captain and thiram
ª frequent weeding
ª avoid overwatering

 

HARDENING OFF
This is the gradual reduction of frequency of watering to seedlings.
This is done to prepare seedlings for the hot and dry condition in the garden.
The temporary mulch should be removed in the second or third week after germination. Watering is reduced to once a day for weeks after germination.

 

 

UNIT 24 SITE SELECTION AND LAND PREPARATION FOR GROWING LEAF VEGETABLES

CHOOSING A SITE FOR A VEGETABLE GARDEN
There are many factors to be considered when choosing a site for a vegetable garden. The following are some of them:
ª water supply
ª type of soil
ª nearness to home or school
ª nearness to market

 

LAND PREPARATION
Land preparation for leaf vegetable growing include:

  • clearing the site for field beds
  • making a fence to protect the vegetables from animals
  • tilling the land to a depth of 20cm
  • breaking large lumps of soil
  • marking out bed. A bed should be 1 metre in width. It can be of any length. The length of the bed depends on availability of land and amount of vegetables to be produced.
  • spreading compost or farmyard manure or fertilizer over the bed
  • raking the manure and fertilizer into the soil
  • levelling the ground

UNIT 25 TRANSPLANTING LEAF VEGETABLES

TRANSPLANTING VEGETABLE SEEDLINGS
Most leaf vegetable seedlings are ready for transplanting in about 4 to 5 weeks after sowing. This is when most seedlings have reached recommended size or height of 10 to 15 centimetres.
Seedlings should be transplanted late in the afternoon on cool, cloudy or rainy day so that they do not wilt.
Seedlings are hardened-off before transplanting.
Hardening-off is done by reducing the frequency of watering seedlings to once per day for a period of 1 to 2 weeks before transplanting. The seedlings can be left without watering for the last 2 to 3 days before transplanting

 

RECOMMENDED SPACING FOR SOME LEAF VEGETABLES

vegetable

spacing(cm)

between rows

between plants

cabbage

50

50

rape

30

50

bonongwe (Amaranthus)

30

30

mustard

45

60

Chinese cabbage

45

60

lettuce

30

30

 

The steps to follow when transplanting leaf vegetable seedlings are as follows:

  • water the nursery beds thoroughly
  • water the field beds thoroughly
  • mark out the planting holes at the right distances in a straight line in the field beds
  • dig holes in the positions marked
  • lift the seedlings out of the nursery bed with as much soil as possible around the roots and place them in an open container
  • place the seedling carefully into planting hole without bending the roots
  • fill the holes with soil up to the collar mark of the seedlings. Press the soil around the plant firmly and gently with fingers.
  • mulch the beds
  • water the beds

UNIT 26 FIELD MANAGEMENT PRACTICES FOR LEAF VEGETABLES

MANAGEMENT PRACTICES FOR VEGETABLES IN FIELD BEDS
The transplanted seedling must be properly taken care of for them to survive and develop to maturity.

 

The following are some of the management practices:

  • Mulching
  • Watering
  • Weeding
  • Supplying
  • Fertilizer or manure application
  • Disease and pest control
  • Harvesting leaf vegetables

 

MULCHING
Place the mulch at 5-7cm away from the seedlings to prevent termites or other ants from damaging the seedlings.

 

IMPORTANCE OF MULCHING

  • Reduces weed growth by suffocating its seedlings
  • conserves the soil moisture by decreasing the evaporation of water from the soil surface.
  • decreases soil erosion by protecting the soil surface from contact by raindrops
  • controls the soil temperature
  • adds the plant foods to the soil when it decomposes
  • reduces the spread of diseases by controlling the splashes (when it rains) of soil particles that contain disease causing organisms.

 

WATERING

  • water the transplanted seedlings twice a day, in the morning and late afternoon.
  • as seedlings are getting old reduce the frequency to once a day.
  • during the dry season, frequency of watering should be increased to avoid wilting of vegetables

 

IMPORTANCE OF WATERING

  • dissolves the plant food (nutrients)
  • makes the plant absorb the nutrients from the soil and transports them to the leaves.
  • makes plants to manufacture their food since water is one of the main components required in the process of food making
  • enables the plants to transport the manufactured food to all other parts of a plant
  • cools down the plants when it is very hot through transpiration

WEEDING

  • Weed on a sunny day so that weeds can dry up and die
  • Weeding can be done using trowel, handfork or small hoes, weeds close the vegetable plants should be uprooted. Mulch beds after weeding to supress weed growth

 

IMPORTANCE OF WEEDING

  • Reduces insect and disease attack
  • reduces competition for plants nutrients, air, sunlight, water, space between vegetable plants and weeds
  • promotes production of quality leaf vegetables
  • loosens the soil allowing more water to infiltrate and air to circulate freely

 

SUPPLYING
Replacement of dead vegetable plants should be done within a week of transplanting.

 

IMPORTANCE OF SUPPLYING

  • Maintains correct plant population in order to increase productivity

 

FERTILIZER/MANURE APPLICATION

  • make holes at 5-10cm away from the planting station
  • apply 8g of CAN or Urea fertilizer per station or half teaspoon per station

 

IMPORTANCE OF MANURE OR FERTILIZER

  • for development of green leaves
  • for development of juicy leaves
  • for fast growth of the vegetables

 

DISEASE AND PEST CONTROL

DISEASES OF LEAF VEGETABLES AND THEIR CONTROL


Disease

Their signs

control

Damping off

  • seedlings appear water soaked at ground level and they collapse
  • avoid over watering and dense planting
  • bury the diseased plants
  • spray the recommended chemicals

Leaf spot

  • small yellowish or brown spots on leaves causing the older leaves to face off
  • use clean seed, crop rotation, field hygiene, spray a chemical called chlorothanil or Daconil at 2g in 1 litre of water

Leaf bright

  • Brown-black spot with a yellow margin on older leaves, stems and petioles
  • use clean seed, crop rotation, field hygiene
  • spray with the recommended chemicals

Black leg fungus

  • red-brown spots on the leaves, root decay
  • treat the seeds before sowing
  • spray with the recommended chemicals
  • crop rotation

Black-rot

  • blackening of the vascular tissues causing blockage of water supply, yellow v-shaped spots with white threads of fungi on the lower surface
  • seed treatment
  • crop rotation
  • crop hygiene
  • grow crops in cool season

Downy mildew

  • young plants develop irregular brown or white spots with white threads of fungi

on the lower surface

  • spray with Mancozel (Dithane m45) at the rate of 2g in 1 litre of water

Heart rot

  • the whole plant rots
  • spray with recommended chemicals
  • sterilize the beds before sowing
  • apply ash on the leaves
  • crop hygiene

PESTS OF LEAF VEGETABLES AND THEIR CONTROL

Pest

Type of damage

control

Aphids

  • sucks the leaf sap causing leaves to curve inside and wilting
  • introduce lady bird beetle
  • spray actellic 50EC at 1 litre of water
  • use of trap crops such as milk weed which attracts aphid away from vegetables

Cutworms

  • cut the stem at ground level
  • Sterilizing the soil by either burning or use chemicals

Caterpillars

  • feed on leaves and tender

stems of leaves

  • spray Carbaryl

Grasshoppers

  • feed on leaves and stem of vegetable seedlings
  • spray Carbaryl
  • weeding

Nematodes

  • swelling on the roots
  • practice crop rotation

Mole crickets

  • cut the leaves at ground level
  • dig them up

Leaf eating beetles

  • chew the leaves and feed on roots
  • pick them up
  • spray malanthion or Carbaryl or cypermethrin

 

Chemicals should be applied and allowed a period of 2 weeks before harvesting. Apply chemicals when pests exist in the field beds.

 

IMPORTANCE OF PEST AND DISEASE CONTROL

  • prevents transmission of diseases
  • prevents destruction of the leaves
  • promotes fast growth of the plants
  • increases vegetable yields
  • improves quality

 

HARVESTING LEAF VEGETABLES

  • harvest vegetables before they develop tough fibres or when the head is firm in case of cabbage
  • harvest early in the morning when the crop still has some moisture
  • use a sharp knife cutting the leaf stock at an angle
  • keep the produce in fresh condition
  • harvest leaf vegetables regularly

 

IMPORTANCE OF HARVESTING LEAF VEGETABLES AT THE RIGHT TIME

  • more leaf is produced
  • flowering is delayed
  • tender leaves are harvested

 

UNIT 27 IMPORTANCE OF RABBITS

IMPORTANCE OF RABBITS

  • provide meat for the people
  • they produce and grow faster than other animals such as goats, sheep or pigs
  • they produce manure for crop production
  • they are a good source of income to farmers after selling
  • they are easy to feed as they can feed on kitchen leftovers
  • their hair is used as a raw material for making woollen clothes
  • they require small space

BREEDS OF RABBITS
There are different breeds of rabbits. These are:

  • Angora
  • California
  • New Zealand White
  • Flemish Giant

 

The recommended breeds in Malawi are New Zealand White and California.
These two breeds are able to adapt to different conditions and systems of keeping rabbits.

 

CHARACTERISTICS OF RABBIT BREEDS

  • California Black
    • it is small in size, weighs about 3.5kg to 4.5kg when mature
    • it produces more offsprings

    • it is black in colour

 

  • New Zealand White
    • it is big and weighs about 4kg to 5kg when mature
    • it produces more offsprings

    • it is white in colour

  • Flemish Giant
    • it is very big and weighs about 5kg to 6kg when mature
    • it does not produce a lot of offsprings

    • it is grey in colour

 

UNIT 28 HOUSING AND FEEDING RABBITS HOUSING RABBITS
Rabbits need to be properly housed for increased production. A good rabbit house protects the rabbits from enemies such as dogs, cats and snakes. It also protects rabbits from bad weather.

There are different ways of housing rabbits such as:

  • Pole and thatch khola

It is made of poles and thatched with grass. The khola is raised 1m above the ground for hygienic reasons. This reduces infestation of maggots and worms. Rabbits are also unable to burrow the ground and hide. The floor or bottom of the khola should have holes big enough for droppings to fall through and small enough for young ones not to fall through. A wire mesh or flat mesh can be put on the floor if the floor has big spaces. This keeps the khola well ventilated and self cleaned.


  • Deep litter khola

Constructed using bricks or stones. The roof is thatched with grass or iron sheets. Make sure that there is enough space for each rabbit. Provide bedding materials such as wood shavings to a depth of 7.5 cm as litter. The deep litter khola should have clean and dry litter to prevent infestation of maggots.

 

  • Hutches

Can be constructed using wood or bamboos. Hutches can be divided into individual cages. Hutches should be easily transportable if need be. Does, bucks and weaners have different cages. A cage for a buck is slightly larger than a doe's. This is to accommodate a buck and doe when placed in a buck's cage for mating.


Single hutch for a doe

 

 


Hutch for weaners


Single hutch for a buck

 

FEEDING RABBITS
Rabbits are easier to feed largely because of their small bodies. They can be fed on food which otherwise would be thrown away by a household. They are an example of animals that do not compete with humans for food, such that a farmer is unlikely to face the problems in supplying food to rabbits. Proper feeding is a key to successful rabbit production.
Rabbits kept in hatches and kholas are totally dependent on the keeper for the feed.
Rabbits prefer fresh feed materials such as carrots, potato vines, cabbage and ground haulms, elephant grass, banana leaves, mwanaaligone, Tridax (Kwakhwaniwa). Green grass should also be fed to rabbits daily in addition to other feeds. A balanced feed should be prepared or bought and fed to rabbits at all times.

 

THE FOLLOWING GUIDELINES CAN BE USED TO PREPARE FEED FOR RABBITS:

 

COMMON CONCENTRATE FEED STUFFS AND HOW TO MIX THEM
Group A          sun flower cake or groundnut cake
Group B          boiled and dried beans or cotton seed cake Group C                     maize, rice, sorghum or millet, (meal or bran) Group D                        dried cassava or dried sweet potatoes

HOW TO MIX

    • mix 4 cups of group C with 1 cup of group A
    • mix 3 cups of group C with 2 cups of group B
    • mix 2 cups of group D with 2 cups of group B and 1 cup of group A NB any suitable container can be used instead of a cup.

Grain products should be put in heavy feeding troughs which rabbits cannot trip over. Plant materials


such as grass can be hanged (suspended off the ground or floor) in the cage as rabbits do not eat spoiled feed
Over feeding should be avoided especially green feeds because they have plenty of water which will make the belly of rabbits to be filed with water resulting in low growth.
One way of noticing a hungry rabbit is that it comes to meet the farmer when approaching the khola.

 

WATER
Provide clean water to rabbits at all times.
A low supply of water will affect feed intake, growth and production of milk in rabbits. Water should be put in heavy containers so that they are not tripped over by rabbits. If rabbits are given large amounts large of dry feeds increase the supply of water.

 

UNIT 29 DISEASE AND PARASITE CONTROL IN RABBITS RABBIT DISEASES
Rabbits are attacked by several diseases.
The table below shows some of the diseases, their causes, signs, prevention and treatment.

Name of disease

Causes

Signs

Prevention

Treatment

Coccidiosis

Protozoa

  • Lack of appetite
  • Dullness of rabbits
  • Severe diarrhoea
  • Dehydration
  • Rapid death
  • Keep khola or cage dry all the times
  • Coccidiostats in feed or drinking water

Colds (snuffles
Disease)

  • Bacteria
  • Virus
  • Sneezing
  • Mucus discharge from nostrils
  • Isolate sick rabbits
  • Avoid overcrowding of rabbits
  • Good ventilation
  • General hygiene
  • Antibiotics in drinking water

Rabbit pox

  • virus
  • small blisters on the skin
  • vaccinate young rabbits goal against rabbits pox
  • Treat the sores with appropriate drugs


Sores hocks

  • bacteria
  • sores on feet
  • Avoid putting rabbits in rough floors especially floors made of interwoven wire or

very thin wire

  • Treat the sore with antibiotic ointment

 

Other diseases that may attack rabbits are tuberculosis, rabies and ear cancer. Rabbits which die from unknown causes should be removed and burnt.

 

PARASITES
Rabbits are attacked by external and internal parasites.

 

INTERNAL PARASITE

Parasites

Damage caused

Prevention

Treatment

Tape worm

  • Suck digested feed
  • Rabbits lose weight
  • Cleanliness of houses
  • Keep feeding and

dry

  • Use piperazine or any deworming

Round worm

  • Suck digested food
  • Rabbits lose weight
  • Clean the house
  • Change wet litters
  • Use piperazine

coccidia

  • Attacks the lining of the liver and intestine
  • Severe diarrhoea (diarrhoea may be

blood stained)

  • Keep house or cage clean
  • Coccidiostats

 



Round worms                                                Tape worms


EXTERNAL PARASITES
Some of the external parasites that attack rabbits include: ear mites, fleas and lice. These suck blood and the rabbits may lose hair (fur) and cause irritation to the skin. Ear mite can cause a disease called ear cancer.
External parasites can generally be controlled by cleanliness of rabbit houses or cages.


Flea                                          Mite                                                Louse

 

 

UNIT 30 IMPORTANCE AND SYSTEMS OF AGROFORESTRY

MEANING OF AGROFORESTRY
The term "agroforestry" is formed by combining two original words of "agronomy" and "forestry". Therefore, the term "agroforestry" means the growing of arable crops together with trees on the same piece of land.

TYPES OF AGROFORESTY
Agroforestry is classified into three main types as follows:

  • Silvoarable
  • silvopasture
  • forest farming

 

Silvoarable
Mixing trees with arable or horticultural crops such as maize, sorghum, beans, cotton, groundnuts, cabbages, tomato and carrots.

 

Silvopasture
Mixing trees with pastures or grass for grazing livestock.

 

Forest farming
Cultivating high value products within the forested area:


Medicine, botanical decoratives, handcrafts, food as well.

 

SYSTEMS OF AGROFORESTRY
The following are some of the agroforestry systems practiced in Malawi:

  • Folder banks
  • Live fence
  • Improved fallows
  • Dispersed tree planting
  • Alley cropping

 

Folder banks
This involves planting trees used as feed for livestock alternated with arable crops. The tree are frequently pruned to feed livestock.

Live fence
This involves planting trees and shrubs along the boundaries of arable crops.
Some of these trees may produce agroforestry products like fruits, timber and firewood.

 

Improved fallows
This involves growing legume trees on an arable land which is under fallow. This increases organic matter and improves soil structure and fertility.

Dispersed tree planting
This involves planting certain types of trees at random with arable crops.

 

Alley cropping
This involves planting rows of trees alternated with rows of arable crops.

 

IMPORTANCE OF AGROFORESTRY

  • The leaves fall and add nutrients to the soil
  • Improving soil fertility and crop yields
  • Legume leaves are rich in nitrogen
  • Roots of leguminous trees fix nitrogen
  • Providing food for livestock
  • Controlling soil erosion and water run off on steep slopes
  • Providing fuel wood, timber or poles for buildings

  • Providing protection
  • Improving food security
  • Source of medicine

 

CHARACTERISTICS OF AGROFORESTRY TREE SPECIES

  • Ability to accommodate other crops
  • Ability to improve soil fertility
  • High nutritive value
  • Edible fruits
  • Ability to generate
  • Medicinal value

 

Written by Zikomo Masese Banda


REFERENCE

MIE (2008) Agriculture Teachers’ Guide for Standard 7, Domasi; MIE



UNIT 1 JUDGES

UNIT 2 TEACHING IN PARABLES
UNIT 3 USE OF PARABLES
UNIT 4 DRUG AND SUBSTANCE ABUSE
UNIT 5 CHRISTIAN GROWTH
UNIT 6 RESPONSIBILITIES FOR VULNERABLE GROUPS
UNIT 7 KINGS OF ISRAEL
UNIT 8 COMMUNICATING WITH GODUNIT 9 CHURCH AND POLITICS

UNIT 1 JUDGES Written by Zikomo Masese Banda
A judge is a public official who has the power to decide.

 

JUDGES OF ISRAEL

  • Gideon
  • Samson
  • Deborah
  • Jephthah

 

PEOPLE WHO CAN ACT AS JUDGES

  • teachers
  • chiefs
  • umpires
  • referees

 

RESPONSIBILITIES AND ROLES OF A JUDGE

  • settling disputes and minor disagreements
  • protecting the rights of the people
  • interpreting the law
  • assessing the evidence presented
  • controlling how hearings and trials unfold in their courtrooms

 

THE STORY OF GIDEON (Judges Chapters 6, 7 and 8)
The Israelites had sinned against God and were serving punishment. Everything they had was taken away by the Midianites.
It was because of these reasons that the Lord appointed Gideon, the son of Joash from the clan of Mannasseh, to save Israel from the hands of the Midianites.

 

 

THE MISSION OF GIDEON
The mission of Gideon was to save Israel from the Midianites.
Gideon was with the Lord and he conquered Midian using only 300 men. This was a small number of soldiers compared to those of the Midianites.


God told Gideon to use a small number of soldiers to show God’s power.

 

 

THE STORY OF SAMSON (Judges Chapters 15 and 16)
God appointed Samson, the son of Manoah, to deliver the Israelites from the hands of the Philistines. During his life, Samson killed many Philistines.
As a Nazarite, Samson was not supposed to cut his hair because his strength was in the hair. Later, after several attempts, Samson revealed his secret to his wife Delilah.
The wife then told her people who sent her to cut his hair and Samson became weak. Afterwards, the Philistines gouged Samson's eyes out.
One day they took him to a building to entertain them. During entertainment, Samson prayed to God
He held two pillars of the building and pushed them.
The building fell down and killed everyone in the building including Samson.

 

 

THE MISSION OF SAMSON
The mission of Samson was to deliver Israel from the hands of the Philistines.

 

 

THE STORY OF DEBORAH (Judges Chapter 4) The Israelites had sinned again.
This time the Lord handed them over for twenty years to the Canaanites whose King was Jabin.
At this point the Lord appointed Deborah, the Prophetess, the wife of Lappidoth to be a judge among them.

 

 

THE MISSION OF DEBORAH
The mission of Deborah was to deliver the Israelites from the hands of the Canaanites.
Deborah together with Barak, the army commander, managed to defeat the Canaanites with the help of God.


THE STORY OF JEPHTHAH (Judges Chapter 11) Jephthah was born from a harlot (prostitute). He was not liked by his half-brothers.
He was thrown away because they did not want him to inherit their father's house.
Later on, he was called by the elders and his brothers to assist them in fighting against the Ammonites.

 

 

THE MISSION OF JEPHTHAH
Jephthah's mission was to deliver Israel from the Ammonites.
Jephthah vowed to God that he would offer as a burnt offering anything that would be the first to welcome him from war.
His only daughter welcomed him and he offered her as a burnt offering.

 

 

 

 

UNIT 2 TEACHING IN PARABLES

A parable is a story using everyday events to illustrate a religious or moral point.

 

WHY JESUS USED PARABLES IN HIS TEACHINGS

  • for easy understanding
  • to illustrate and convey meanings beyond the story

 

EXAMPLES OF PARABLES THAT JESUS USED

  • the Good Samaritan
  • the prodigal son
  • the two sons
  • the lost coin
  • the vine yard

THE PARABLE OF THE GOOD SAMARITAN (Luke 10:25-37)
A lawyer tempted Jesus by asking him the following questions: What shall I do to inherit eternal life? Who is my neighbour?
Jesus answered him by telling him about the parable of a Good Samaritan.
Where a man was going down from Jerusalem to Jericho when he was attacked by robbers. They stripped him of his clothes, beat him and went away, leaving him half dead.
A priest passed by without helping him.
So too a Levite passed by on the other side without helping him.
But a Samaritan, when he saw a man he took pity on him, went to him and bandaged his wounds, pouring on oil and wine.
The Samaritan cared for the wounded man until he was fine.

 

THE LESSON LEARNT IN THE PARABLE OF THE GOOD SAMARITAN

  • The real neighbour is he who assists those in need.

 

THE PARABLE OF THE TWO SONS (Matthew 21:28-31)
In this parable, a father had two sons who asked them to do a work.
The first son refused to do what his father had asked him to do but later, he repented and did the work.
The second son accepted to do what the father had asked him but did not do it.

 

LESSON IN THE PARABLE OF THE TWO SONS

  • God expects his children to say the truth and obey him.

 

THE PARABLE OF THE PRODIGAL (LOST) SON (Luke 15:11-32)
The lost son realised his sinfulness and suffering. He decided to go back to his father for forgiveness.
On return his father welcomed him and celebrated by killing a fattened calf. The elder brother was angry with the father's decision
But the father persuaded him to forgive and accept his young brother.


THE LESSON IN THE PARABLE OF THE LOST SON

  • It is important to forgive those who repent.

 

THE PARABLE OF THE LOST COIN (Luke 15:8-10)
In this parable a woman lost a coin and laboured to find it.
After she had found it, she rejoiced together with her friends and neighbours.

 

THE LESSON IN THE PARABLE OF THE LOST COIN

  • God expects his people to be concerned with those that are lost and bring them back.

 

 

 

UNIT 3 USE OF PARABLES

THE USE OF PARABLES IN MALAWIAN CULTURE
Parables are used in Malawian culture to tell stories about everyday life while giving a lesson beyond the story.

 

EXAMPLES OF PARABLES USED IN MALAWIAN CULTURE

  • chikomekome cha nkhuyu m'kati muli nyerere
  • kanthu kali makonda buluzi anakonda khonde
  • kuteteza n'kwabwino kuposa kuchiza
  • zokoma sizikuti leke
  • safunsa anadya phula
  • mbuzi ikakondwa amalonda ali pafupi

 

"All that glitters is not gold" (chikomekome cha nkhuyu m'kati muli nyerere) means that it is not good to be attracted by the outward appearance of anything.

"Beauty is in the eyes of the beholder" (kanthu kali makonda buluzi anakonda khonde) "Prevention is better than cure" (kuteteza n'kwabwino kuposa kuchiza)


"Good things do not fill a spoon" (zokoma sizikuti leke)

 

 

THE USE OF PARABLES IN TEACHINGS OF JESUS (Luke 10:25-37; Matthew 21:28-31; Luke 15:11-32; Luke 8:4-21)
Jesus used parables to illustrate and convey meanings beyond the stories. These include the parables of the vineyard and people losing their coins. Jesus used such stories for easy understanding.

 

 

 

 

UNIT 4 DRUG AND SUBSTANCE ABUSE

Drug and substance abuse means using drugs and substances for wrong purposes.
Drug and substance abuse has adverse effects on the health and development of a person.
They may cause damage to the skin, heart, liver, brain, eyes, kidneys and other parts of the body.

Drugs
Drugs are medicines that are used for preventing and treating diseases.

 

EXAMPLES OF DRUGS

  • panado
  • aspirin
  • quinine
  • fansider
  • Bactrim
  • penicillin

 

Substances
Substances are any kind of matter used for either domestic or industrial purposes.


EXAMPLES OF SUBSTANCES

  • alcohol
  • spirit
  • petrol
  • soap
  • paraffin
  • tobacco
  • kachasu
  • vim
  • glue
  • Indian hemp
  • salt
  • soil
  • mandrax
  • cocaine
  • cooking oil

 

USES OF COMMON DRUGS AND SUBSTANCES

  • they are used as medicines
  • they are used as fuel
  • they are used as cooking additives
  • they are used as cleaning materials
  • they are used as stimulants

 

THE CAUSES OF DRUG AND SUBSTANCE ABUSE

  • peer pressure
  • frustration
  • curiosity
  • loss of loved ones
  • loss of goods and finances
  • failure in examinations
  • wanting to commit suicide
  • ignorance of harmfulness of the drugs and substances

 

THE PREVENTION OF DRUG AND SUBSTANCE ABUSE

  • being assertive
  • engaging in physical exercises
  • being involved in recreational activities
  • choosing friends with good habits and hobbies

  • reporting incidents of drug and substance abuse to teachers, head teachers or police
  • seeking guidance and counselling

 

CHRISTIAN TEACHINGS ON DRUG AND SUBSTANCE ABUSE (Genesis 9:20-22; Proverbs 20:1; Proverbs
23: 29-30; Proverbs 31:4-7; Galatians 5:19-21; 1 Corinthians 6:9-10, 19-20) The Bible does not allow people to abuse drugs and substances.
This is because when drugs are abused they reduce the reasoning ability of a person.

This can make a person:

  • commit suicide
  • kill others
  • become mad

 

God commands Christians to avoid drug and substance abuse. And drug and substance abuse does not please God.

 

 

 

 

 

UNIT 5 CHRISTIAN GROWTH

SACRAMENTS
A sacrament is an outward and visible sign instituted by Christ for an inward and spiritual blessing.

 

It is a Christian rite of faith that elaborates some doctrines, a ritual observance that acts as a sign of loyalty by the believer.

 

EXAMPLES OF SACRAMENTS

  • baptism
  • Lord’s Supper

HOW SACRAMENTS ARE ADMINISTERED (Matthew 3:13-16; 26:26-30)

  • By sprinkling
  • By immersion
  • By eating
  • By drinking

 

IMPORTANCE OF SACRAMENTS (1 Corinthians 11:23-30; John 13:1-12; Acts 8:36-38)

  • Receiving blessings from God
  • Living a righteous Christian life
  • Living in peace with other people
  • Having a sense of belonging
  • Renewing one’s spiritual life

 

 

 

UNIT 6 RESPONSIBILITIES FOR VULNERABLE GROUPS

VULNERABLE GROUPS IN SOCIETY
Vulnerable groups are those people that lack protection, care and essentials.

 

SOME VULNERABLE GROUPS

  • Women
  • Children
  • People with special needs
  • People living with HIV and AIDS

 

STREET CHILDREN
Street children are children that seek food and shelter in the streets.

 

CIRCUMSTANCES THAT LEAD CHILDREN TO BE IN THE STREETS

  • Orphanhood
  • Physical challenges
  • Ill-treatment
  • Loneliness

  • Homelessness

 

SOME CHILDREN’S RIGHTS BEING VIOLATED WHEN CHILDREN LIVE IN STREETS

  • Right to descent life
  • Right to education
  • Right to good health
  • Right to good food
  • Right to parental care and guidance

 

CHRISTIAN ROLES AND RESPONSIBILITIES FOR STREET CHILDREN (Isaiah 58:7; Acts 3:1-10)

  • Providing them with education
  • Providing them with food
  • Providing them with shelter
  • Providing them with clothes
  • Providing them with spiritual care
  • Providing them with protection

 

 

 

 

UNIT 7 KINGS OF ISRAEL

A KING
A king is a sovereign ruler of a country or state who inherits the position by right of birth.

 

ROLES OF A KING

  • Defending his country from enemies
  • Settling disputes
  • Bringing peace where there are misunderstandings
  • Maintaining order
  • Living as a role model of the society

 

In the Bible, kings had divine charisma.


Their roles included:

  • Acting as judges
  • Deciding cases
  • Defending their territories from enemies
  • Enforcing rules and commandments of God in their states

 

Charisma means power given to a person by the favour of God.

 

SOME KINGS OF ISRAEL

  • David
  • Saul
  • Solomon
  • Ahab

 

The first king of Israel was Saul.
The second king of Israel was David.

 

THE KINGSHIP OF SAUL (1 Samuel 9:1-27; 1 Samuel 10:17-25; 1 Samuel 15:24-26; 1 Samuel
17:1-11)
Saul was a son of Kish from the tribe of Benjamin.
God told Samuel to anoint Saul as the first king of Israel. Saul’s main task was to free Israel from her enemies.
However, Saul sinned and was later rejected by God as a king of Israel. Saul’s sin was that he did not obey God’s instructions (1 Samuel 15)

 

THE KINGSHIP OF DAVID (1 Samuel 16:1-13; 1 Samuel 17:1-11; 41-54)
Samuel anointed David as king in place of Saul at Bethlehem. David was a son of Jesse.
During David’s reign, God was with him.
For example, he defeated the giant Goliath, the ruler of the Philistines. David used a sling and a stone to kill Goliath.
After the death of Goliath, all the Philistines ran away because they knew they had lost the war.


UNIT 8 COMMUNICATING WITH GOD

COMMUNICATION
Communication is the passing of information from one person to another.

 

WAYS OF HOW PEOPLE COMMUNICATE WITH EACH OTHER

  • Letters
  • Bells
  • Videos
  • Films
  • Televisions
  • Phones
  • Internet
  • Face to face

 

Communication can also be between God and people. Communication between God and people is called sacred message.

WAYS OF COMMUNICATING WITH GOD (1 Kings 18:36-38; 1 Samuel 1:10-20; Acts 10:19-23; Acts
16:25-27)

  • Reading the Bible
  • Singing spiritual songs
  • Praying
  • Praising
  • Burnt offerings

 

In the Bible, Elijah communicated with God through burnt offering.
Hannah, Paul and Silas communicated with God through praising and praying.

 

THE IMPORTANCE OF PRAYER IN THE LIFE OF A CHRISTIAN (1 Kings 18:36-38; 1 Samuel 1:10-20; Acts 16: 25-27; Acts 9:36-41; Acts 10:3-23)

  • Receiving Blessings
  • Protection from evil
  • Living a stress-free life
  • Having good relationships

UNIT 9 CHURCH AND POLITICS

CHURCH
Church may refer to a building used for public worship by Christians or a particular group of believers.

 

POLITICS
Politics refers to the art and science of government.

 

The church promotes good judgement in their congregations. Politicians are also expected to judge issues well.

The church teaches its members the importance of respect for each other by following what Jesus did while he was on earth.

 

There is democracy in the church through respect of the views of other members.

 

Good politicians are also supposed to promote democratic values.

 

The church teaches about unity among members while politicians also talk about unity in their gatherings.

 

HOW LEADERS ARE CHOSEN IN CHURCH AND IN POLITICS

  • Through election
  • Through appointment

 

THE RELATIONSHIP BETWEEN CHURCH AND POLITICS

  • Some of those who are practising politicians are also members of the church
  • Both church and politics deal with the same people
  • God is the one who appoints rulers
  • Oftentimes rulers pray to God whenever they want to do important things

BIBLE TEACHING ON THE RELATIONSHIP BETWEEN CHURCH AND POLITICS (Psalm 47:2-3; 1 Samuel 16:
12-13; 2 Samuel 12:5; Matthew 17:24-27; Luke 20:20-26; John 17:14-16; Romans 13:1-7) The Bible has many examples that show the relationship between church and politics.

 

God commands members of the church to submit themselves to political authorities because they were appointed by God.

 

God says rebelling against the authorities is rebelling against God who instituted them and anyone doing that brings judgement on themselves.

 

Jesus said people should pay tax because the authorities are God’s servants.

 

 

REFERENCES

MIE (2008) Bible Knowledge Teacher’s Guide for Standard 7, Domasi; MIE. MIE (2008) Bible Knowledge Learner’s Book for Standard 7, Domasi; MIE. The Holy Bible (NIV)
www.cscja-acjcs.ca/role_of_judge-en.asp



Notes will be here



 

 Unit 1 Artistic shapes and movements

 

 Unit 2 Participating and collaborating in sports and arts

 

 Unit 3 Self expression through artwork

 

Unit 4 Solving challenges in everyday life

 

Unit 5 Producing various items for the community

 

Unit 6 Various artistic activities

PERSONAL AND GENERAL SPACE

Personal space refers to that space within the reach of an individual


General space refers to the environment within which an individual operates It may be a small room, large field or cafeteria
Failure to understand personal or general space may result in hardships of some kind For example, limited personal space may lead to failure to perform an activity effectively Limited general space can lead to participants bumping into one another

Components of General Space

There are four components of general space:

    • Levels
    • Extensions
    • Floor pathways
    • Air patterns
  • Levels refers to how close to the floor or how far away from the floor one is as he or she moves
  • Extensions refers to locomotor actions. It describes the amount of space a movement pattern uses
  • Floor pathway refers to how people move on the floor
  • Air patterns refers to aerial directions as in netball, volleyball and javelin

 

NB, Personal space is one’s area of influence or direct control. It is also called kinesphere
It depends on a number of factors such as size of the person and the type of activity being done

IMPORTANCE OF GENERAL AND PERSONAL SPACE

  • activities are done properly
  • there is free body movement
  • accidents that happen during performance of activities are reduced

 

FACTORS THAT DETERMINE GENERAL AND PERSONAL SPACE

  • the type of activities to be done
  • the size of the area to be used for activities
  • the body size of the participants

  • the number of participants involved in the activities

 

Artistic Activities within Personal and General Space

      • Dancing
      • Drawing
      • Carving
      • Sculpturing
      • Skiing
      • Jumping
      • Swimming
      • Running
      • Jabbing in boxing

 

ACTIVITIES THAT REQUIRE PERSONAL SPACE

  • skipping individually
  • head stand
  • forward roll
  • backward roll
  • push ups
  • jogging
  • sewing

 

ACTIVITIES THAT REQUIRE GENERAL SPACE

  • ball games
  • field and track events
  • nzamanzama
  • javelin
  • skipping in twos, threes and larger groups

 

HOW PERSONAL SPACE CAN BE CREATED

  • stretching out the arms outwards and then turning around on the same spot while swinging the arms
  • stretching out arms in different directions without touching anything or anybody

 

OCCASIONS WHEN THE SOCIETY DOES NOT FOLLOW RULES OF PERSONAL SPACE

  • wedding ceremonies
  • funeral ceremonies
  • meetings
  • traditional dances
  • installation of chiefs

The term ‘artistic ‘refers to the creativity, beauty and excellence in doing an activity, be it physical or non- physical.


BODY MOVEMENTS

Movements occur always in everyday life.
Most of the daily activities that we do require body movements. For example; cooking and sweeping. Body movements may also occur in response to a stimulus.

Body Movements in Response to Rhythms

The rhythm is a combination of different lengths of sounds and silences.

Examples of Rhythmic Activities in Everyday Life

  • Heart beating
  • Clock ticking
  • Walking
  • Talking
  • Running
  • Drawing
  • Singing songs
  • Pounding
  • Playing instruments
  • Carving wood
  • Digging

Sounds and silences can be presented by symbols called musical notes. There are 5 commonly used notes:

  • Whole note

it is oval in shape and has a white note head

  • Half note

it is made of a white head and a stem

  • Quarter note

it has a black head and a stem

  • Eighth note

it has a black head, a stem and a flag

  • Sixteenth note

it has a black head, a stem and two flags Sounds are also known as pitches.


Silences are also known as rest. Beat is also called pulse.

Musical notes have British and American names.

Rest signs and their names

TIME SIGNATURES

A time signature is a set of two numbers at the beginning of a rhythm.


It is written as a fraction such as 6/8

The top number shows the number of beats or counts in a bar/measure.
The bottom number shows the name of the musical note that is getting one beat or count.

The most commonly used time signature is  4/4 because it is easy to understand and learn.


STAFF NOTATION

The notation of music consists of staffs, clefs, meter or time signature, key signatures and notes of various times which indicate the relative duration of pitches.
Musical notation, therefore, comprises a set of terms and symbols for musical meanings.

  • The staff/stave

This refers to a set of five lines and four spaces on which musical symbols are written to give a melody or a song.

Sometimes when writing music you may need additional lines below or above the staff. Such lines are called ‘ledger lines’. They indicate pitches above or below a staff.

  • Letter names

The five lines and four spaces have letter names which do not change. The letters are A B C D E F G.

  • G and F clefs

These are symbols allocated at the beginning of the staff, on the left end. G clef or Treble clef identifies the second line from the bottom as line G. G or Treble clef staff is used for soprano and alto voices in choral music.

The ‘F’ clef or ‘Bass’ clef establishes the location of F in the fourth line of the staff. F clef staff is used for tenor and bass voices.

  • Bar lines

These are vertical lines on the staff which divide the staff into parts containing equal number of beats.

  • Bar/measure

This is the space between bar lines and containing specified number of beats.

  • Octave

This is a distance that covers eight musical notes, with the first note being equal in tone to the eighth note, however, lower in pitch to the eighth.


  • Sol-fa syllables

These are the pitch names: DO RE MI FA SO LA TI DO

  • Transpose

It means changing a piece of music from one key to another. For example, from C to F or G or vice versa.
There are various reasons for transposing a piece of music.

The following are some of the reasons:

    • when a choir wishes to sing a higher or lower key so as to assist either adolescent boys’ or men’s voices to sing comfortably.
    • When a singer himself or herself wants to sing a song in a higher or lower key comfortably.
  • Key signature

This identifies which pitch is do
It is shown on the staff with sharps or flats.

Here are some examples of keys


  • Scale

This is the arrangement of notes usually of the same totality, either in ascending or descending order.

Two examples are:-

    • Diatonic scale

This includes eight pitches in major or minor scales. For example, do re mi fa so ra ti do

    • Pentatonic scale

This includes only five pitches in major or minor scale (the fourth and seventh pitches are left out).

For example; do re mi so la do
The terms and signs are shown in the staffs as below:-



 

A DOTTED NOTE

A dot takes half the value of any note or rest that it is attached to.
If the value of a quarter note is equal to 1 beat, then a dotted note is equal to 1 beat plus half one beat, so the total value is one and a half beats.
Examples

  • would normally be combined with an eighth note to produce a 2 beat duration. For example;

  • would normally be combined with a semiquaver to produce a 1 beat duration. For example;

BEAMING NOTES

A beaming note is a line which is used to join two or more notes together.
The number of beams or lines one uses to join the notes will tell the number of flags each one of the joined note has.
For example:-


Rhythm patterns can be performed by:-

  • Clapping hands
  • Tapping on the table
  • Playing percussion instruments
  • Walking according to rhythm patterns

 

MUSICAL TERMS

  • Beat = equal division of sound or time
  • Rhythm = unequal division of sound or time
  • Tempo = speed of a song
  • Dynamics = loudness or softness of a song
  • Unison = to sing in one voice
  • Attack = to start singing together
  • A staff (stave) = a set of five parallel lines with four spaces on which music notes are written
  • Measure/bar = a space between two bar lines
  • Bar = any of the sections of equal value in time into which a piece of music is divided and the notes in it
  • Bar lines = lines written on the staff before and after a measure
  • Double bar lines = it is a full stop in music
  • Ledger lines = these are extended (extra) lines on a staff
  • Treble (G) clef = it is a symbol written at the beginning of a staff
  • Key signature = it is a starting pitch of a song
  • Music = the arrangement of sounds in pleasing sequence or combination to be sung or played on instruments
  • Time signature = it is a symbol which looks like a fraction. The top number represents the number of beats in a measure. The bottom number indicates the type of a note which gets a beat. For example
  • Clef = a symbol at the beginning of a line of printed music (or stave) showing the pitch of the notes on it
  • Pitch = the quality of a musical note, a voice, et cetera, especially how high or low it is
  • Tone = any one of the five larger intervals between one note and the next which, together with two semitones, form an octave
  • Semitone (half tone) = half of a tone on a musical scale, for example the distance between C an C# or between E and F
  • Octave = the difference or space between the first and the last in a series of eight notes on a musical scale
  • Note = a single sound of a certain pitch and length, made by the voice or a musical instrument
  • Note = a sign used to represent such a sound in written or printed music
  • Note = any one of the keys of a piano, et cetera
Tune = a series of musical notes that give a piece of music its main character, making it pleasing, easy to remember
  • Slur = the mark or used to show that two or more notes are to be played or sung smoothly and without a break
  • Slur = to play or sing musical notes so that each one runs smoothly to the next
  • Semibreve (whole note) = the longest written musical note in common use equal to two minims in length
  • Minim = a note that last half as long as semibreve
  • Crotchet = a note equal to half a minim
  • Quaver = a note in music that last half as long as a crotchet
  • Tie (in written music) = a curved line over two notes of the same pitch that are to be played or sung as one
  • Percussion = musical instruments that are played by striking, beating or tapping with a stick, et cetera, for example, drums
  • Melody = a piece of music or a song with a clear or a single tune
  • Melody = the arrangement of musical notes in a pleasant or ordered way
  • Sharp (n) = a note raised by one semitone or the symbol used
  • Natural (adj) = neither sharp nor flat e.g. B natural
  • Sharp (adj) = above normal or correct pitch
  • Flat (adj) = (used following the name of a note) half a note lower than the specified note. B flat is a semitone below B

MIRRORING

Mirroring is the act of copying actions, words, or expressions of another person
It is a commonly used technique in physical activities intended to demonstrate a physical movement: a new dance step, a lay-up in basketball, a tennis serve, including running activities.

SOME MIRRORING GAMES

    • Netball
    • Football
    • Handball
    • Table tennis
    • Basketball
    • Lawn tennis
    • Baseball
    • Squash
    • Chipako
    • Mbalame zoyera

 

MIRRORING AEROBICS

Aerobics are physical exercises done following music Aerobics is a great medium to develop fitness

Types of Aerobics

  • High impact aerobics

This involves a lot of jumping

  • Low impact aerobics

This does not involve jumping, but always, one foot has contact with the floor

  • Step aerobics

This uses stepping up and down from the platform

  • Tai bo

This uses kicks and punches


Aerobics is different from dance, because the aim of aerobics is to improve fitness while the aim of dance is to develop creativity.
NB. Aerobics is vigorous physical exercises done in order to increase the amount of oxygen taken into the body.

 

CONVEYING CULTURAL MESSAGES Garments Conveying Cultural Messages

The different attire that people wear may have a meaning for the specific occasion or function.For example, in Malawi, the Ngoni are fond of wearing their traditional attire of animal skins and shields to symbolise that they are warriors.
During most weddings, the bride wears white attire to symbolise purity.
During funerals, widows usually wear black attire during the entire mourning period to symbolise sorrow.
During the biblical times, the kings and officials wore sackcloth when something went wrong or when calamity fell on the land.

 

Sounds Used to Convey Messages

Some sounds have cultural meanings.
These sounds can be those produced during certain functions and occasions which are understood by the people who share the same culture.

For example:-

  • Whistle blowing
  • Drum beating
  • Mouth whistling
  • Bell ringing
  • Singing

 

Posture and Body Movements

Cultural values can be manifested in many different ways besides attire and dances. There are certain postures and movements which portray cultural meanings.
For example, when crossing with elders, most cultures recommend the younger one takes off the hat temporarily as a sign of respect.
There are also times when some people clap hands gently and softly when crossing with an elderly person.
Some postures and body movements are squatting or kneeling when receiving or giving items to the elders.

 

Cultural Dances

Malawi has many cultural dances that have cultural importance for every cultural setting.
Among the well-known dances are Gulewamkulu among the Chewa, Chioda among the Nkhonde, Vimbuza among the Tumbuka, Likwata among the Sena and Jiri among the Lomwe.

 

IMPORTANCE OF TRADITIONAL DANCES AND SONGS

    • They provide enjoyment to both spectators and performers

    • They help to preserve culture
    • They promote creative thinking and imagination
    • They act as a source of income
    • They communicate messages to people
    • They depict one’s culture in society.

 

SOME TRADITIONAL DANCES PERFORMED IN THE REGIONS OF MALAWI

northern region

central region

southern region

malipenga ingoma mbotosya indingala mwinoghe vimbuza chilimika

chimtali malipenga gulewamkulu njedza chisamba chiterera mganda ngoma msindo ligubo
gwanyasa

beni masewe tchopa likhuba likwata mbwidza manganje utse mchomanga jiri

 

  • MULTI-CULTURAL PERFORMANCE

Artistic Activities from Various Cultures in Malawi
Multi-cultural performances are performances from different cultures.
Malawi has different ethnic groups like the Chewa, Ngoni, Tumbuka, Lomwe and Sena. Each of these ethnic groups has its own cultural performances.
These cultural performances have any aspects that are similar and different.
These aspects include the attire, instruments used in performances, organisation of cultural performances and the type of performances.
The cultural practices (performances) serve as an identity for a particular tribe or ethnic group. Malawi has different cultural practices.
These include folk dances and songs.


A folk dance is a recreational or ceremonial dance that is usually performed by members of the community.
For some tribe, a dance could be a form of a ritual.
They believe that a certain dance can make the rain fall, improve harvest and/or awaken the spirits of the dead.

 

Attire for Artistic performance

In different performances such as in drama, dance or choir, performers wear appropriate attire to suit the performance.
Attire makes the performers look smart and coordinated.

 

DESIGNING AND CONSTRUCTION

Musical Instruments Based on Foreign Models

 

Materials for making musical instruments:-

  • pieces of string
  • pieces of wire
  • nails
  • tins
  • hammers
  • knives
  • metal sheets
  • adzes
  • hides
  • wood
  • plastic pipes
  • plastic papers

 

Examples of Foreign Musical Instruments

  • guitars
  • banjos
  • drums
  • flutes

 

PROCEDURE FOR MAKING A BANJO

The following is the procedure for making a banjo:

    • cut a piece of wood about 0.5m long
    • carve the wood into the shape as shown below



    • make four holes on the flat end of the wood using a piece of a hot metal as shown below


    • carve four pieces of wood, flat on one end and round on the other end to be used as tuning knobs
    • cut a slit on the round end of the tuning knobs for tying the length of string


    • cut a small piece of wood with four grooves to act as a bridge


    • cut two holes on a tin: one for the wood and the other for sound to enter


    • insert into the tin the wooden handle


    • cut a metal sheet from a tin and bore four holes for the lengths of string and two holes for nailing


    • nail the metal sheet to the back of the tin together with the end of the wooden handle as shown below


    • tie four lengths of string to the metal sheet then tie the other end of the lengths of string to the tuning knobs fixed at the head of the wooden handle
    • put a bridge between the hole on the tin and the metal sheet


    • tune the knobs to tighten the string to the required pitch
    • test the instrument by plucking the length of the string
    • decorate the banjo as required

 

Garments and Artistic Items Based on Modern Styles

The art of constructing garments is useful because one can make one’s own clothes and those of others.


Garments are different types of clothing.

These garments include:

  • Pairs of trousers
  • Pairs of shorts
  • Skirts
  • Blouses
  • Petticoats
  • Pairs of socks
  • Dresses

 

IMPORTANCE OF MAKING YOUR OWN GARMENTS

  • it is cheaper to make your own garments than buying them
  • it can be a source of income when the garments made are sold
  • it improves the skills of making different designs of garments
  • the one with skills in making garments can help other members of the community learn the skills of making garment free or at a nominal fee

 

Factors to Consider in Garment Construction

  • knowing what is to be made
  • size of the wearer
  • the amount of fabric to be used
  • the designs that are in fashion

 

Advantages of Taking Body Measurements

  • it helps one to come up with the required size of the garment which fits well
  • it also minimises wastage of material

 

PAPER PATTERNS

Paper patterns are pieces of paper cut out to the shape of parts of a garment to be made. They can be altered to suit body size.

Pattern Markings

These are markings with particular information and instructions on:-

  • the number of pieces to be cut
  • the pieces to be joined together
  • how to place pattern pieces on the fabric
  • where to stitch

Pattern Markings and Their Meanings

 

Materials Required for Making Garments

  • pieces of fabric
  • paper patterns
  • pair of scissors
  • tape measures
  • pressing irons
  • a clean table or mat
  • pins
  • sewing needle
  • thread
  • pieces of paper
  • elastic

 

LAYING PATTERN PIECES ON THE FABRIC AND PINNING

  • always have your pattern and fabric smoothed flat with a pressing iron to remove creases
  • press with iron if they are not smooth

  • fold the fabric according to the pattern layout before laying pattern pieces
  • lay larger pieces first, then place smaller ones last
  • keep the fabric flat on the table while pinning so that the pattern does not slip out of position
  • pin at intervals along all straight and diagonal edges into each corner

 

The following diagram shows a pattern layout for a petticoat

CUTTING OUT

  • make sure that all pattern pieces are laid out and pinned on the fabric
  • cut out all pieces using a sharp pair of scissors along the edge of the pattern
  • cut using long, even strokes in order to produce smooth edges. Do not lift the fabric when cutting
  • always cut away from yourself and never towards yourself with one hand supporting the fabric
  • after cutting out each section fold it and put it aside neatly

 

MAKING A SPORTS SHORTS


Cutting out Requirements

  • 1 metre cotton fabric
  • pins
  • paper patterns
  • a pair of scissors

Layout


Assembling the shorts

  • using the open seam, join the two front and the two back pieces together


  • clip the front and back seams on curved edge


  • neaten the seams using loop stitch


  • join the back and front of the shorts with the French seam at the side


  • cut crossway strips from left over fabric. Join strips and attach at lower edges an sides of both legs


  • join the crotch seam and neaten with running stitches
  • fold over a 5cm hem on the waistline of shorts, tack and back stitch. Work running stitches on the upper edge of the waistline hem



  • make an opening the wrong side for inserting elastic/chord. Neaten the sides of the opening using loop stitches


  • press and display the finished product

 

Macrame

Macrame is the art of knotting (tying strings or fibres) to produce decorative and functional articles.

 

Two Basic Knots in Macrame

  • half knot (or half hitch)
  • flat knot (the reef hitch or weaver’s knot)

 

Produce from Macrame

  • belts
  • book bags
  • flower vase holders
  • flower pot holders
  • wall hangings

 

How to make a macrame pot holder

  • prepare enough string from sisal fibre
  • cut two long lengths of string and six short ones, half the length of the long ones as shown below


  • find the mid points of the eight length of string
  • put the midpoint together and tie the lengths of string at the common mid-point



  • using the two long lengths of string on either side of the mid-point, make flat knots with the short lengths of string as shown below


  • make the flat knots 15cm on either side of the mid-point
  • remove the string marking the mid-point
  • divide the lengths of string into four parts with four of them on each part
  • using the four lengths of string on each part, make flat knots for a lengths of about 10cm long as shown below


  • place the four branches of the knotted length of string around the mouth of the pot. Make flat knots to tighten the branches around the mouth of the pot, letting the loose length run down the sides of the pot
  • make flat knots using four lengths of string alternately as you work down the sides of the pot
  • continue with this process to the bottom of the pot
  • tie the lengths of string at the bottom of the pot
  • trim the lengths of string to equal size

A macrame potholder

 

How to make a simple macram wall hanging

Preparation

  • cut between cords or string into suitable lengths, e.g. 30cm
  • then cut between 20 and 30 pieces of string of 1m long each

  • make flat knots, three lines; alternate flat knot, six lines; make a half hitch, another six lines and continue with flat knots
  • make half any number of lines for the required lengths


  • close by making flat knots and leave the pieces of string hanging. Make sure you cut to the required length

  • the flat knot can be alternated to appear differently

Three stages of working a flat knot


Materials for Making Macrame

Items

  • knives
  • hoes
  • sisal fibre
  • tree bark fibre
  • banana sheath
  • mlulu
  • chilambe
  • namgoneka

 

Marketing/Advertising the Artworks

  • word of mouth
  • newspapers
  • radio
  • television
  • internet
  • posters

 

Ways of Storing Artwork

  • keep the artwork away from heat sources such as fireplaces and heaters
  • cover the artwork with a clean piece of cloth
  • place the artwork on acid free boards
  • keep artwork away from direct sunlight
  • avoid storing artwork on concrete floors or walls
  • avoid storing artwork in attics and basements

 

Drama Based on Foreign Plays

Drama is acting out situations in order to inform, entertain and educate the audience.

Types of Plays

  • tragedy
  • comedy
  • Tragedy is a play with a sad ending.
  • Comedy is a play with a happy ending.

 

When dramatising such plays, the actors and actresses should appear real. Firstly, this can be achieved through the use of visual aspects such as:-

  • scenery
  • costume
  • props
  • lighting
  • make up

Secondly, this can be achieved through sound effects such as:-

  • physical (vocal, feet, hands, coughs, sneezes)
  • percussions (drums, chimes, xylophones)

 

The purpose of this is to make the audience see and hear the play.

PERFORMING DANCES MUSICAL INSTRUMENTS

Most Malawian societies use musical instruments.

 

NAMING MUSICAL INSTRUMENTS

Some of the musical instruments are:

    • Drums
    • Horn
    • Xylophones
    • Flute
    • Guitar
    • banjo
    • rattles

IMPORTANCE OF MUSICAL INSTRUMENTS

    • they complement human voice
    • they add harmony in music
    • they reflect the cultural history of an ethnic group
    • they attract attentiveness and concentration of the musical players and listeners
    • they foster self expression
    • they add beauty in music
    • they promote discipline
    • they promote social skills
    • they boost listening skills
    • they relieve stress
    • they accompany songs and dances
    • they are used to convey different messages
    • they indicate the speed at which one can dance and when to change step

 

MAJOR DIFFERENCES BETWEEN TRADITIONAL AND MODERN MUSICAL INSTRUMENTS

    • traditional musical instruments do not use electricity to play while most modern musical instruments use electricity to play
    • traditional musical instruments are made locally while most modern musical instruments are imported from other countries
    • traditional musical instruments are cheap while modern musical instruments are expensive to buy

    FACTORS TO CONSIDER WHEN COSTING MUSICAL INSTRUMENTS

      • amount of materials used
      • time spent in making the musical instruments
      • attractiveness of the finished musical instruments
      • age group meant for the musical instruments
      • availability of the musical instruments
      • availability of the musical instruments
      • quality of the musical instruments
      • cost of materials, if the materials for making the musical instruments were bought
      • demand for the musical instruments

     

    TYPES OF MUSICAL INSTRUMENTS

    There are two main types of musical instruments
    These are:

    • tuned musical instruments
    • untuned musical instruments

     

    Tuned musical instruments such as the banjo produce different pitches

     

    More examples of tuned instruments:

    • guitar
    • piano
    • accordion
    • flute

    Untuned musical instruments such as chisekese produce a fixed pitch. More examples of untuned musical instruments:

    • woodblocks
    • rasp (nkhwende)
    • maracas (maseche)
    • badza
    • drum
    • rattles
    • mangolongondo (xylophones)
    • horn (chitoliro)/bat
    • panpipe
    • kalimba
    • mkangala
    • bangwe/mbila

    Musical instruments can be sold and generate income.
    However, the making of musical instruments can have a negative impact on the environment.
    The excessive use of trees without replacing them can lead to deforestation, siltation in rivers and degradation of the land (land degradation).
    Therefore there is need to replace the natural resources like trees to ensure sustainability of the resources.

     

    How Musical Instruments are Played

    Musical instruments can be played by:

    • plucking
    • beating
    • blowing
    • stroking
    • pressing
    • shaking


     

    The other group of musical instruments is called body percussion. Body percussion is the use of the body in various ways

    The body can produce sound by:

    • clapping hands
    • snapping fingers
    • slapping body parts such as thighs, chest and cheeks
    • tapping feet on the floor
    • whistling
    • ululating
    • Clicking the tongue against the roof of the mouth The Malawian society performs a lot of cultural dances.

    Occasions When Dances Are Performed

    • Festivals
    • Funeral ceremonies
    • Weddings
    • Installation of chiefs
    • Initiation ceremonies

    Significance of the Dances

    • they promote identity of an ethnic group
    • they help in disseminating important messages
    • they promote one’s culture
    • they promote oneness
    • they promote obedience
    • they promote respect
    • certain dances are believed to make rain fall, improve the harvest or awaken the spirits of the dead

    LOCAL DANCES

    Local dances are traditional dances that are performed in the communities.

     

    Cultural values depicted in traditional dances

      • Respect
      • Obedience
      • Tolerance
      • Modesty
      • Patriotism
      • Love
      • Reliability
      • Honour
      • Oneness
      • Trust

     

    LOCAL DANCES IN MALAWI

    • CHILIMIKA

    Chilimika means year
    This dance is performed mostly by young Tonga women of Nkhatabay District.
    At each New Year's Day, young men and women congregate at the village arena to entertain the village with Chilimika.
    This dance is an imitation of Malipenga which is mostly performed by men.

     

    GULE WAMKULU

    Gulewamkulu is also known as "the Great Dance".
    Gulewamkulu is performed at the request of the village headman on the occasion of funerals of village members, puberty initiations and the installation of chiefs.
    It is performed by Chewa men.


    LIKHUBA

    Likhuba is a dance performed to cure psychological illness by women.
    It is largely an acrobatic demonstration of male prowess by the Sena of Lower Shire. These days the dance is performed for entertainment.

    TCHOPA/SOOPA

    Tchopa or Soopa was originally performed by the Lomwe during tribal wars as well as sacrificial ceremonies when a calamity had struck.
    Tchopa is popular in Thyolo, Mulanje and Chiradzulu Districts. It is mostly performed for entertainment.

    UYENI

    Uyeni is a Ngoni dance usually for girls who dance bare foot with their breasts exposed. It is mostly performed during the installation of chiefs.

    MWINOGHE

    In the Chisukwa dialect, the word mwinoghe literally means "let us enjoy ourselves thoroughly". Mwinoghe is an instrumental dance that is popular among people especially school children in Chitipa District of the Northern Region of Malawi.
    It has been derived from a ceremonial dance of Karonga District called Indingala which was originally performed by men brandishing fly-whisks during either the enthrallment of a chief or feast over a dead marauding lion.
    The main percussion instruments used in the dance are one big drum called Ing'ina and two small ones called Twana, but sometimes a whistle is used.
    The dancers line up in two straight lines, boys on one side and an equal number of girls on the other, facing one another. While the girls continue dancing in a standing position with their hands raised up, the boys squat down wriggling and twisting their bodies, all to the rhythm of the instruments.
    Mwinoghe is therefore a cerebration dance

     

    MANGANJE

    Manganje is an initiation dance performed by the Yao of Machinga, Mangochi, Zomba and Blantyre Districts.
    It is performed at the initiation of boys.
    Today Manganje is also performed for entertainment.


    MALIPENGA

    Malipenga is a modern dance for men.
    Malipenga started in Nkhatabay District and spread all over the Northern Region of Malawi.
    In the central region, Mganda, which is a variant of Malipenga is performed in Kasungu, Nkhotakota, Salima, Ntchisi, Dowa and Lilongwe Districts.

     

    Occasions When Local Dances are Performed

    • Festivals
    • Funeral ceremonies
    • Weddings
    • Installation of chiefs
    • Initiation ceremonies


     

    CONTEMPORARY DANCING STYLES

    Most of the Malawian traditional dances have cultural values and a history.
    However, most of Malawians, particularly the youth, do not participate in these cultural dances.

     

    DANCES DEPICTING CULTURAL VALUES


    Some dances that depict cultural values are as follows:

      • Gulewamkulu
      • Beni
      • Tchopa
      • Chinamwali
      • Chitelera
      • Chisamba

    Reasons for Youth Not to Participate in Traditional Dances

      • They look at them as outdated
      • They look at them as boring
      • They look at them as out of fashion

     

    Malawi is also flooded with a lot of contemporary dances.
    However, traditional dancing styles can be combined with contemporary dancing styles to improve the performance.

     

    The disadvantages of mixing traditional dancing styles with contemporary dancing styles are that:

      • Local dances can lose their cultural significance
      • Cultural values can be diluted
      • The youth can shun local dances altogether
      • Local dances can lose their identity

     

    Some Contemporary Dances

    • Reggae
    • Kwasakwasa
    • Ndombolo
    • Kwaito
    • Digong

     

    Contemporary Dancing Styles

    • Kwasakwasa involves a lot of waist wriggling
    • Kwaito has flexible and quick foot movements.

     


    These foreign dancing styles have influenced the way people perform the local dances.
    The people combine the foreign dancing styles with the original styles with the original styles to improve their performance.


    SELF EXPRESSION THROUGH POSTERS, DANCES, SONGS AND PLAYS

    Posters on Various Themes
    Posters are useful in the dissemination of information on a cross-cutting issues

     

    Qualities of Good Posters

    • Should look attractive
    • Should be coloured
    • Words should be bold
    • Information should be brief
    • Information should be clear

     

    Importance of Posters

    • They can be used for advertising the businesses
    • Self-made posters can be sold to generate income
    • They are cheap to produce locally

     

    Materials for Making Posters

    • Chart paper
    • Lead pencils
    • Coloured pencils
    • Crayons
    • Marker pens
    • Paint brushes
    • Rubbers
    • Local paints
    • Old cement bags

     

    CROSS-CUTTING ISSUES

    Cross-cutting issues are challenges that affect many people and cause great concerns

     

    Examples of Cross-Cutting Issues

      • HIV and AIDS
      • Environmental degradation
      • Pollution
      • Corruption
      • Violation of human rights
      • Democracy

     

     


    Dances on Cross–Cutting Issues

    The school can perform dances where songs contain messages on issues concerned.
    The dances and songs are a form of entertainment to draw people’s attention as they listen to messages.

     

    Songs on Cross-Cutting Issues

    Songs, like dances, play an important role in conveying messages on cross- cutting issues
    Singing and dancing together offer entertainment to motivate the target audience while receiving messages by passed on

     

    Plays on Cross-Cutting Issues

    The messages on cross-cutting issues are easily passed on to an audience through plays.
    A play is a form entertainment intended to attract the attention of the audience while the messages are passed on.

     


    THEMES ON VARIOUS CROSS-CUTTING ISSUES

     

    Some of the themes can be on:

    • Child marriages

    • Child abuse
    • Wife buttering
    • Prevention of HIV and AIDS
    • Wanton cutting down of trees
    • Use of dangerous chemicals

     

    ARTISTIC SKILLS AND MOVEMENTS

    Most of the activities that we do require movements These movements require skills
    A skill is a talent that an individual shows when doing something. Most of the skills that individuals have are either learned or inborn. There are various artistic activities that are popular these days These are known as contemporary artistic activities
    The common examples of artistic activities are songs and dances.
    Various materials found in the local environment can be used for artistic activities

     

    Items for Artistic Activities

    Every individual has skills that are either acquired or inborn.
    Possessing these skills is very important because individuals that possess them often become successful in whatever they do.
    The production of posters, carvings, models, woven items and knitted items require these skills.

     

    Making Posters

    Posters on Various Themes
    Posters are useful in the dissemination of information on a cross-cutting issues

     

    Qualities/characteristics of Good Posters

    • Should look attractive
    • Should be coloured
    • Words should be bold
    • Information should be brief
    • Information should be clear

    Importance of Posters

    • Can be used for advertising your business
    • Self-made posters can be sold to generate income
    • It is cheap to produce locally

     

    Materials for Making Posters

    • Chart paper
    • Lead pencils
    • Coloured pencils
    • Crayons
    • Marker pens
    • Paint brushes
    • Rubbers
    • Local paints
    • Old cement bags

     

    PROCEDURE FOR MAKING A POSTER

      • Have a plain sheet of paper or cement bag or white polythene sack
      • Draw a margin throughout along the length and breadth of the paper
      • Make a sketch of what you want to draw using pencil
      • Use different colours to mark the outline
      • Write the heading of the poster inside the margin

     

    Carving Artistic Items

    • Wooden spoon
    • Wooden cooking stick
    • Axe handle
    • Hoe handle
    • Statue

     

    Materials for Carving

    • Wood
    • Soapstone
    • Glue
    • Glass paper
    • Water paper
    • Axes
    • Panga knives
    • Machete
    • Saws
    • Gouges
    • Chisels

    • Rasps
    • Mallets
    • Scrapers
    • Adzes
    • Stones
    • Hammers

     

    Forms of Carvings

    • Abstract carvings
    • Stylish carvings
    • Naturalistic carvings


    Characteristics of each type of carvings

    • Abstract carvings

    Abstract carving does not have a definite form
    It can be interpreted differently by different people

    • Stylish carvings

    Stylish carving has a definite form
    However, some parts are exaggerated deliberately
    For example, a carving of a person with a protruding chin

    • Naturalistic carvings

    Naturalistic carving has a form which looks definite or real

     

    Modelling



    Materials for Modelling Various Items

    • Glass
    • Pieces of wire
    • Cartons
    • Sisal
    • clay soil
    • grass
    • papers

    Items that can be Modelled

    • aeroplanes
    • cars
    • animals
    • people
    • train
    • surrounding
    • house

     

    Weaving

    Weaving is the interlocking of warps and wefts.

     

    The warp is the set of strands which are laid across the loom at the beginning of weaving.


    The weft is the pattern of strands woven in and out of the warp.

     

    Types of weave

      • check weave
      • twill weave

     

    Check weave

    This interlocking follows a given pattern of:
    Row 1: Over 1 under 1 over 1 under 1 – continue
    Row 2: Under 1 over 1 under 1 over 1 – continue After line B repeat from line A to form a check weave.


     

    Twill weave

    Row 1: under 1 over 2 under 2 over 2 under 2
    Row 2: over 2 under 2 over 2 under 2 over 2
    Row 3: over 1 under 2 over 2 under 2 under 2
    Row 4: under 2 over 2 under 2 over 2 under 2
    After row 4, continue by repeating row 1. This produces a twilled or diagonal weave.

     

    Materials for Weaving Various Artistic Items

    • palm leaves
    • bamboo leaves
    • pieces of reed
    • sisal
    • grass
    • creeping stems
    • knives
    • razor blades
    • needles

    Produce from weaving

    • mats
    • baskets
    • chairs
    • brooms
    • shopping bags
    • school bags



    Knitting



    Materials for Knitting Various Artistic Items

    • sisal
    • yarn/thread
    • cloth
    • needles
    • bamboo sticks
    • bicycle spokes

     

    Basic knitting stitches

    There are two basic knitting stitches:

        • knit stitch
        • purl stitch

     

    All patterns are formed based on variations of these two stitches

     

    Patterns of Stitches

    • garter stitch

    This stitch can be used in making knitted belt, scarfs or baby blankets

    • stocking stitch

    This stitch is often used to knit stockings and pencil bags

    • moss stitch

    This stitch is a combination of knit and purl stitches done in the same row

     

    • rib stitch

    This stitch forms the border of many knitted garments’ edges such as the sleeves, necklines and the edges

    Knitting Abbreviations

     

    K

    =

    knit

    P

    =

    purl

    Rep

    =

    repeat

    Sts

    =

    stitches

    Wfd

    =

    wool forward

    St

    =

    stocking stitch

    Alt

    =

    alternate/alternative

    Psso

    =

    pass slip stitch over


    Products Made from Knitting

    • belts
    • scarfs
    • baby blankets
    • stockings
    • pencil bags
    • cardigans

     

    CHALLENGES THAT ARTISTS FACE

    • inadequate resources
    • lack of exposure
    • inability to market products
    • jealousy

     

    SOLUTIONS TO THE CHALLENGES THAT ARTISTS FACE

    • using renewable resources
    • buying resources
    • replacing used resources
    • inviting people through advertising
    • improving quality of products
    • consulting and talking to interested persons

     

    CONTEMPORARY ARTISTIC ACTIVITIES

    Contemporary means something which is modern, current or in fashion.
    Music and dance are some of the activities that have examples of contemporary experiences. There are dancing styles which are popular in both religious and ordinary circles.
    Some of the contemporary African music and dance styles include kwasakwasa, ndombolo, digong and kwaito.
    Contemporary music and dancing styles that originated from outside Africa, but are performed in Malawi include hip hop, R and B and reggae. These are gradually becoming part of our culture because many of young people like them.
    In the past, popular dancing styles included simanjemanje, sinjonjo and tsabatsaba from within Africa while break dance, twist and scanky were styles from the West. Some of these dancing styles are still popular such as break dance.

     

    THE BENEFITS OF PERFORMING ARTISTIC ACTIVITIES

      • Development of skills in self expression
      • Promoting social interaction and cooperation
        • They allow for deep self expression
        • Development of self-reliance and collaboration
        • Development of reasoning and creative thinking
        • Development of motivation, concentration and teamwork
        • Promoting interpersonal skills
        • Being awarded with some prizes after performing

       

      ARTISTIC ACTIVITIES THAT CAN BE PERFORMED FOR COMPETITION

          • Drama
          • Dancing
          • Sports
          • Singing
          • Poetry
          • Comedies
          • Plays

       

      SELF EXPRESSION

      There are many ways in which individuals express feelings through music.
      One most common feeling expressed through music is an expression of joy or happiness.
      It is possible for the composer to create a mood of the song – to make it sound jovial or sad. There are symbols that one may use when composing song.
      These are called music notations
      Good and quality musical sound is a result of good voice production.
      Good voice production comes through practice of a number of musical related exercise. There are many activities we can do continuously to develop good voice production Some of the exercises that one can do are as follows:

      • Open the mouth wide enough to insert two fingers side by side in the mouth

      -     This involves control of jaws rather than the lips alone.

       

      • Take a deep breath and say or sing oooooo, uuuuuuuu and aaaaaaa – repeat this several times.

       

      Diction is the articulation of words clearly
      When singing one conveys a message. Therefore, there is need to say the words clearly so that the message is clear.


      RECORDING SONGS

      Recording a song can be done at:

        • The musical studio
        • In the homes

       

      Recording a song should be done in an appropriate place or room that is free from noise and wind
      Record the song several times to get the right quality that is required

       

      The procedure for composing songs

      Step 1 Think about the message you want to convey in the songs Step 2 Identify the target audience
      Step 3 What mood of the song do you want to convey your message through? Step 4 Identify a tune for your song
      Step 5 Find words to the tune of your song (consider things such a rhymes in your words of the time, just like in poetry)

       

      Composing Instrumental Music

      Composing instrumental music involves musical instrument without words. This can be done by playing one instrument or many instruments combined.
      The most important factor to consider for instrumental music is to create room for each instrument to be heard clearly.
      There has to be times where one instrument is played louder than the rest.
      One can also use handclapping, tongue, clicking, finger snapping as musical instruments besides the drums and other musical instruments.
      However avoid overcrowding the song with instruments.

       

      Skills for Professional Sporting Careers

      A skill can be defined as a way to do something


      Identifying various sporting careers

      • Football
      • Netball
      • Volleyball
      • Basketball
      • Coaching
      • Tennis
      • Boxing
      • Athletics

       

      Various Skills in sporting careers

      • Football
        • Punting
        • Scoring
        • Attacking
        • Defending
        • Marking
        • Dribbling
        • Heading
        • Agility
        • Jumping
        • shooting
        • Balancing
        • Communication
        • Positioning
        • Saving (goalkeeper)
        • Throwing
        • Controlling the ball
        • Passing
        • Running
        • Decision making
        • Leadership
        • Composure
        • Vision
        • Intelligence
        • Resistance
        • Power
        • Strength
        • Stamina
        • Sprinting
        • Pace

      • Netball
        • Attacking
        • Defending
        • Catching
        • Throwing
        • Scoring
        • Dodging
        • Shooting

       

      • Volleyball
        • Serving
        • Blocking
        • Digging
        • Passing
        • Spiking

       

      • Basketball
        • Dodging
        • Dribbling
        • Shooting

       

      • Boxing
        • Jabbing


       

      PLAYS FOR THE PUBLIC PERFOMANCE

      When writing plays for the public performance the playwright should consider the audience first. The target audience will determine the theme and characters to be in the play.

      For example, if one is writing for the school going youth, the basic idea should suit the age and type of students.


      Likewise when one is writing for the community, one should have a picture of what kind of community it is, what are its likes and dislikes, what are the people’s beliefs and educational levels
      Therefore, factors to consider when writing a play for public performance are:
      ® Target audience
      ® People’s beliefs
      ® Educational levels
      ® Likes
      ® Dislikes
      ® Cultural background
      ® Age

      Whatever audience you are writing for, ensure that there is a theme (the basic idea you want to pass), a realistic plot (story line) and characters (people in the play).
      When acting out, make sure you create a conflict.
      The audience should be kept in suspense up to the end, but towards the end the audience should see the climax and get resolutions of the climax.
      A climax is the point of the story at which the interest is highest.
      This comes somewhere near the end and after this there are resolutions.

       

      Drawing Pictures for Sale

      Drawing is a means of expressing and communicating one’s feelings. Drawing is an arrangement or organisation of lines to make basic shapes. The drawings may be two dimensional or three dimensional.

       

      Examples of Two Dimensional Drawings

      • Circles
      • Ovals
      • Rectangles
      • Squares


      • Parallelograms
      • Quadrilaterals

      Examples of Three Dimensional Drawings

      • Eggs
      • Boxes
      • Tables
      • Houses
      • Animals
      • Human figures
      • Dice
      • Cubes



      Some of these may be traced using paper, transparent plastic sheets and perforated picture outlines.

      Three dimensional drawings can be formed by shading the two dimensional drawings. Shading makes them look solid.
      Drawings or pictures for sale should look attractive.
      In order to achieve this, painting or colouring is done to add beauty. After colouring, the items can be given costs, advertised and sold.

      Factors to Consider When Costing

        • Quality
        • Quantity
        • Durability
        • Demand
        • Supply

       

      Importance of Advertising

      ® It helps to increase sales
      ® It helps producers to know their competitors and plan accordingly to meet up the level of competition
      ® It helps in making people aware of the new product
      ® It helps creating goodwill for the company and gains customer loyalty after reaching a mature age
      ® It helps educating people
      ® It helps people find the best products for themselves


      ARTISTIC ACTIVITIES FOR ECONOMIC EMPOWERMENT

      Activities such as making the costumes and drama performances can be a source of income.
      The production of costumes for various activities requires the identification of suitable materials, taking of appropriate body measurements and cutting out of suitable patterns.

       

      Materials for Making Different Costumes and Sports attire

      • Cloth/fabric
      • Sewing needle
      • Sewing thread
      • Pairs of scissors
      • Razor blades

       

      Taking Body Measurements

      Body measurements can be taken from:

      • The waist

      Measure at your waist under the hip bone

      • Hips

      Start at the hip level on one side, then capture the middle of the groin before wrapping around the opposite side

      • Chest

      Wrap the tape high under the armpits around to the front of the chest

      • Thighs

      Measure at the highest point of the thigh, under the pubic bone

      • Calves

      Measure at the thickest point of the calf, typically half way between the knee and the ankle

      • Upper arm

      Wrap the tape measure around the biceps half way between the armpit and the fold of the elbow

      • Shoulder

      Measure the shoulder line from the back

       

      Importance of Taking Body Measurements

        • It determines the size of the fabric to be bought
        • It also tells the size of the costume to be made
        • It avoids wastages of materials
        • It avoids wastage of money

      SELF EXPRESSION THROUGH ART

      Expression and communication can be done in various ways.
      It can be done through speaking, writing, gestures and artefacts.
      The communication without speaking is called non-verbal communication.

       

      Making Different Items

      Different items can be done in different ways.

       

      Making Hunting Tools

      The following are tools for hunting:-

      • Spears
      • Bows
      • Arrows
      • Clubs
      • Catapults
      • Guns

      Some of the hunting tools are made by carving. For example, clubs

       

      Decorating Items

      The following are methods of decorating hunting tools:-

      • Tattooing
      • Burning
      • Stamping

       

      Clay work, like pots and flower pot holders can be decorated by:-

        • Tattooing
        • Incising or engraving
        • Stamping or impressing
        • Polishing or burning
        • Colouring or staining
        • Coiling

       

      Body Shapes and Movements

      Different body movements can convey specific messages.


      For example. A person might use a wave rather than saying “hello”. Or nod their head in agreement, which may mean “yes”.
      The body movements can be useful in expression and communication because they are a quick way to convey thoughts and feelings without speaking or writing.
      The identification of the messages to be expressed and communicated by the body movements is important in every social setting.
      This is so because it enhances cooperation and a caring spirit among the members of the community.

       

      Feelings and Ideas which can be Expressed and Communicated through Body Movements

      • Sadness
      • Happiness
      • Hunger
      • Sorrow
      • Farewell
      • Invitation
      • Denial
      • Consent/agreement
      • Welcome


      Drawing Pictures

      Drawing is a means of expression and communication which uses visual images to pass on information to the reader.
      The drawings can contain a lot of information as much as writing. Pictures convey messages quicker than writing.

      Materials for Drawing Pictures

      • Pencils
      • Papers
      • Charts
      • Paint
      • Crayons

      ARTISTIC PERFORMANCE

      Items to Meet Personal and Community Needs
      Different people need different items in their lives.
      Some of the items can be purchased from shops while others can be made.
      Producing your own items can help you to cut down the costs which you could have made in the course of purchasing the items (save money)
      On the other hand, producing items to meet other people’s needs becomes a source of income to the producer.
      Some of the items that one can make are garments, household items and safety equipment.

       


      Plaiting different Items

      Plaiting is weaving strands of hair, rope and so forth together to make a plait. Plaiting is the interlocking of three or more strands.
      Three strands can be used for making ropes for table mats or tying goats and mesh for hair. More strands can be used for making mats.

      Resources Required for Plaiting Different Items

      • Sisal fibre
      • Reed
      • Palm leaves
      • Pieces of bamboo
      • Bark fibre
      • Pieces of string
      • Pieces of cloth
      • Animal skin
      • Strips from old tyres

       

      Produce from Plaiting

      • Baskets
      • Table mats
      • Door mats
      • Ropes/strings
      • Mesh hair
      • Bags

      Procedure for plaiting strings and ropes

      • Take two strands.
      • Using the second strand, coil one end in the middle of the strand
      • Twist the right strand in between the other strands, then the left strand in between the other strands to make the rope.

       

       

      RISKS IN USING EQUIPMENT

      The table below shows sources of risks in various sporting and artistic activities

      ACTIVITY

      SOURCE OF RISKS

      Weaving

      Equipment such as bamboos and chisongole

      Knitting

      Equipment such as knitting needles

      Sewing

      Equipment such as sewing needles and pressing iron

      Carving

      Tools such as adzes (kasemasema)

      Athletics: track events (running activities. For example, relay race and cross country)

      Small running lanes, stones, litter, sharp objects, bricks, rough surfaces, lack of warm up and cool down activities

      Athletics (throwing events) for example, javelin, discus, shot put

      Poor condition of equipment, poor handling of equipment and slippery and rough surfaces

      Ball games

      Sports surfaces in poor conditions, lack of warm up and cool down activities, wrong pressure and size of balls, poor condition of balls

       

      Strategies for Reducing Risks

      • Doing warm ups and cool downs
      • Thrower should always be in front of others
      • Clear the area where the activity will be done
      • Always use equipment that is in good condition
      • Store and keep equipment safely after use to prevent wrong use
      • Proper handling of sharp tools, for example, needles
      • Wearing a thimble when sewing
      • Proper sharpening of tools
      • Splitting and processing bamboos with care in weaving

      The table below shows strategies that can be used to reduce risks

      ACTIVITY

      RISKS

      STRATEGY THAT CAN BE USED TO REDUCE RISKS

      Playing ball games

      Getting fractures, cuts and scratches

      • Referee should control the game
      • Referee should give penalties for bad play
      • Plant grass on bare ground
      • Remove anthills and stones from the ground
      • Fill ditches and holes on the ground

      Ball hitting players

      • Cut all grass for the balls to run smoothly
      • Goalkeepers wearing protective wear
      • Make the ground flat

      Players hitting each other

      - Strictly observe the rules of the game

      Sewing

      Needle pricking ones finger

      - Use a thimble to protect the middle finger when sewing

      Needle pins piercing others or oneself

      • Put pins or needles on a pin cushion
      • Point the needle towards your own body when sewing

      Cutting oneself or others

      • Cut away from others
      • Handle scissors or razor blades properly

      Burning oneself or others

      • Put pressing iron on a stand after every pressing
      • Remove charcoal after use
      • Switch off and plug off the electric iron after use
      • Proper storage

      Athletics

      Hitting one another due to bunching (many people being together without enough personal and general space)

      • All races of one lap for example: 100m, 200m should be run in lanes
      • Runners should be well spaced and limited in number
      • Obey the rules

      Collapsing

      • Breathe through the nose when running
      • Do cool down activities

      Carving

      Getting cuts or tears

      • Sharpen equipment away from your body
      • Place tools in safe places
      • Hold tools firmly when sharpening them
      • Avoid cutting close to where you are holding the object being carved

      The table below shows some of safe practices in different activities

      ACTIVITY

      SAFE PRACTICES

      Javelin

      • Walk with the javelin in vertical position to the playing field
      • Put a cork or a protective cloth on both ends of the javelin when not in use

      Discus

      - Use discus without cracks and worn out reams
      -Create adequate space between thrower and others

      The shot

      - Hold the shot with a firm grip

      Jumping events

      - Have a soft landing area

      Athletics

      • Adequate preparation
      • Use lanes when running
      • Ensure learners (runners) are well spaced in races of more than one lap
      • Count all learners (runners) before and after long runs
      • Provide transport behind the runners in long distance running

      Basketball

      - Minimise contacts among players

      Netball

      • Observe rules of the game
      • Umpires should ensure fair play

      Volleyball

      • Playing field should be dry
      • Use approved balls
      • Avoid treading on the ball
      • Spikes should be empty part of the court

      Field hockey

      • Cut grass on the pitch
      • Provide goalkeepers with protective clothing
      • Use sticks that are in good condition

      Football (soccer)

      • Avoid dangerous play
      • Referees should be strict in the game
      • Cut grass on the field of play
      • Ensure the field is free of risks

      Gymnastics

      • Use clothing that allows free movement
      • Proper supervision of the activities
      • Give activities according to the age of the learners

      Singing

      -Avoid singing on top of ones voice for a long time to avoid straining vocal chords which may lead to bruises
      -Have a bottle of water to sip at intervals to soften the vocal chords

      Dancing

      -Dances that are vigorous require enough training to avoid muscle pains and cramps

      Drama

      -Thorough practice before actual performances, especially those performances that require vigorous body movements
      -Sharp objects to be used should be improvised
      -Equipment that is not used should be removed from the stage to avoid bumping into them

       

      MARKETING SKILLS

      It is important that schools help the learners develop marketing skills. These skills will help them become self-reliant in future.

       

       

      Importance of Marketing

        • It ensures that the articles are made for a purpose and benefit
        • It increases profit from the sales of the articles made

       

      Processes in marketing

        • Carrying out a research (to identify potential customers)
        • Costing the items
        • Displaying the items
        • Advertising
        • Selling

       

      Importance of Carrying out a Market Research

      • To understand what people’s likes are
      • To discover where particular artefacts are popular
      • To convince people that they will not regret after buying the artefacts

       

      Marketing Skills

      • Carrying out a research
      • Costing the artefacts
      • Displaying them
      • Advertising them

      GLOSSARY

      Act (v) = to perform a part in a play or film
      Actor (n) = a person who acts on the stage, on TV or in films
      Aerobics = vigorous physical exercise done in order to increase the amount of oxygen taken into the body Agile (v) = able to move quickly and easily; active
      Art = the expression of human creative talent, especially in a natural form Attack = kill
      Audience (n) = a group of people who have gathered together to hear or watch somebody or something
      Banjo = a musical instrument with a long neck and a round body. It has four or more strings that are played with the fingers.
      Breadth (n) = the distance or measurement from side to side; width Burn (n) = a mark caused by fire
      Burnish (v) = to make metal smooth and shiny by rubbing; to polish something Carve (v) to form something by cutting away material from wood or stone Carve = to cut solid material in order to form something
      Carve = to write something by cutting on a surface Carving (n) = a carved object, especially a work of art Cast (n) = all the actors in a play, etc.
      Cast (v) = (in knitting) to put the first line of stitches on a needle Cast (v) = to choose actors to play parts in a play, film, etc.
      Cast (v) = to give somebody a part in a play, etc. Check = a pattern of small squares
      Chikule = red soil Chiziro = black soil
      Coil (v) = round something up, to wind or twist oneself or something round and round in circles or loops Collage = a form of art in which pieces of paper, cloth, photographs, etc. are arranged and stuck to a surface Colour (v) = to put colour on something, for example, with coloured pencils, paint, etc.
      Colouring (n) = the action of putting colour of something
      Composure = ability to control the game at any critical situation in the match Contemporary (adj) = of the present time; modern; of the latest time; new Costume (n) = clothes worn by actors during a play


      Decision making = determine in advance what to do Depth (n) = the distance from the front to the back Depth (n) = the distance from the top down
      Dimension (n) = a measurement of any sort, for example, breadth, length, thickness, height, and so forth Dimensional (adj) = having the specified number of dimensions
      Draw (v) = to make pictures or a picture of something, with, for example, a pencil or chalk but not paint
      Effects (n) an impression created in the mind of a spectator, reader, etc. while watching a play, listening to music or looking at a painting
      Engrave (v) = to cut or carve words, designs, etc. on a hard surface Flexible (adj) = that can bend easily without breaking
      Fret = each of the bars or ridges on the neck of a guitar or similar instrument, used as a guide for the finger to press the strings at the correct place.
      Gluten (n) = a sticky substance that is left when starch is removed from flour
      Groin (n) = the groin is the junctional area between the abdomen and the thigh on either side of the pubic bone
      Groin (anatomy) = the part of the body where the tops of the legs meet, containing the sexual organs Guitar = a musical instrument with, usually, six strings which is played with the fingers or a plectrum Height (n) = the measurement from the bottom to the top of a person or thing
      Hem (n) = the edge of a piece of cloth which has been turned under and sewn Impression (n) = a mark left by pressing an object hard into a surface
      Incise (v) = to cut words, designs, etc. into a surface Intelligence = game understanding
      Interlock = to fasten or to be fastened firmly so as not to come apart accidentally Kalimba = a type of African thumb piano
      Knit = to make garments, etc. by creating rows of connecting loops of, especially, wool thread, using long metal, plastic or wooden needles
      Leadership = able to guide the youngsters in the field and be able to motivate and inspire others Length (n) = the amount something measures or extends from one end to the other
      Lighting (n) = equipment for providing light for a room, building Lighting (n) = the arrangement or effect of lights
      Loom = a machine for weaving cloth


      Make up (v) = to put powder, lipstick, etc. on the face to make it more attractive or to prepare it for an appearance in the theatre, on TV, etc.
      Model (n) = a representation of something, usually smaller than the original Outline (n) = a line or lines indicating the shape or outer edge of something Outline (n) = to draw or mark the outer edge of something
      Pace = to set the rate or speed at which something happens or develops
      Percussion = musical instruments that are played by striking, beating or tapping with a stick, etc., for example, drums
      Perforate (v) = to make a hole or holes through something
      Piano = a large musical instrument played by pressing the black or white keys of a keyboard. Plait (v) = to weave strands of hair, rope, etc. together to make a plait.
      Plaiting = the art of twisting fibre into ropes.
      Plectrum = a small piece of metal, wood, plastic or bone used for plucking the strings of a guitar or similar instruments.
      Polish (v) = to make something smooth and shiny by rubbing, especially after first putting on a special substance to produce this result
      Props (n) (also property) = a movable object used on a theatre stage, in a film, etc.
      Punt (v) to kick a football after it has dropped from the hands and before it reaches the ground Purl (also purl stitch) (n) = a stitch in knitting that produces ridges on the upper side
      Purl (v) = to knit something in purl stitch Rasp = an unpleasant harsh sound
      Scene (n) = a place represented on a stage of a theatre
      Scenery (n) = painted background used to represent natural features or buildings, and so forth Scenery (n) = the natural features of an area, for example, mountains, valleys, rivers and forests Seam = a line along which two edges of cloth, etc. are joined or sewn together
      Set (n) = a stage or place where a play or film is performed Set (n) = the scenery used for a play, film, and so forth
      Setting (n) = the place and time at which a play, novel, etc. is set
      Setting = used to receive a teammate’s pass in order that the play may continue by passing the ball overhead to an attacker
      Sew = to make stitches in a cloth with a needle and thread Skill (n) = the ability to do something well


      Solid (n) = (geometry) having three dimensions i.e. length, width and thickness Spiking = striking
      Stain (v) = to leave or make coloured patches or dirty marks on something, especially ones that are difficult to remove
      Stamp (v) = to print the date, letters, a design, etc. on paper, cloth or some other surface Stamping (n) = a design, words, etc. made by stamping something into a surface Strength = to resist tackles
      Strip = a long piece of something i.e. a strip of paper
      Stroke (v) = move one’s hand with gentle pressure over (a surface) Style = manner of doing, performing, or presenting something Talent = a natural skill or ability at something
      Talent = a person or people with natural skill or ability
      Tattoo (noun) = a picture or pattern on a person’s skin made by making small holes in it and filling them with coloured dye
      Tattoo (verb) = to mark somebody’s skin with a tattoo
      Thick (n) = having a relatively great distance between opposite surfaces or side
      Three dimensional (adj) = having or appearing to have or relating to the dimensions of length, width and depth
      Thumb piano (n) = any of various musical instruments, mainly of African origin, made from strips of metal fastened to a resonator and played by plucking with the fingers and thumbs
      Trace (v) = to copy a map, drawing, etc. by drawing on transparent paper placed on it Twill = a fabric so woven as to have a surface of diagonal parallel ridges
      Two dimensional (adj) = have dimensions of height and width only
      Two dimensional (adj) = having or appearing to have length and breadth but no depth
      Vision = ability to see build-up play ahead to others or ability to see a pass or awareness of players around you
      Warp = (in knitting) the threads on a loom over and under which other threads (the weft or woof) are passed to make cloth
      Weave = to make fabric, etc. by passing threads or strips across, over and under other ones, by hand or on a machine called a loom
      Weft = the threads woven across, over and under the threads lying on the loom Wriggle = to twist and turn with quick short movements
      NB: n = noun, v = verb, adj = adjective


      REFERENCES

    • MIE, Standard 7 Expressive Arts Teachers’ guide (2008) MOEST,
    • IPTE through ODL Expressive Arts Module 1 MOEST,
    • IPTE through Conventional Expressive Arts Book Advanced Oxford Dictionary
    • Wikipedia:WikiAfrican/incubator/stubs/dance_in_Malawi
    • www.ezstoragenow.com/how-to-properlystoreartwork
    • www.managementstudy.com/objectives-importance-of-advertising

UNIT 1 LATITUDES AND LONGITUDES
UNIT 2 THE EAST AND CENTRAL AFRICAN SLAVE TRADE
UNIT 3 THE EARLY MISSIONARIES IN MALAWI
UNIT 4 THE PHYSICAL FEATURES OF AFRICA
UNIT 5 WORK AND MONEY
UNIT 6 COMPANIES AND INDUSTRIES
UNIT 7 THE CLIMATE AND VEGETATION OF AFRICA
UNIT 8 THE CENTRES OF EARLY CIVILISATION
UNIT 9 SYSTEMS OF GOVERNMENT
UNIT 10 CENTRAL GOVERNMENT
UNIT 11 DEMOCRATIC GOVERNMENT
UNIT 12 HIV AND AIDS
UNIT 13 TOURISM
UNIT 14 NATURAL DISASTERS IN SOUTHERN AFRICA
UNIT 15 THE POPULATION COMPOSITION OF AFRICA
UNIT 16 POPULATION CHANGE IN AFRICA
UNIT 17 THE EARLY EXPLORERS OF AFRICA
UNIT 18 TRANSPORT AND COMMUNICATION
UNIT 19 SAFETY
UNIT 20 CIVIL WARS AND PEACEFUL CONFLICT RESOLUTION
UNIT 21 AIR
UNIT 22 THE NATURAL RESOURCES OF SOUTHERN AFRICA
UNIT 23 MORAL VALUES


UNIT 1 LATITUDES AND LONGITUDES


Latitudes are imaginary lines which run horizontally across the earth's surface.
Longitudes are vertical lines measured at an angular distance east or west of the prime meridian.

MAJOR LATITUDES AND LONGITUDES
The earth is round like a ball.
It is covered by imaginary lines evenly-spaced and running vertically and horizontally. These lines are called latitudes and longitudes.
Latitudes and longitudes are measured in degrees.

 

MAJOR LATITUDES
The most important lines of latitudes are

  • the equator (00)
  • the tropic of cancer (23½0N)
  • the tropic of Capricorn (23½0S)
  • the arctic circle (66½0N)
  • the Antarctic circle (66½0S) Latitudes are also called parallels

MAJOR LONGITUDES
The prime meridian is one of the important longitudes The prime meridian is also called the Greenwich meridian Longitudes are also known as meridians
They meet at the poles

 

IMPORTANCE OF LATITUDES AND LONGITUDES

  • they help in locating places
  • they help in locating a country
  • they help in locating physical features
  • longitudes help in calculating time for a place

Places east of any longitudes see the sun earlier than those west of the longitudes

 

 

 

UNIT 2 THE EAST AND CENTRAL AFRICAN SLAVE TRADE

Slave trade is buying and selling of people.
A slave is a person who is owned by another person.


THE CAUSES OF EAST AND CENTRAL AFRICAN SLAVE TRADE

  • Arabs wanted cheap labourers to work in their plantations in Zanzibar and coastal areas in East Africa.
  • Other people wanted slaves to work in their homes as cooks and ground labourers in East Africa, Arab countries and India.

 

GROUPS OF PEOPLE INVOLVED IN THE EAST AND CENTRAL AFRICAN SLAVE TRADE

  • Arabs from the Middle East
  • the Swahili from East Africa
  • Jumbe from Malawi
  • Mlozi from Malawi
  • the Yao from Malawi
  • the Bisa from Zambia
  • the Bemba from Zambia
  • Chikunda of Zambia
  • the Nyamwezi in Tanzania

 

WHY DID CENTRAL AFRICA GET INVOLVED IN THE SLAVE TRADE

  • The Yao traders - Mlozi in Karonga and Jumbe in Nkhotakota wanted slaves in Malawi to sell them to Arabs on the east coast
  • The Yao caught slaves in the South of Malawi to sell them to the Arabs on the East Coast
  • The Nyamwezi of Tanzania, the Bisa, Bemba and the Chikunda of Zambia were the other tribes who were involved in the slave trade

 

METHODS OF OBTAINING SLAVES

  • raiding
  • selling

 

THE EFFECTS OF THE EAST AND CENTRAL AFRICAN SLAVE TRADE

  • villages were destroyed
  • some African chieftainships were destroyed
  • guns and gun powder were introduced into the African society
  • many areas in Africa became depopulated
  • many slaves died on the way because of ill-treatment
  • the Africans lost their identity and were treated as inferiors

 

THE ABOLITION OF THE SLAVE TRADE
The British Government made several attempts from the 19th Century to persuade the Sultan of Oman to limit slave trading activities, and finally, put a stop to it.


In 1873, the British Government successfully persuaded Sultan Burghash of Zanzibar to stop the slave trade. Consequently, the Zanzibar slave market, the biggest in East Africa, was closed down.

In Malawi, the slave trade stopped because of the efforts that Sir Harry Johnston made. He made a treaty with Jumbe III to give up his slave trading activities in return for payment equivalent to K200 per annum. In the south and north of Malawi, the British Government had to fight with the Yao chiefs and Mlozi respectively.

In Zambia, the British Government made a treaty with Lewanika of the Lozi in 1897 to stop the giving of slaves as a tribute to the chiefs, and to stop slave raiding. In 1906, domestic slavery was abolished and this marked the end of slave trade there.

 

 

 

 

UNIT 3 THE EARLY MISSIONARIES IN MALAWI

There were several missionaries who came to Malawi. These include:

  • the Universities Mission to Central Africa (UMCA)
  • the Scottish Missionaries
  • the Dutch Reformed Church Mission (DRCM)
  • the Catholic Missions
  • the Independent African Churches
  • Islam

 

THE WORK OF EARLY MISSIONARIES IN MALAWI

  • The Universities Mission to Central Africa

The Universities Mission to Central Africa came to Malawi to answer the call made by Dr David Livingstone.

REASONS WHY THE UMCA came to Malawi

    • to spread Christianity
    • to replace the slave trade with good and authorised trade

The UMCA was established under the leadership of Bishop Mackenzie in 1861. Its first mission was established at Magomero in Chiradzulu.
Magomero was chosen because it was one of the centres where there were a lot of slave trading activities.

In 1863, the mission moved to Zanzibar in Tanzania under the leadership of Bishop Tozer. This was because the missionaries were attacked by malaria and unfriendly Yao traders.

Later, in 1885, the UMCA returned to Nyasaland and opened the mission station at Likoma. OTHER MISSION STATIONS OF THE UMCA

  • Nkhotakota
  • Likwenu in Machinga

  • Malindi in Mangochi

A map of Malawi showing the location of the UMCA mission stations

 

  • THE SCOTTISH MISSIONARIES

The Scottish Missionaries of the Church of Scotland and the Free Church of Scotland came to Malawi through the influence of Dr David Livingstone's work.
The Scottish Missionaries originated from Scotland.
The missions were in two groups and established their stations in Blantyre and Livingstonia

 

BLANTYRE MISSION
The Blantyre Mission was established in Kapeni's area in 1876 by the Church of Scotland. The first leader was Henry Henderson.

The area was chosen because:

    • it was the slave trade route
    • it had a cool climate
    • it had fertile soils for tropical plants such as tea and coffee
    • it was accessible to Zambezi through the Shire River

Henry Henderson was succeeded by Reverend Duff Macdonald, David Clement Scott and Alexander Hetherwick

THE LIVINGSTONIA MISSION
The Livingstonia Mission was established by the Free Church of Scotland in 1875 in Cape Maclear as the first mission station.

The first leaders were Captain Edward Young, James Stewart and Dr Robert Laws.


Cape Maclear was chosen because of the good harbour for the Illala I which was taken as a ship for the mission.
Robert Laws succeeded Edward Young and moved the mission to Bandawe in Nkhatabay in 1881. The Cape Maclear mission station was moved to Bandawe mission station because

  • the leaders were frequently attacked by malaria at Cape Maclear
  • there was a slave trade route at Cape Maclear and therefore the station was attacked by slave raiders
  • the population was too low at Cape Maclear

Bandawe was chosen because of the following reasons

  • the place was believed to be free from malaria attacks and slave raiders
  • it was close to the lake for easy transportation

The station was later moved from Bandawe to Khondowe, now known as Livingstonia, in 1882 because of the following reasons

  • cool weather on the plateau
  • freedom from malaria
  • good view of the lake

Blantyre and Livingstonia Missions were established in honour of Dr David Livingstone and they belong to the Church of Central African Presbyterian (CCAP)

Blantyre Mission Stations

  • Blantyre
  • Karonga
  • Ekwendeni
  • Laudon
  • Kasungu


A map of Malawi showing the location of the Scottish mission stations


Livingstonia Mission Stations

  • Cape Maclear
  • Bandawe
  • Khondowe (Livingstonia)

 

  • The Dutch Reformed Church Mission (DRCM)

Another group which was influenced by Robert Moffatt and Dr David Livingstone's work was from South Africa.
This was the Dutch Reformed Church. This group came to Malawi in 1888 under the leadership of Reverend Andrew C Murray.
In 1889, Reverend Teunis C Botha Vlok joined him. The two set their first station at Mvera in Dowa district.
In 1895, Reverend William Hope Murray succeeded Reverend Andrew Murray. He led the mission until his return to South Africa in 1937.
The mission station was moved from Mvera to Nkhoma in 1910 because of the following reasons

    • there were too many tsetse flies at Mvera
    • Nkhoma had good physical features which made the place look beautiful
    • Chief Mazengera, a Chewa chief, invited the missionaries to protect the Chewa from the Ngonis
    • Nkhoma was free from tsetse flies

 



A map of Malawi showing the location of the DRCM mission stations


OTHER DRCM MISSION STATIONS

  • Kongwe
  • Mlanda
  • Malingunde
  • Nkhoma

All these stations are under the Nkhoma Synod of the CCAP.

 

  • The Catholic Missions

Another group which had some influence of Dr David Livingstone's work were the Catholic Missions. These were in three groups.

 

  • The White Fathers

This was the first Roman Catholic Mission to come to Malawi. It began its work in 1889 by three priests.
These went to Chief Mponda in Mangochi. Their leader was Father Lechaptois, a Frenchman.
They later abandoned the place and went to Zambia in 1891 because Chief Mponda was a Moslem, a slave raider and was against Christianity.
The other team led by Father Guilleme came back from Zambia in 1901 and established a station at Chiwamba in Lilongwe. The mission was later moved to Likuni in 1903 because there were more people in Likuni.
Other white fathers arrived on the lakeshore and established a station at Mua in Dedza where a leprosarium was started in 1927.

 

  • The Montfort Fathers

This group came to Malawi in 1902. They established their first station and school at Nzama in Ntcheu. In 1903, they established another centre at Nguludi in Chiradzulu.

OTHER MISSION STATIONS WHICH WERE ESTABLISHED

    • Kachebere in Mchinji (1903)
    • Mtakataka in Dedza (1908)
    • Bembeke in Ntcheu (1910)
    • Kasina in Lilongwe (1925)
    • Nambuma in Dowa (1928)
    • Guilleme in Mchinji (1935)
    • Chiphaso in Kasungu (1935)
    • Mpherere (1939)
    • Mtendere in Dedza (1941)
    • Ludzi in Mchinji (1941)
    • Salima (1946)
    • Mlale in Blantyre (1951)

 

  • The White Sisters

The White Sisters came to Malawi in 1911. These were followed by the Grey Nuns.
In 1932, a printing press was set up at Bembeke but was later transferred to Likuni in 1949. In 1940, the missionary work expanded to the northern region.

A map of Malawi showing the location of the Roman Catholic mission stations

 

  • Independent African Churches

The Independent African Churches were established by Africans.
These were developed as a result of the work of the UMCA, Scottish Missions, the DRCM and the Roman Catholic Missions.

 

REASONS WHY THE INDEPENDENT CHURCHES STARTED

    • to preserve their own African religious beliefs
    • to promote their own interest in economics and politics

SOME INDEPENDENT AFRICAN CHURCHES



A map of Malawi showing the location of the Independent African churches

 

Islam was brought to Malawi by Arab Swahili traders. The Arabs came from Arabia and the Persian Gulf.
The Arab Swahilis came to Malawi because of trade.
The notable Arab Swahili traders were Mlozi and Msalemu at Karonga and Jumbe Salim bin Abdullah in Nkhotakota.
In the southern region, there was no any well-known Arab Swahili trader but Islam spread among the Yao because of the following reasons:

 

THE MAIN ISLAMIC CENTRES IN MALAWI


MITUNDU YA MAWU
DZINA
MLOWAM’MALO
MNENI
MFOTOKOZI
MUONJEZI
MLUMIKIZI
MPEREKEZ
MFUWU
MVEKERO
KUSIYANA NDI KUFANANA KWA MFOTOKOZI NDI MLOWAM’MALO
NTHAMBI YA CHIGANIZO
ZIZINDIKIRO ZA M’KALEMBEDWE
MALEMBO AAKULU
NTCHITO ZA ‘NDI’

 

MITUNDU YA MAWU

 

Yotsatirayi ndi mitundu ya mawu:

 

 

DZINA

Dzina ndi mawu omwe timagwiritsa ntchito poyitana kapena potchula chinthu kapena ganizo lililonse.

MITUNDU YA MAYINA

Ili ndi dzina la chinthu chapachokha (chosawanda).

Zitsanzo za mayina amwinimwini ndi monga mayina a anthu, mitundu kapena mafuko a anthu, misewu, nyanja, mitsinje, maiko, maboma, midzi, malo, mizinda, mapiri, masiku, miyezi, Mulungu, zigwa, milatho, ufumu, kampani, zipembedzo, ziyankhulo, zipani, ndakatulo, nthano ndi nkhani.
Polemba mayinawa timayamba ndi lembo lalikulu.

 

Zitsanzo:
Maliya, Malawi, Dedza, Namalenga, Januwale, Chitonga, Lachitatu, Chikhristu, Linthipe.

 

Ili ndi dzina lotchulira zinthu zowanda (zopezeka ponseponse).


Polemba mayinawa timayamba ndi lembo laling’ono, pokhapokha ngati mayinawo akuyamba chiganizo kapena pamene ndi mitu monga mitu ya nyimbo, ndakatulo ndi nkhani ndiye tiwayambe ndi lembo lalikulu.
Zitsanzo:
nkhuku, mnyamata, mpweya, nzeru, mwala, fisi, ludzu, msonkho, uchembere, chulu.

 

  • Dzina la chinthu chokhudzika

Ili ndi dzina la chinthu chowanda chomwe timatha kuchiona, kuchimva ndi makutu kapena ndi thupi kapenanso m’mphuno kapena kuchikhudza kapenanso kuchiyeza.

 

Zitsanzo:
nyesi, nthunzi, mtambo, liwu, fungo, chigumula, utsi, mdima, mpweya, mwala, nkhuku, mnyamata.

 

  • Dzina la chinthu chosakhudzika

Ili ndi dzina la chinthu chowanda chomwe sitingathe kuchiona kapena kuchikhudza. Dzinali ndi la zinthu za m’maganizo chabe ndipo kawirikawiri timangowona zotsatira zake.

 

Zitsanzo:
nzeru, ufulu, maganizo, ubwezi, nsanje, changu, dumbo, mantha, chilungamo, nkhanza, mtendere, maloto

 

  • Dzina la unyinji

 

Ili ndi dzina la zinthu zowanda zomwe zili pagulu lawo la zinthu zofanana.

 

Zitsanzo:
msonkhano, mzukutu, mtolo, mulu, nkhwimbi, phava, bere, mpukutu, chipani, bungwe, gulu, mdipiti.

 

  • Dzina lachibale

Dzina lachibale (dzina lamphukira) ndi limodzi mwa mayina ambiri opangidwa kuchokera ku muzu kapena tsinde limodzi la mawu.


Mayinawa amaimira maganizo osiyana kapena zinthu zosiyana ngakhale kuti kholo lawo (muzu kapena tsinde) ndi limodzi.

 


Zitsanzo:
Tsinde: Mayina achibale
yenda: ulendo mlendo mwendo

taya: nthayo mtaya mataya chitayo

tuma: mtumwi nthumwi ntumiki utumiki

lima: ndime dima mlimi ulimi

NTCHITO ZA MAYINA

    • Kukhala mwininkhani (mchitantchito) Zitsanzo:
      • Yohane wapita kumunda.
      • Chiponde chadyedwa ndi mzungu.

 

    • Kukhala pamtherankhani

Zitsanzo:

      • Njoka yagwira chule.
      • Nazunga wandilembera kalata.

 

    • Kukhala dzina lolandirira kanthu Zitsanzo:
      • Ndamlembera Yohane kalata.
      • Amayi awaphikira alendo nsima.

 

    • Kukhala dzina lapadera

Zitsanzo:

      • Zuze, Chilombo, ali m’mudzimu.
      • Kodi umamudziwa Zikomo, mlembi?

    • Kukhala dzina loyitanira

Zitsanzo:

      • Yohane thawa njokayo.
      • Tabwera kuno, Manase.

 

    • Pamtherankhani wa mperekezi

Zitsanzo:

      • Ndipita kuchipatala ndi mwana.
      • Chimwemwe amachokera ku Kasungu.

 

    • Kukhala mtsirizitsi

Zitsanzo:

      • Pempho si mphunzitsi.
      • Bengo ndi mkango.

 

    • Kukhala msonyamalo

Zitsanzo:

      • Kumunda kwawirira.
      • Patsala paja pagona chinziri.
      • M’mudzi mwathu muli ufulu.

 

 

MAGULU A MAYINA
Mayina amayikidwa m’magulu osiyanasiyana.
Tingazindikire gulu la dzina pogwiritsa ntchito mphatikiram’mbuyo wosonyeza zambiri komanso pogwiritsa ntchito agwirizanitsi osonyeza chimodzi ndi zambiri.

 

Gulu (Mu-, A-)
Ili ndi gulu la mayina onse omwe amachulukitsidwa ndi mphatikiram’mbuyo ‘a-’. Zitsanzo:
Chimodzi Zambiri
munthu - anthu
m’bale - abale
fisi - afisi
mwamuna - amuna
mzamba - azamba

Gulu (Mu - , Mi - )
Ili ndi gulu la mayina onse kawirikawiri amachulukitsidwa ndi mphatikiram’mbuyo ‘mi - ’. Zitsanzo:
Chimodzi --Zambiri
mulungu--milungu
mkeka--mikeka
muzu--mizu
mwambi--miyambi

Gulu (U-, Ma-)
Ili ndi gulu la mayina onse omwe amayamba ndi lembo la liwu ‘u–’. Zitsanzo:
Chimodzi -- Zambiri
udindo -- maudindo
uta -- mauta
udzudzu -- udzudzu
ufa -- ufa

Gulu (I-, Zi-)
Ili ndi gulu la mayina onse omwe timawaloza ndi iyi m’chimodzi ndipo m’zambiri timawaloza ndi izi. Zitsanzo:
Chimodzi -- Zambiri
mimba -- mimba
mphwemphwa -- mphwemphwa

mfumu -- mfumu
inswa -- inswa
ndolo -- ndolo


Gulu (Chi - , Zi - )
Ili ndi gulu la mayina omwe amayamba ndi ch m’chimodzi ndipo amayamba ndi z m’zambiri. Zitsanzo:
Chimodzi - Zambiri
chambo - zambo
chulu - zulu
chikho -- zikho
chodyera -- zodyera
chibwana -- zibwana

 

Gulu (Li -, Ma - )
Ili ndi gulu la mayina omwe amayamba ndi ‘ma’ m’zambiri, ngakhale ena satero. Agwirizanitsi awo ndi i-
(m’chimodzi) ndi a- (m’zambiri).
Zitsanzo:
Chimodzi - - Zambiri
bala - mabala
khasu - makasu
fupa - mafupa
tsiku - masiku
diso - maso

Gulu (Ka -,Ti -)
Ili ndi gulu la mayina omwe amayamba ndi ‘ka’ m’chimodzi ndipo m’zambiri amayamba ndi ‘ti’. Zitsanzo:
Chimodzi -- Zambiri
kamwana -- tiana
kanthu -- tinthu
kadiso -- timaso


Gulu (ku ndi tsinde la mneni)
Ili ndi gulu la mayina omwe amapangidwa pophatikiza ku- ku tsinde la mneni. Zitsanzo:
kusaka (ku- ku saka)
kulemba (ku- ku lemba)
kugona (ku- ku gona)

Gulu (Ku -, Pa -, Mu - ndi dzina)
Ili ndi gulu la mayina osonyeza malo ndipo amayamba ndi ku- kapena mu- kapenanso pa-. Zitsanzo:
kumunda pamutu patchire m’mudzi

KAPANGIDWE KA MAYINA
Mayina amapangidwa m’njira zambiri monga:

 

Pophatikiza aphatikiram’mbuyo ku masinde othandiza kupanga mayina

Zitsanzo

 

Maphatikizo

Tsinde

Dzina

mu-

-nthu

munthu

wa- (a-)

-nthu

wanthu (anthu)

mu-

-dzi

mudzi

mi-

-zimu

mizimu

 

Mayina opanga kuchokera ku afotokozi
Zitsanzo
Tsinde la mfotokozi -- Dzina
-kulu -- kulu

-ng’ono -- ung’ono

Mayina opanga kuchokera ku aonjezi
Chitsanzo
Muonjezi - Dzina
bwino - ubwino

Mayina opanga kuchokera ku aneni
Zitsanzo
Mneni - Dzina
lima - mlimi
dana - udani
phunzitsa - mphunzitsi
konza - mkonzi

 

Mayina opanga kuchokera ku zinenero zina
Zitsanzo
Dzina - Chinenero
dona - chipwitikizi
ndege - chiswahili
tebulo - chingerezi
boma - chiswahili
mtchini - chingerezi
kachasu - chipwitikizi
nsapato - chipwitikizi
dondo - chishona
gomo - chishona
mlingo - chiyawo


Kulumikiza dzina ndi dzina lina
Zitsanzo

Dzina

Dzina

Dzina lopangidwa

mwana

bere

mwanabere

mwana

mphepo

mwanamphepo

utaka

fumbi

utakafumbi

bambo

mfumu

bambomfumu

 

Kulumikiza dzina ndi tsinde
Zitsanzo

Dzina

Tsinde

Dzina lopangidwa

nyama

-kazi

nyamakazi

mfuku

-kazi

mfumukazi

 

Kulumikiza mneni ndi dzina
Zitsanzo

Mneni

Dzina

Dzina lopangidwa

yang’ana

dzuwa

myang’anadzuwa

lima

njira

kalimanjira

pota

manja

mpotamanja

taya

makoko

mtayamakoko

 

Kulumikiza mneni ndi mlowam’malo
Zitsanzo

Mneni

Mlowam’malo

Dzina lopangidwa

konda

ine

kondaine

simba

zako

simbazako

Kulumikiza mneni ndi muonjezi
Zitsanzo

Mneni

Muonjezi

Dzina

yenda

usiku

chiyendausiku

ponda

m’thengo

chipondam’thengo

khala

pakati

mkhalapakati

 

Kulumikiza mphatikiram’mbuyo ‘ku-’ ku tsinde la mneni
Zitsanzo
Mphatikiram’mbuyo -- Dzina
ku- kudya
ku- kumwa
ku- kuphunzira
ku- kusamba

 

 

 

 

MLOWAM’MALO

Mlowam’malo ndi mawu omwe amaima kapena amalowa m’malo mwa dzina.

 

MITUNDU YA ALOWAM’MALO
Alowam’malo olowa m’malo mwa dzina la munthu/a dzina lakelake

Alowam’malo awa alipo a mitundu itatu motere:

  • Alowam’malo akalozamwini

Awa amalowa m’malo mwa dzina la munthu kapena anthu omwe akuyankhula. Zitsanzo:

    1. Ine ndavutika kwambiri.
    2. Ife tipita mochedwa.

  • Alowam’malo akalozamnzako

Awa amalowa m’malo mwa dzina la munthu kapena anthu omwe akumvera zomwe wina akuyankhula.
Zitsanzo:

    1. Iwe, pita msanga.
    2. Inu, thamangani munthu uja akuthawa.
    3. Ndikuyankhula ndi inu.

 

 

  • Alowam’malo akalozawina

Awa amalowa m’malo mwa dzina la munthu kapena anthu omwe tikuwatchula m’nkhani. Munthuyu kapena anthuwo akhoza kukhala kuti ali kutali pang’ono kapena kwina kwake kotero sakudzimvera zomwe zikunenedwa zokhudza iwowo.
Zitsanzo:

    1. Iye wakhaula ndipo sadzabwerezanso.
    2. Iwo apita lero.

 

 

Alowam’malo oloza
Alowam’malo oloza chinthu chomwe chili pafupi kapena choyandikira
Zitsanzo:

  1. Uyu wamenya mwana.
  2. Ichi ndi choipa.
  3. Aka ndi kanga.

 

 

Alowam’malo oloza munthu kapena chinthu chomwe chili patali pang’ono
Zitsanzo:

  1. Icho chagwa chokha.
  2. Ako ndi koyenera kukachotseratu.
  3. Uyo wapha ng’ombe yanga.

 

 

Alowam’malo oloza munthu kapena chinthu chomwe chili patali
Zitsanzo:

  1. Chija n’chofunika kukachitola msanga.
  2. Aja akuti atopa.
  3. Uja m’mene wateromu wanyanyala.

 

 

Alowam’malo aumwini
Zitsanzo:

  1. Wake wabwera.
  2. Chako ndi chako.
  3. Zathu zalowa m’khola.
  4. Wanga wabwera dzulo.
  5. Ndationa tanu tikudya msipu.
  6. Zanga zili paphiri.

 

 

Alowam’malo amgwirizano
Zitsanzo:

  1. Amene afuna abwera.
  2. Ndifuna zomwe zija.
  3. Omwe agona asiyeni.

 

 

Alowam’malo odzichitira
Zitsanzo:

  1. Wadzimenya yekha.
  2. Mudzifunse nokha.
  3. Khala pansi ungadzipweteke.

 

 

Alowam’malo otsimikiza
Zitsanzo:

  1. Iye mwini wandifunsa za nkhaniyi.
  2. Ine amene simungandimenye.
  3. Ndine ndemwe ndaswa chikhochi.

 

 

Alowam’malo ofunsa
Zitsanzo:


  1. Ukufuna ziti?
  2. Wayani akubwera apo?
  3.  N’kuti wapitako?

 

 

Alowam’malo ochuluka
Zitsanzo:

  1. Ndagula ziwiri zokha.
  2. Anayi akubwera apo.
  3. Mwalandira khumi.

 

 

Alowam’malo opatula (apaokha)
Zitsanzo:

  1. Ena abwera kale.
  2. Udye zonse.
  3. Kambani zina.

 

 

 

NTCHITO ZA ALOWAM’MALO
Alowam’malo amatha kukhala eninkhani kapena pamtherankhani.

 

Eninkhani

  • Wa dzina lakelake

Zitsanzo

    1. Ine ndimakonda mbatata yowotcha.
    2. Iwo akumanga nyumba.
    3. Iwe thawa njokayo.

 

 

  • Wa umwini

Zitsanzo

    1. Zanga zabwera.
    2. Chanu palibe.
    3. Kwanu kuli bwino.

  • Wamgwirizano

Zitsanzo

    1. Chimene chilibe ntchito tayani.
    2. Amene afuna abwera.
    3. Komwe wapita sikudziwika.

 

 

  • Woloza

Zitsanzo

    1. Uyu pita nayeni.
    2. Iyi yabwira ufa.
    3. Ichi n’chimanga, icho n’chinangwa.

 

 

  • Wofunsa

Zitsanzo

    1. Ndi ziti zagwera m’dzenje?
    2.  N’chotani watengacho?
    3. Muti umati ulowe?

 

 

  • Zochuluka

Zitsanzo

    1. Ambiri apita kukasewera mpira.
    2. Angapo achita ngozi.
    3. Chochepa sichikwanira.

 

 

Apamtherankhani

  • Wa dzina lakelake

Zitsanzo

    1. Joni amandinena ine.
    2. Tawaona iwo akumenyana.
    3. Amakunyoza iwe.

  • Waumwini

Zitsanzo

    1. Mukanditengereko yanga.
    2. Ndathana nacho chanu.
    3. Ndizikakhala kwathu.

 

 

  • Wamgwirizano

Zitsanzo

    1. Mwadya zomwezo.
    2. Sindifuna zotere.
    3. Ndamudziwa amene waba.

 

 

  • Woloza

Zitsanzo

    1. Ndipatse ilo.
    2. Osaponda apa.
    3. Wamuona uja?

 

 

  • Wofunsa

Zitsanzo

    1. Ukufuna zotani?
    2. Mukuyendera ziti?
    3. Amakhala kuti?

 

 

  • Wochuluka

Zitsanzo

    1. Ndadya zambiri.
    2. Mundipatseko zochepa.
    3. Tagwira angapo.

MNENI

Mneni ndi mawu omwe amatidziwitsa zochitika.

 

MITUNDU YA ANENI
Aneni alipo osiyanasiyana malingana ndi kapangidwe ndi ntchito zawo. Mitundu yayikulu ndi yodziwikiratu ilipo iwiri motere:

Mneni woyambukira

Ntchito ya mneniyu ndi kuwonetsa chinthu chomwe chagwira ntchito komanso chinthu chomwe ntchito yachitikira pa icho.
Zitsanzo

  1. Galu wapha bakha.
  2. Amayi ataya makiyi.

 

 

Mneni wosayambukira

Uyu sakhala ndi pamtherankhani kotero ntchito yake sisonyeza kuti yachitikira yani. Zitsanzo

  1. Achimwene abwera lero.
  2. Maliya wapita kale.

 

Magulu ena a aneni ali motere:

Mneni wophatikizika/wodalira

Uyu amadalira mawu omwe ayikidwa kutsogolo kwa mneniyo kuti ganizo limveke bwino. Zitsanzo

  1. Iyi ndi nkhono.
  2. Chikondi simnzanga.

 

 

Mneni wothandizira

Uyu amathandizira mneni mnzake kuti ganizo limveke bwino. Zitsanzo

  1. Mphatso ali kugulitsa njinga.
  2. Kodi muli kuyankhula ndi yani?

Okhala ndi tsinde la phatikizo limodzi

Zitsanzo

  1. Mnyamata waba mbuzi.
  2. Mawungu aja apsa ukaphule.

 

 

Okhala ndi tsinde la maphatikizo awiri

Zitsanzo

  1. Amadziwa kulemba kalata.
  2. Akucheza ndi bwenzi lake.

 

 

Okhala ndi tsinde la maphatikizo atatu

Zitsanzo

  1. Tawonjeza thobwa mkapumo.
  2. Wamaliza nsima yonse yekha.

 

 

Okhala ndi tsinde la maphatikizo anayi

Zitsanzo

  1. Wafutukula kalata ndinapindapinda ija.
  2. Joni wakutumula thumba la ufa lija.

 

 

Okhala ndi tsinde la maphatikizo asanu

Zitsanzo

  1. Tambalikiza kuti anthu apatsidwawo amve uthengawu.
  2. Bulubudira ndi bulangete chifukwa wazizidwa kwambiri.

 

 

NTHAWI ZA ANENI
Nthawi ya mneni ndi kakhalidwe ka mneni komwe kamasonyeza nthawi yomwe ntchito inachitika, ichitike kapena idzachitike.


MITUNDU YA NTHAWI ZA ANENI

  • Nthawi yakale

Zitsanzo

    1. Tinadya.
    2. Adagwa chagada.

 

Nthawi yakale ili ndi mitundu yakeyake itatu.

      • Nthawi yakale yathayi

Kusonyeza kuti ntchito yangochitika kumene ndipo yatha. Zitsanzo

        1. Ndadya.
        2. Tsamba lagwa.

 

 

      • Nthawi yakale yopitiriza

Imasonyeza kuti ntchito inkachitika mopitiriza. Zitsanzo

        1. Iwo ankayenda pansi.
        2. Makolo athu ankavala nguwo.

 

 

      • Nthawi yakale yathayi yopitiriza

Kusonyeza kuti ntchito yomwe inatha kumene kalelo inali yopitiriza. Zitsanzo

        1. Tidakhala tikuyembekezera galimoto usiku wonse.
        2. Anakhala akundinamiza kwa nthawi yayitali.

 

 

  • Nthawi yatsopano

Kusonyeza ntchito zochitika kawirikawiri makamaka chifukwa choti ndi ntchito kapena khalidwe la wochitayo.
Zitsanzo

    1. Mulungu amakukondani.
    2. Iwo amalima mpunga.

MITUNDU YA NTHAWI YATSOPANO

      • Nthawi yatsopano yathayi

Imasonyeza kuti ntchito yachitika kumene ndipo yatha. Zitsanzo

        1. Mwagulitsa nsomba zija?
        2. Adya kale ndipo akhuta.
        3. Ife talemba mayeso.

 

 

      • Nthawi yatsopano yopitiriza

Imatidziwitsa kuti ntchito yomwe ikuchitika nthawi ino ndi yopitiriza. Mneni wake amakhala ndi m’phatikiram’kati ‘-ku-‘.
Zitsanzo

        1. Dzuwa likuwala.
        2. Ana akusewera pamchenga.
        3. Ife tikuphunzira Chichewa.

 

 

      • Nthawi yathayi yopitiriza

Zitsanzo

        1. Ndakhala ndikusita kuchokera m’mawa.
        2. Mwakhala mukundinamiza.
        3. Nthawi yonseyi takhala tikusewera.

 

 

  • Nthawi yamtsogolo

Imasonyeza kuti ntchito idzachitika mtsogolo. Zitsanzo

    1. Ndidzabwera kwanu.
    2. Tonse tidzafa.
    3. Iye akuti sadzamwa mowa.

 

 

MITUNDU YA NTHAWI YAMTSOGOLO

      • Nthawi yamtsogolo yathayi

Imasonyeza kuti ntchito idzakhala itatha m’tsogolo pa nthawi yomwe chinachake chidzachitike kapena chidzakhala chisanachitike.
Zitsanzo

        1. Adzakhala atathawa sukulu.
        2. Chidzakhala chitaduka mam’mawa.
        3. Iye adzakhala atakwatiwa chaka cha mawa.

 

 

      • Nthawi yamtsogolo yopitiriza

Imasonyeza kuti podzachitika ntchito mtsogolo, nthawi idzakhala yopitiriza. Zitsanzo

        1. Ndidzizalulutira paukwati wako.
        2. Mukaphunzira muzidzasangalala.

 

 

      • Nthawi yamtsogolo yathayi yopitiriza

Imasonyeza kuti ntchito yomwe idzakhale itatha nthawi ina yake m’tsogolo ndi yopitiriza. Zitsanzo

        1. Adzakhala akudikira galimoto.
        2. Panthawiyo mvula idzakhala ikugwa.

 

 

MSINTHO WA ANENI
Uku ndi kusintha kwa ntchito ya mneni poika aphatikiri ku tsinde la mneni kuti mneniyo apereke tanthauzo lina kapena losinthika.

 

MITUNDU YA MSINTHO WA ANENI

  1. Msintho wochitidwa poyera Zitsanzo
    • Maliya wamenyedwa kwambiri.
    • Mbuzi yagwidwa ndi fisi.

2. Msintho wochitidwa mchibisira

Zitsanzo

    • Abambo apezeka ndi matenda a chifuwa.
    • Chipupa chamangika bwino.
    • Msintho wonyazitsa

    Zitsanzo

      1. Katswiri wa nkhonya uja wamenywa kwambiri.
      2. Munthu uja wapezwa lero.
      3. Galu wawo waphewa.

     

     

    • Msintho wom’chitira

    Umasintha poyika aphatikiram’tsogolo awa: -ira, -era. Zitsanzo

      1. Achimwene andigulira malaya.
      2. Alinafe amubera zovala.

     

     

    • Msintho wochititsa

    Umasonyeza chomwe chayambitsa kuti ntchito ichitike ndipo umasintha poyika aphatikiram’tsogolo awa: -etsa, -itsa.
    Zitsanzo

      1. Munthu wathawitsa mbalame.
      2. Mkazi wachiwerewere waphetsa mwamuna.

     

     

    • Msintho wochititsitsa

    Umasonyeza kuti ntchito yachitika mopitiriza muyeso kapena kuti yachitika kwambiri ndipo aneni amasintha poyika aphatikiram’tsogolo awa: -etsetsa, -itsitsa.
    Zitsanzo

      1. Penyetsetsa kuti uwone zenizeni.
      2. Funsoli lavutitsitsa sindilembanso.

     

     

    • Msintho wochitirana

    Umasonyeza kuchita ntchito mobwezerana ndipo aneni amasintha poyika m’phatikiram’tsogolo
    -na.
    Zitsanzo

      1. Anyamata ang’ambirana zovala.
      2. Atsikana amenyana kwambiri.

    • Msintho wotsutsana

    Umasonyeza kutsutsana kwa ntchito yomwe yachitika ndipo aneni ake amasintha pochotsa lembo la ‘a’ lotsiriza kwa mneni ndi kuika m’phatikiram’tsogolo –ula

    Zitsanzo
    Mneni -- Msintho wotsutsana nawo
    tseka -- tsekula
    yala -- yalula
    mata -- matula

     

    • Msintho wobwerezabwereza

    Umasonyeza kubwerezabwereza kwa ntchito ndipo umasintha pongobwereza ntchito/tsinde la mneni.
    Zitsanzo

      1. Usamadutsadutsa msewu njinga zingakugunde.
      2. Mkazi wokwatiwa sapitapita kwa makolo ake.

     

    MFOTOKOZI

    Mfotokozi ndi mawu omwe amatidziwitsa (amafotokoza) zambiri za dzina kapena mlowam’malo.

     

    MITUNDU YA AFOTOKOZI
    Afotokozi amaikidwa m’mitundu yosiyanasiyana yotsatirayi:

    • Mfotokozi wa maonekedwe

    Mfotokoziyu amanena za maonekedwe a chinthu (mtundu kapena msinkhu). Mfotokoziyu amapangidwa kuchokera ku masinde ku masinde enieni a mfotokozi, mayina komanso aneni ena.
    Zitsanzo

      1. Munda wake ndi waukulu.
      2. Ndili ndi mwana wamtali.
      3. Msipu wobiliwira unapha mbuzi.
      4. Watenga zake zoyera ndi zachikasu.

    • Mfotokozi wa mkhalidwe

    Mfotokoziyu amanena za khalidwe la dzina kapena mlowam’malo. Mfotokoziyu amapangidwa kuchokera ku mayina, aneni, aonjezi ndi mvekero.
    Zitsanzo

      1. Iwo akumana ndi anthu achifwamba.
      2. Atatu achiwewe aluma mbuzi.
      3. Munthu wakuba sakondedwa.
      4. Ena abwino sakhalitsa padziko.

     

    • Mfotokozi wa umwini

    Uyu ndi mfotokozi yemwe amasonyeza umwini ndipo amapangidwa pophatikiza aphatikiram’mbuyo ku masinde a umwini.
    Zitsanzo

      1. Uja ndi mwana wanga.
      2. Kuimba kwake kwandisangalatsa.
      3. Galu wako ndi waukali.
      4. Dzina lathu ndi lamtendere.

     

     

    • Mfotokozi woloza

    Uyu ndi mfotokozi yemwe timagwiritsa ntchito poloza dzina. Afotokozi ena oloza amapangidwa pophatikiza aphatikiram’mbuyo ku masinde oloza n’kupanga alozi.
    Zitsanzo

      1. Khasu ili ndi la amayi.
      2. Chala ichi chatupa.
      3. Pamudzi pano pali mbava.
      4. Ndamuona mwana uja.

     

     

    • Mfotokozi wochuluka

    Mfotokozi uyu amasonyeza kuchuluka kwa zinthu. Mfotokozi uyu ali ndi mitundu yakeyake itatu iyi:

    • Mfotokozi wowerenga

    Mfotokoziyu amawerenga mayina kapena alowam’malo ndipo amachokera ku masinde a mawerengo ‘-modzi’, ‘-wiri’, ‘-tatu’, ‘-nayi’ ndi ‘-sanu’.
    Zitsanzo


      1. Ndadya mbamu ziwiri.
      2. Iye watsala madzi amodzi.
      3. Ana asanu abwera kale.
      4. Ndikufuna zinthu zitatu.

     

     

    • Mfotokozi wogawa

    Mfotokoziyu amakamba za mayina kapena alowam’malo omwe ali pagulu pawokhapawokha. Mfotokoziyu amapangidwa kuchokera kutsinde ‘-li-nse’ ndipo amalembedwa ngati mawu amodzi.
    Zitsanzo

      1. Abwera wina aliyense.
      2. Nkhuni iliyonse pamtolopo ndi yaiwisi.
      3. Mundigawire chimanga chilichonse.

     

     

    • Mfotokozi wopatula

    Mfotokoziyu amakamba za kuchuluka kwa zinthu posafotokoza mwatchutchutchu
    chiwerengero chake. Mfotokoziyu amapangidwa kuchokera ku masinde ‘-chepa’, ‘-mbiri’, ‘-ngapo’, ‘-nse’ ndi ‘-na’.
    Zitsanzo

      1. Ndadya nthochi zochepa.
      2. Ana ambiri abwera kale.
      3. Zinthu zingapo zasowa.
      4. Nkhuku zonse zafa.
      5. Ana ena samva kamodzi.

     

     

    1. Mfotokozi wamgwirizano

    Mfotokoziyu amapangidwa kuchokera ku masinde a mgwirizano ‘-mene’ ndi ‘-mwe’.
    Zitsanzo

      1. Munthu amene waba sindinamuone.
      2. Ili ndi buku lomwe ndimafuna.
      3. Ophunzira omwe akhoza mayeso akusangalala.
      4. Undiuze chinthu chimene chikukuvuta.

    1. Mfotokozi wofunsa

    Mfotokoziyu ndi mawu wofunsira omwe amafuna kudziwa zambiri za dzina kapena mlowam’malo. Mfotokozi amapangidwa kuchokera ku masinde ofunsira awa: ‘-tani’, ‘-ti’, ‘-nji’, ‘-yani’, ndi ‘-ngati’.
    Zitsanzo

      1. Mwagula nkhuku zingati?
      2. Ndi galu wayani waluma mwana?
      3. Awa ndi makhalidwe anji?
      4. Kodi iye wagwetsa mtengo uti?
      5. Ukufuna zinthu zotani?

     

     

     

     

     

     

    MUONJEZI

    Muonjezi ndi mawu omwe amanena zambiri za mfotokozi, mneni kapena muonjezi mnzake.

     

    MITUNDU YA AONJEZI

    1. Muonjezi wa mchitidwe

    Muonjeziyu amafotokoza za momwe ntchito yachitikira.
    Zitsanzo

      1. Ife tafika bwino.
      2. Anatilandira mwansangala dzulo.
      3. Yohane amaganiza mwachibwana.
      4. Nyembezi amayankhula monyada.
      5. Nkhono imayenda pang’onopang’ono.

     

     

    1. Muonjezi wa nthawi

    Muonjeziyu amafotokoza nthawi yomwe ntchito yachitikira.
    Zitsanzo

      1. Anandigogodera m’bandakucha.
      2. Mubwere kwathu masana.
      3. Makedzana kunali ana opanda mwano.
      4. Sindinamuone chichere.
      5. Makono kwachuluka achifwamba.

    1. Muonjezi wa malo

    Muonjeziyu amasonyeza komwe ntchito inachitikira.
    Zitsanzo

      1. Ndamuona, ali kuno.
      2. Buluzi aligone pamwala.
      3. Galimoto yagwera m’mtsinje.
      4. Musalowe muno.
      5. Bwera pano, mnzanga.

     

     

    1. Muonjezi wa muyeso

    Muonjeziyu amapima kuchepa kapena kukula kwa momwe ntchito yachitikira.
    Zitsanzo

      1. Iye wavulala kwambiri pangoziyo.
      2. Wamwa pang’ono.

     

     

    Muonjezi wa muyeso ali ndi mitundu yakeyake yotsatirayi:

    1. Wa muyeso wosonyeza kuwerenga

    Muonjeziyu amawerenga kuti ntchito yachitika kangati.
    Zitsanzo

      1. Wabweranso kachitatu.
      2. Ndagogoda kawiri koma sanandiyankhe.
      3. Iye amapita kwawo kamodzikamodzi.
      4. Anagwa kasanu ndi njinga.

     

     

    1. Wa muyeso wokulitsa kapena wochepetsa

    Muonjeziyu amakulitsa kapena kuchepetsa ntchito yochitika poyamikira kapena kutsimikiza m’mene chinthu chilili.
    Zitsanzo

      1. Iye amandikonda ine zedi.
      2. Dziko lathu ndi lamtendere kwambiri.
      3. Wophunzirayo ndi wolimbikira koposa.
      4. Mutu ukundipweteka pang’ono.

    1. Muonjezi wofunsa ndi woyankha

    Muonjeziyu amagwira ntchito yofunsa kapena yoyankha movomereza, mokana kapena mokayika.
    Zitsanzo

      1. Ayi, sindimudziwa.
      2. Mwabwera kodi?
      3. Upita liti kwanu?
      4. Toto ndakana.
      5. Mwafika bwanji kuno?

     

     

     

     

     

    MLUMIKIZI

    Mlumikizi ndi mawu omwe amagwira ntchito yomangiriza mawu, akapandamneni kapena ziganizo.

     

    MITUNDU YA ALUMIKIZI

    1. Mlumikizi woluzanitsa (wophatikiza)

    Mlumikiziyu amaika pamodzi mawu, akapandamneni kapena ziganizo.
    Zitsanzo

      1. Andigulira malaya ndi nsapato.
      2. Jeketeli ndi lopepuka komanso lofunda.
      3. Ine ndadya ndipo ndakhuta.

     

     

    1. Mlumikizi wopatula

    Mlumikiziyu amalekanitsa kapena kutayanitsa mawu, akapandamneni kapena ziganizo potsutsa ganizo la mawu olumikizidwawo.
    Zitsanzo

      1. Ndikufuna mpunga osati nsima.
      2. Anayesetsa kulimbikira koma walephera.
      3. Mundipatse ndalama zanga osati chakudya.

    1. Mlumikizi wamgwirizano

    Mlumikiziyu amayanjanitsa mawu, akapandamneni kapena ziganizo pokamba za chifukwa chochitira kanthu.
    Zitsanzo

      1. Iye wabwera chifukwa akudwala.
      2. Poti mwatero, ndipita.
      3. Sindifusanso popeza mwandilangiza.

     

     

    1. Mlumikizi wazotsatira

    Mlumikiziyu amaonetsa zolinga kapena zotsatira za ntchito.
    Zitsanzo

      1. Sankawerenga choncho walephera mayeso.
      2. Amamuseka wodwala misala kotero wamumenya.
      3. Pempha kuti akupatse.

     

     

    NTCHITO ZA ALUMIKIZI
    Alumikizi amagwira ntchito zosiyanasiyana m’ziganizo. Ntchitozo n’zofanana ndi mitundu ya alumikiziwo. Ntchitozo zili motere:

    1. Kuphatikiza Zitsanzo
      1. Abambo ndi amayi amalima kwambiri.
      2. Anaphika nsima ndipo adya.
      3. Mwana wake ndi wanzeru komanso waulemu.

     

     

    1. Kutayanitsa/kulekanitsa

    Zitsanzo

      1. Ugule nsomba osati nyama.
      2. Iye ndi wamwano koma mnzake ndi waulemu.
      3. Ndikufuna ndalama osati zovala.

     

     

    1. Kugwirizanitsa

    Zitsanzo

      • Mupitebe poti atero.
      • Iye sabwera chifukwa akudwala.
      • Sindifusanso popeza mwandiseka.
    1. Kusonyeza zotsatira/zolinga

    Zitsanzo

      • Pempha kuti akugawireko.
      • Anatopa kotero waweruka.
      • Sankalimbikira choncho walephera.

         

        MPEREKEZI

        Mperekezi ndi mawu omwe amatsata dzina kapena mlowam’malo pofuna kuonetsa mgwirizano pakati pa dzinalo kapena mlowam’maloyo ndi mneni m’chiganizo.

         

        MITUNDU YA APEREKEZI
        Aperekezi amaikidwa mu mitundu yosiyanasiyana. Mitunduyo ili motere:

        • Mperekezi wosonyeza malo

        Mperekeziyu amagwira ntchito yosonyeza malo kapena mbali.
        Zitsanzo

          • Ndipita ku Lilongwe mawa.
          • Pa Linthipe panachitika zoopsa.
          • Sungayende wekha mu Blantyre.

         

         

        • Mperekezi wosonyeza umwini

        Mperekeziyu amagwira ntchito yosonyeza mwini chinthu.
        Zitsanzo

          • Buku la Zione lapezeka.
          • M’chiuno mwa mwana simufa nkhuku.
          • Mpeni wa Nabanda ndi wobuntha.

        • Mperekezi wosonyeza nthawi

        Mperekeziyu amagwira ntchito yosonyeza nthawi yochitikira ntchito.
        Zitsanzo

          • Ndidzabwera mu Januwale.
          • Kamuzu adabadwa pa 14 Meyi.
          • Sindinamuone kwa zaka zingapo tsopano.

         

         

        • Mperekezi wosonyeza chipangizo

        Mperekeziyu amagwira ntchito yosonyeza chipangizo chogwirira ntchito.
        Zitsanzo

          • Amumenya ndi ndodo.
          • Usanditengere ku mtoso ngati njoka.
          • Iye adzabwera pa ngolo.

         

         

        • Mperekezi wosonyeza mgwirizano

        Mperekeziyu amakhala ngati wa umwini koma sic honcho chifukwa amagwira ntchito yongosonyeza mgwirizano.
        Zitsanzo

          • Iye wabisala kuseli kwa nyumba.
          • Dziko la Malawi ndi lamtendere.
          • Iye ali ndi mankhwala amphamvu.

         

         

        NTCHITO ZA APEREKEZI
        Aperekezi amagwira ntchito zosiyanasiyana m’ziganizo molingana ndi mitundu yawo. Ntchitozo zili motere:

        • Kusonyeza mbali kapena malo Zitsanzo
          • Iye amakhala ku Salima.
          • Ukatsikire pa Malosa.
          • Tikapezana mu Limbe.

         

         

        • Kusonyeza umwini Zitsanzo

          • Mbuzi ya Lazalo yapezeka.
          • Wapulumikira m’kamwa mwa mbuzi.
          • Chipewa cha Naphiri n’cholimba.

         

         

        • Kusonyeza nthawi

        Zitsanzo

          • Ndidzapita kwathu pa 11 Juni.
          • Mvula imayamba kugwa mu Novembala.
          • Sindinakumane naye kwa masiku asanu tsopano.

         

         

        • Kusonyeza chipangizo

        Zitsanzo

          • Amubaya ndi mkondo.
          • Musanditengere ku mtoso.
          • Iye adzabwera pa galimoto.

         

         

        • Kusonyeza mgwirizano Zitsanzo
          • Musamalime m’mbali mwa mtsinje.
          • Phiri la Mulanje ndi lokongola.
          • Mtsogoleriyu ali ndi chikoka.

         

         

         

         

         

        MFUWU

        Mfuwu ndi mawu omwe amagwiritsidwa ntchito mofuwula pofuna kusonyeza momwe zochitika zamukhudzira yemwe zamuchitikira.
        Mawuwo amasonyeza kudabwa, kukondwa, kunyansidwa, kuwawidwa, kumva chisoni, kudandaula, kukopa chidwi ndi kulimbikitsa.
        Mawuwa amathera ndi chizindikiro cha m’kalembedwe cha mfuwuliro.


        Zitsanzo

        • Mayo!
        • Kalanga ine!
        • Hehede!

         

         

        MITUNDU YA MFUWU
        Mifuwu imaikidwa mu mitundu yosinasiyana.

         

        Mitunduyo ndi iyi:

        • Mfuwu wosonyeza kudabwa Zitsanzo
          • Ha! Mwanayu ndi wamwano chotere?
          • Kani! Sindinadziwe kuti munakhumudwa.
          • Aa! Zakhala chonchi?

         

         

        • Mfuwu wosonyeza kuvomereza

        Zitsanzo

          • Ame! Mulungu ndi wabwino.
          • Odini! Fikani, takulandirani.
          • Ataibaya nyamayo, ndinamva kuti shomo!

         

         

        • Mfuwu wosonyeza kudandaula kapena chisoni

        Zitsanzo

          • Koto! Ndaponda minga.
          • Ogo! Ndangovutika chabe.
          • Kalanga ine! Malaya anga apsa.

         

         

        • Mfuwu wosonyeza kukondwa

        Zitsanzo

          • Hee! Tidyera nyama.
          • Hehehe! Mwana wathu wapambana.
          • Phwando lakoma, woyee!

        • Mfuwu wosonyeza kulimbikitsa

        Zitsanzo

          • Gaba, chinya!
          • Chilemba, menya! Gwetsa!
          • Shumba, gwira! Tidyere nyama.

         

         

        • Mfuwu wosonyeza kukopa chidwi

        Zitsanzo

          • Mtendere! Mtendere! Tikhale pansi.
          • Aleluya! Ambuye akudalitseni.
          • Gulu lathu, motomoto!

         

         

        NTCHITO ZA MIFUWU
        Mifuwu imagwira ntchito zosiyanasiyana ikakhala payokha kapena m’ziganizo. Kawirikawiri ntchito za mifuwu zimagwirizana ndi mitundu yake. Ntchitozo zili motere:

        • Kudabwa Zitsanzo
          • Ha! Moti uyu ndi mwana wanu.
          • Kani! Sindimadziwa kuti mungandithandize.
          • Aa! Sindimayembekeza kuona zotere.

         

         

        • Kuvomereza

        Zitsanzo

          • Ame! Mulungu akudalitseni.
          • Odini! Fikani.
          • Ndangomva kuti shomo!

         

         

        • Kudandaula kapena kumva ululu

        Zitsanzo

          • Koto! Ndavulala kwambiri.
          • Ogo! Ndiwo zapserera pamoto.
          • Kalanga ine! Mphale yatayika.

        • Kukondwa

        Zitsanzo

          • Gule wakoma; woyee!
          • Hehede! Ndapambana mayeso.
          • Takondwa! Mwana wathu wakwatiwa.

         

         

        • Kulimbikitsa

        Zitsanzo

          • Malawi, chinya!
          • Ponya chibakera, gwetsa!
          • Gwira! Tidyere nyama.

         

         

        • Kukopa chidwi

        Zitsanzo

          • Mtendere! Tikhale pansi.
          • Aleluya! Mulungu ndi wabwino.
          • Bungwe lathu, motoo!

         

         

         

         

         

        MVEKERO

        Mvekero ndi maliwu kapena mawu omwe amapereka ganizo.
        Mimvekero imatha kuima payokha (mosathandizidwa ndi mawu ena) n’kupereka ganizo lamveka bwino.

         

        MAGULU A MIMVEKERO
        Mimvekero imaikidwa m’magulu molingana ndi chiwerengero cha maphatikizo mu tsinde la mvekero.

        • Mimvekero ya tsinde la phatikizo limodzi Zitsanzo

        psuu, guu, ndi nji phaa, phi, thi


        puu

        phu

        pya

        tchi

        ngo

        ndwii

        chi

        bzee

        bee

        juu

        tchwee

        bi

        ga

        iya

        zii

        psa

        mbwe

        see

        ndu

        njo

        nzwii

        phwii

        khu

        mbee

        tswii

         

         

         

         

         

        • Mimvekero ya tsinde la maphatikizo awiri

        Zitsanzo

         

        tsitu

        ngunda

        fwasu

        gwedze

        psiti

        yazi

        phava

        khutcha

        thapsa

        vwapa

        waka

        tswere

        pholi

        thathya

        nyaka

        lambzi

        dedza

        nyomi

        kong’aa

        nete

        thedza

        dukwe

        kweve

        nkholi

        chubwa

        nyoswa

        phivi

        nenkha

         

         

        • Mimvekero ya tsinde la maphatikizo atatu

        Zitsanzo

         

        likhwithi

        dangali

        dululu

        gubidi

        pwepwete

        ngumbali

        kakasi

        tololo

        tiriri

        palantha

        chiriri

        hephethe

        ngwinjiri

        setete

        dununu

        nyotcholi

        thoboli

        laphathya

        lephethe

        kwakwata

        dipiti

        ngundungu

        gwembere

        pwirikiti

        vwetete

        kakata

        weyere

        ziriri

         

        • Mimvekero ya tsinde la maphatikizo anayi

          Zitsanzo

           

          thakwalala

          pholokoto

          polokotso

          thasalala

          gulupati

          yangalala

          jojoboli

          balamanthu

          lombokoto

          gugubidi

          ndundululu

          kholophethe

          gonkhonono

          denkhenene

          kwakwalala

          piriwi

          vwerekete

          khokhophotho

          yambakata

          tutuwiri

           

           

           

           


        • Mimvekero ya tsinde lobwereza

        Ili ndi gulu la mimvekero yomwe tsinde lawo limabwerezedwa ndipo kawirikawiri imagwiritsidwa ntchito mobwereza momwemo.

        Zitsanzo

         

        seyaseya

        chikachika

        lewulewu

        phaluphalu

        wemphawempha

        bwitibwiti

        patipati

        tunyatunya

        libwalibwa

        dichidichi

        zopizopi

        pichikapichika

        chikwichikwi

        tawatawa

        chinyachinya

        punzipunzi

         

         

         

         

        MITUNDU YA MIMVEKERO
        Mimvekero imaikidwa mu mitundu yaikulu yotsatirayi.

        • Mimvekero ya maonekedwe

        Mimvekero ya m’mtunduwu imakamba za mtundu (kaonekedwe) wa zinthu.

        Zitsanzo

          • Maso ako ali psu.
          • Kunja kwangoti ngwe.
          • Zovala zayera kuti mbe.
          • M’mera uli biriwiri m’munda.
          • Chidakwa chili bi ngati mtsiro.

         

         

        • Mimvekero ya mamvekedwe

        Mimvekero ya m’mtunduwu imakamba za mamvekedwe a zinthu pathupi, m’makutu, m’kamwa ndi m’mphuno.
        Zitsanzo

          • Thupi lako lili juu. Kodi ukudwala?
          • Buluzi wagwa kuti phofo.
          • Ukamva kuti nginde, ndiye kuti afika.
          • Manyuchi ali tseketseke.
          • Mwagula sopo yabwino, ili guu.

         

         

        • Mimvekero ya mkhalidwe

        Mimvekero ya m’mtunduwu imakamba za kakhalidwe ka chinthu.
        Zitsanzo

          • Mtengowu uli nji.

          • Vumbwe ali bisale patchire.
          • Mwangoti du; kodi mwatani?
          • Ndisenza ndekha mtolowu; uli pepu.
          • Ali sukwasukwa chifukwa cha mantha.

         

         

        • Mimvekero ya mchitidwe

        Mimvekero ya m’mtunduwu imakamba za kachitidwe ka ntchito.
        Zitsanzo

          • Nyani ali chinyachinya m’munda.
          • Wangoti m’nyumba gubidi, atandiona.
          • Chidakwa chili dzandidzandi.
          • Msampha wangoti fwamphu.
          • Ali yakaliyakali kuthamangira kumsika.

         

         

         

         

         

        KUSIYANA NDI KUFANAN KWA MFOTOKOZI NDI MLOWAM’MALO
        Kusiyana kwa mlowam’malo ndi mfotokozi ndi koti mlowam’malo ndi mawu omwe amaima m’malo mwa dzina pamene mfotokozi ndi mawu omwe amakamba zambiri za dzina kapena mlowam’malo.
        Pamalo pamene pachotsedwa dzina ndi pamene mlowam’malo amakhalapo.
        Dzina lomwe mlowam’malo amaimira limachotsedwa ndipo silimaonekanso. Komatu tikamakamba za mfotokozi, dzina limafunika kuti lioneke kuti mfotokoziyo agwire ntchito yake pa dzinalo.
        Mfotokozi amatha kukambanso zambiri za mlowam’malo.

         

        Zitsanzo

        • a. Wanu wabwera dzulo. (mlowam’malo)

        b. Mwana wanu wabwera dzulo. (mfotokozi)

        • a. Ndagula zita(mlowam’malo)

        b. Ndagula mbuzi zitatu. (mfotokozi)

        • a. Ichi ndi chabwino. (mlowam’malo)

        b. Chingwe ichi ndi chabwino. (mfotokozi)


        Kufananirako kwa mlowam’malo ndi mfotokozi ndi koti mitundu yambiri ya mlowam’malo ndi yomweyonso ya mfotokozi.
        Mitunduyo ndi monga yaumwini, yochuluka, yofunsa, yoloza ndi yamgwirizano. Zitsanzo

        • a. Lathu ndi lokongola. (mlowam’malo waumwini)

        b. Dziko lathu ndi lokongola. (mfotokozi waumwini)

        • a. Ndaona asanu. (mlowam’malo wowerenga)

        b. Ndaona anthu asanu. (mfotokozi wowerenga)

        • a. Kodi iye wagula zotan? (mlowam’malo wofunsa)

        b. Kodi iye wagula zinthu zotani? (mfotokozi wofunsa)

        • a. Uyu samva kamodzi. (mlowam’malo woloza)

        b. Mnyamata uyu samva kamodzi. (mfotokozi woloza)

        • a. Yemwe wabwera si mnzanga.(mlowam’malo wamgwirizano)

        c. Munthu yemwe wabwera si mnzanga. (mfotokozi wamgwirizano)

         

        Chenjezo

        Alowam’malo a dzina lakelake akatsatana ndi mayina amaoneka ngati afotokozi chifukwa amakhala pamalo pomwe afotokozi amakhala. Alowam’malo amenewa amakhalabe alowam’malo osati afotokozi.

         

        Kumbutso

        Ena amaganiza kuti dzina likangochotsedwa ndiye kuti nthawi yomweyo mfotokozi (mawu wokamba zambiri za dzinalo) amasanduka dzina kapena mlowam’malo monga zimakhalira mu chingerezi. Izi sizili choncho; mfotokoziyo amakhalabe mfotokozi chifukwa Chichewa chili ndi khalidwe lotaya mchitantchito kapena mchitidwantchito.
        Zitsanzo zabwino za afotokozi otere ndi omwe amapangidwa kuchokera ku mayina, aneni, aonjezi ndi masinde enieni a mfotokozi.

         

        Chitsanzo
        -Munthu wakufa sadziwika.

         

        M’chiganizochi mfotokozi ndi mawu woti ‘wakufa’ chifukwa akukamba zambiri za dzina ‘munthu’. Tikachotsa dzina loti ‘munthu’, titsala ndi mfotokozi ‘wakufa’. Mawu woti ‘wakufa’ akhalabe mfotokozi chifukwa akukamba zambiri za dzina lomwe latayidwa.
        Mphatikiram’mbuyo ‘wa’ mu ‘wakufa’ akutsimikiza kuti mawuwa akukamba za mawu ena omwe ali nawo pamgwirizano ngakhale tawachotsa.


        Zitsanzo zina

          • Amoyo salekana.
          • Wabwino ali kuti?
          • Wokongola sanyada.
          • Wachitatu n’kapasule.
          • Chamuluma ndi chakuda.

         

        Kumbutso

        Afotokozi angapo okamba za dzina limodzi amatha kutsatana mwadongosolo m’chiganizo chimodzi.
        Zitsanzo

        • Mbuzi zakuda zonse zisanu zafa.
        • Mwana wanu wamtali wofatsa uja ndi wamwano.
        • Sindinaonepo galu wamkazi wachizungu wokalamba chonchi.

         

         

         

         

        NTHAMBI YA CHIGANIZO

        Nthambi ya chiganizo ndi gulu la mawu m’chiganizo lomwe limakhala ndi mchitantchito (mwininkhani) ndi mnenankhani.

         

        MITUNDU YA NTHAMBI ZA CHIGANIZO

          • Nthambi yoima payokha
          • Nthambi yosaima payokha

         

        MITUNDU YA NTHAMBI ZOSAIMA PAZOKHA
        Nthambi zosaima pazokha zimaikidwa mu mitundu yakeyake itatu yotsatirayi:

            • Nthambi ya dzina
            • Nthambi ya mfotokozi
            • Nthambi ya muonjezi

         

        NTHAMBI YA DZINA
        Nthambi ya dzina ndi nthambi yosaima payokha yomwe imagwira ntchito ngati dzina. Nthambiyi ndi yankho la funso ‘chiyani’ kapena ‘kuti chiyani’ kapenanso ‘-yani’ ndi ‘-ti’.

        Zitsanzo

        • Ndi zabodza zoti John wabwera.
        • Sadaulule zomwe anagwirizana.
        • Unene chomwe chayambitsa mkanganowu.
        • Zoti amadyera nyama, si zachilendo.
        • Ndimadziwa kuti atolankhani ena amalemba zopsetsa mtima.
        • Ife tamva zimene mwapangana.

         

         

        NTHAMBI YA MFOTOKOZI
        Nthambi ya mfotokozi ndi nthambi yosaima payokha yomwe imagwira ntchito ngati mfotokozi. Nthambiyi imakamba zambiri za dzina kapena mlowam’malo.
        Nthambiyi ndi yankho la funso ‘-ti?’ kapena ‘-tani?’. Nthawi zambiri nthambiyi imayamba ndi mawu a mgwirizano (ochokera ku masinde ‘-mene’ kapena ‘-mwe’).

         

        Zitsanzo

        • Zitatu zomwe zaphedwa ndi zanga.
        • Ntchito imene munandilonjeza si imeneyi.
        • Kumudzi komwe ndinabadwira ndi kuno.
        • Msungwana akubwera apoyo sindimudziwa.
        • Munthu wofuna kupambana mayeso ayenera kulimbikira.

         

         

        NTHAMBI YA MUONJEZI
        Nthambi ya muonjezi ndi nthambi yosaima payokha imene imagwira ntchito ngati muonjezi.

         

        Zitsanzo

        • Amaimba monga m’mene amaimbira amake.
        • Iye akuyenda ngati watopa.
        • Komwe wachedwa msulu, kuli nyerere.
        • Ndabisa ndalamazo pamene wina sangazione.
        • Iye anadabwa madzi atamufika m’khosi.
        • Papsa tonola poti sudziwa mtima wa moto.
        • Yesu anafa kuti tipulumuke.
        • Bwerani mudzaone zomwe ndakugulirani.
        • Sindipitabe ngakhale mundinyengerere.
        • Sindipita kumphwandoko pokhapokha andiitane.
        • Joni waledzera kwabasi moti akungodzigwetsa.
        • Amalawirira kwambiri kotero simungamupeze.

        ZIZINDIKIRO ZA M’KALEMBEDWE

        Pamene tikulemba ziganizo, timagwiritsa ntchito zizindikiro za m’kalembedwe zosiyanasiyana molingana ndi zomwe tifuna kuonetsa monga izi: kupuma, kudabwa, kutamula ndi kufunsa.
        Zizindikirozo ndi zimene zimatchedwa zizindikiro za m’kalembedwe.

         

        MITUNDU NDI NTCHITO ZA ZIZINDIKIRO ZA M’KALEMBEDWE

        • Mpumiro

        Ichi ndi chizindikiro chomwe chimasonyeza kupuma chifukwa choti ganizo latha. Mpumiro amaikidwa kumapeto kwa chiganizo.
        Zitsanzo

          • Bwerani kuno.
          • Uzipita kwanu.
          • Tiziteteza zachilengedwe.

         

        • Mpatuliro

        Mpatuliro ndi chizindikiro chomwe chimagwiritsidwa ntchito tikafuna kupuma pang’ono pamene tikutchula mawu omwe ali m’mndandanda.
        Kawirikawiri mawu a m’mndandandawo amakhala mayina, alowam’malo ndi afotokozi.
        Zitsanzo

          • Mundigulireko nsomba, mchere, anyezi, kale ndi mafuta ophikira.
          • Kumsonkhano kunali Azungu, Amwenye ndi anthu akuda.
          • Mwanayo ndi wamfupi, wakuda, wanzeru, waulemu komanso wosekaseka.

         

        Mpatuliro umagwiranso ntchito yopatula nthambi yosaima payokha ku nthambi yoima payokha.
        Zitsanzo

        • Popeza mwandiitana, ndabwera.
        • Ngakhale kunali mvula, iwo anapitabe kuphwando.
        • Chalaka bakha, nkhuku singatole.

         

        Mpatuliro umagwiranso ntchito yopatula dzina (kapena kapandamneni) wa dzina lapadera.
        Zitsanzo

        • Naphiri, mphunzitsi, wabwera.
        • Zuze, chilombo cham’mudzi, wamenyedwa.
        • Chilema, mtengo wodabwitsa, uli ku Malosa.

        Mpatuliro umaikidwanso pambuyo pa mawu omwe ali m’mtengero m’malo mwa mtamuliro.
        Zitsanzo

        • Iye adati, “Chakudza sichiyimba ng’oma.”
        • Kodi Yohane anati, “Tikumane poduka mphepo”?
        • “Chabwino,” mayi anayankha, “ndigula nsapatozo.”

         

        Mpatuliro umagwiritsidwanso ntchito pofuna kusonyeza dzina kapena mlowam’malo woitanira.
        Zitsanzo

        • Kodi wadya kale, Yamikani?
        • Zione, bwera kuno.
        • Iwe, udzanditule mtsuko.

         

        Mpatuliro umagwiritsidwanso ntchito polemba keyala yopingasa. Kumapeto kwa mzere uliwonse mu keyala yopingasa (kupatula mzere wotsiriza) kumakhala mpatuliro.
        Chitsanzo
        Kambilonjo pulaimale sukulu,
        Positi Ofesi 11,
        Kaloga, Ntcheu.

         

        Mpatuliro umagwiritsidwanso ntchito popatula mawu oyankhira (maka aonjezi) ndi mawu otsatira.
        Zitsanzo

        • Chabwino, mubwere mawa.
        • Inde, ndi zowona kuti ndimamukonda.
        • Ayi, sindifuna zachipongwe.

         

         

        • Mtamuliro

        Mtamuliro ndi chizindikiro chomwe nthawi zambiri chimagwiritsidwa ntchito pofuna kutambasula zomwe zanenedwa kale.
        Mtamuliro umatamula (umatchula) mndandanda wa zinthu ndipo umaikidwa patsogolo pa alozi kapena mawu oti ‘monga’ ndi ‘mwachitsanzo’.
        Zitsanzo

          • Mundigulireko zinthu izi: nsapato, malaya ndi mabuku.
          • Iye anapambana maphunziro atatu awa: Chichewa, Chingerezi ndi Chilatini.
          • Unditengereko izi: mpeni, mbale ndi mphika.

        Mtamuliro umagwiranso ntchito yotsekula mawu omwe amayankhulidwa mwachindunji ndi munthu wina ndipo ali m’mtengero.
        Zitsanzo

        • Zione anati: “Ndifuna kudzakhala mtsogoleri wa dziko.”
        • Akuluakulu adati: “Ukasowa mn’gona umadya mavu.”
        • Kamuzu adati: “Chuma cha Malawi chili m’nthaka.”

         

         

        • Mpumirapang’ono

        Mpumirapang’ono umagwira ntchito mu chiganizo cha ziganizo zingapo kapena cha nthambi pofuna kupuma motalikirako tisanamalize ganizo. Chizindikirochi chili pakati pa mpatuliro ndi mpumiro.
        Chizindikirochi chimaikidwa pamalo pamene pakanatha kuikidwa alumikizi monga awa: ‘chifukwa’, ‘poti’, ‘popeza’, ndi ‘kapena’ pofuna kulumikiza nthambi za chiganizo.
        Zitsanzo

          • M’mudzimo mulibe anthu; onse anasamukamo.
          • Sindikuperekezani; sindinasambe.
          • Tsogolani; sindifuna kuti andione.

         

        Tingathe kugwiritsanso ntchito mpumirapang’ono m’chiganizo cha ziganizo chomwe chili ndi ziganizo zotsutsana maganizo ngati sitifuna kugwiritsa ntchito alumukizi monga ‘koma’ ndi ‘ngakhale’.
        Zitsanzo

        • Ndimakonda therere; mayi anga amadana nalo.
        • Bambo amasuta fodya; ine sindimasuta.
        • Iye amandikonda; ine sindimukonda.

         

        Mpumirapang’ono umagwiranso ntchito pofuna kupatula magulu akuluakulu a mawu omwe ali ndi zinthu zomwe zili m’mndandanda ndipo alekanitsidwa ndi mipatuliro.
        Chitsanzo

          • Tidzagula nthochi, mbatata ndi buledi kuti tidzadye mawa; mapapaya, mpunga ndi nsomba kuti tidzadye masana; komanso nyama, masikono ndi zakumwa kuti tidzadye ndi kumwa tsiku laphwandolo.

         

        • Mfunsiro

        Mfunsiro ndi chizindikiro chomwe chimagwira ntchito pofunsa funso lachindunji.
        Zitsanzo

          • Ukuti bwanji?
          • Kodi wadya?

          • Wabwera?

         

        Chizindikiro cha mfunsiro sichigwiritsidwa ntchito mu mafunso opanda chindunji.
        Zitsanzo

        • Wandifunsa ngati ndanyamuka kale.
        • Ndifuna ndidziwe kuti mundipatsa liti.
        • Mundiuze kuti mungakonde zotani.

         

        • Mfuwuliro

        Ichi ndi chizindikiro chimene chimalembedwa patsogolo pa mawu omwe ayankhulidwa mofuwula kapena mokuwa pofuna kusonyeza kudzidzimuka, kudabwa, kumva ululu, kusangalala kapena kunyansidwa.
        Zitsanzo

          • Hi! Pali njoka.
          • Kalanga ine! Ndavulala.
          • Moto kuno! Motoo!

         

        • Nkhodolero

        Chizindikirochi chimalembedwa pomwe patsala mpata tikachotsa lembo lina pa mawu, maka lembo lamtsekulanjira (lembo laliwu).
        Zitsanzo

          • m'nyanja (mu nyanja)
          • n’kale (ndi kale)
          • cham’gwera (chamugwera)

         

        Pali maphatikizo ena mu Chichewa omwe amakhala ndi nkhodolero yomwe sisonyeza kuti pachotsedwa lembo koma kuti maphatikizowo ndi madzeram’mphuno.
        Zitsanzo

        • ng’amba
        • ng’ombe
        • ching’wenyeng’wente

         

        Nthawi zina nkhodolero imaikidwa pa mawu pofuna kusiyanitsa mawuwo ndi mawu ena ofanana nawo m’kalembedwe koma osiyana katchulidwe ndi matanthauzo.
        Chitsanzo

        • mbale ndi m’bale

        mbale: chipangizo chodyeramo
        m’bale: munthu wobadwa naye bere limodzi kapena banja limodzi

         

        • Mdulamawu

        Chizindikirochi chimagwira ntchito zosiyanasiyana monga zotsatirazi

          • Kusonyeza maphatikizo opanga mawu Zitsanzo
            • Lilongwe (Li-lo-ngwe)
            • kang’wing’wi (ka-ng’wi-ng’wi)
            • mphunzitsi (m-phu-nzi-tsi)
          • Kusonyeza aphatikiri Zitsanzo
            • mphatikiram’mbuyo:ka-(kanthu), a- (apusi), -na- (anadya), -ku- (tikubwera)
            • mphatikiram’tsogolo: -era (tengera), -ana (kondana), -etsetsa (onetsetsa)
            • akulitsi: -nso (bweranso), -be (sungabe), -tu (tengatu), -di (munthudi)

         

          • Polemba magulu a mayina

        Zitsanzo
        Mu-, Mi- ; Li-, Ma- ; Ka-, Ti- ; Chi-, Zi-

          • Polemba aneni a phatikiro limodzi Zitsanzo

        -fa, -gwa, -dya, -mwa, -dza, -cha, -kha

         

        Kumbutso

        Sitigwiritsa ntchito mdulamawu polemba mawu ophatikizana ndi achibwereza.
        Zitsanzo

        • njokaluzi (osati njoka-luzi)
        • kawirikawiri (osati kawiri-kawiri)
        • tumphatumpha (osati tumpha-tumpha)

         

        • Mkutiramawu

        Chizindikirochi chimagwira ntchito zotsatirazi:


          • Kupereka mawu ena ofanana tanthauzo ndi omwe akuyang’anidwa mwachindunji.

        Zitsanzo

            • Iye wachita kaguni (manyazi) atamuseka.
            • Galu wanu wapha nkhawena (nkhanga) yanga.

         

          • Kupereka tanthauzo la mawu amatanthauzo apatali monga zining’a.

        Zitsanzo

            • Ndi zowona kuti iwo ayenda chogona (amwalira).
            • Nkhaniyi yandidulitsa mutu wa zizwa (yandidabwitsa).

         

          • Kutambasula langizo kuti limveke bwino.

        Zitsanzo

            • Lembani ziganizo zomveka bwino ndi zining’a zotsatirazi kuti mukudziwa matanthauzo ake (chining’a chimodzi pa chiganizo chimodzi).
            • Nyumbayo ndiyosasowa kwenikweni chifukwa ngakhale mwana amaidziwa. Ngati mungasokere, mutha kufunsa (koma osafunsa anthu okaikitsa).

         

        • Mtengero

        Ntchito yaikulu ya chizindikiro chimenecho ndi kukuta zomwe munthu wina wayankhula (zoyankhula mwini).
        Zitsanzo

          • Iye anati, “Kwapsa tonola sudziwa mtima wa moto.”
          • “Ndabwera,” John anandiuza, “kudzaona amayi.”
          • “Kodi mwadya kale?” mnzanga anandifunsa.

         

        Mtengero umagwiritsidwanso ntchito pokuta mitu ya m’buku, ndakatulo, nyimbo, nthano za makolo, nkhani zazifupi ndi nkhani zazitali.
        Zitsanzo

        • Onani mu buku la Mbiri ya Achewa za “Ufumu wa Mkanthama Mwale” pa tsamba 120.
        • Ine sindinawerengeko ndakatulo yotchedwa “Chilola wopanda mano” ndi nkhani yayifupi ya “Zina ukaona”.
        • Wambali Mkandawire anaimba nyimbo ya “Kujipereka”.

         

        Mitengero imaikidwa mu mitundu yaikulu iwiri iyi:

        • Mtengero wa mphini ziwiriziwiri “.... ”
        • Mtengero wa mphini imodziimodzi ‘....... ’

        MALEMBO AAKULU

        Malembo amalembedwa potsata malamulo. Sitimangolemba malembo chilembelembe.
        Malembo aakulu ali ndi malo ake omwe ayenera kulembedwapo. Kalembedwe ka malembo aakulu kotsata malamulo kali motere:

        • Pamene tiyamba kulemba chiganizo, mawu wayamba amakhala ndi lembo lalikulu.

        Zitsanzo

          • Ulimi wothirira ndi waphindu.
          • Akuti akupezani posachedwapa.

         

        • Poyamba kulemba mayina a mwinimwini.

        Zitsanzo

          • Mtsinje wa Shire ndi waukulu.
          • Dziko la Malawi ndi lamtendere.
          • Dzina lake ndi Zikomo Banda.

         

        • Polemba malonje a kalata timayamba kulemba dzina la amene tikumulembera ndi lembo lalikulu ngangale dzinalo likhale dzina lopanda mwinimwini.

        Zitsanzo

          • Okondedwa Bambo ndi Mayi.
          • Wokondedwa Bwana.

         

        • Mu nthano za makolo ndi zisudzo za nyama, mayina a apangankhani komanso a atengambali amayamba ndi malembo aakulu ngakhale akhale mayina opanda mwinimwini.

        Zitsanzo

          • Chibwenzi cha Fisi ndi Mkango chinali chachinyengo.
          • Mu nkhalango ya Matsano, mnzake wa Fulu anali Kalulu.

         

        • Mu zoyankhula mwini, mawu a m’mtengero amayamba ndi lembo lalikulu.

        Zitsanzo

          • Iwo anakalipa, “Chokani ophunzira osamva!”
          • Iye anati, ‘Khalani pansi.’

        NTCHITO ZA ‘NDI’

        “ndi” amagwira ntchito zotsatirazi:

        • Kukhala mneni Zitsanzo
          • Iye ndi mnzanga.
          • Mudzi wathu ndi wamtendere.

         

        • Kukhala mlumikizi

        Zitsanzo

          • Anyamata ndi atsikana akuphunzira.
          • Iwo agula nsomba ndi nyama.

         

        • Kukhala mperekezi

        Zitsanzo

          • Ndabwera ndi mnzanga.
          • Ali ndi ndalama zambiri.

         

        • Kukhala mvekero

        Zitsanzo

          • Mutu wanga uli ndi.
          • Mumange mtolowo kuti ndi.

         

        • Kukhala mgwirizanitsi wa mchitantchito (mwininkhani)

        Zitsanzo

          • Ndipita kwathu.
          • Ine sindifuna mwana wamwano.

         

        • Kukhala mgwirizanitsi wa mchitidwantchito (pamtherankhani)

        Zitsanzo

          • Iwo andigulira cholembera.
          • Ndikufuna mundiphikire therere.

         

        MABUKU
        MIE (2008), Buku la Ophunzira la Chichewa la Maphunziro a M’sukulu Zauphunzitsi (IPTE), Domasi; MIE Wisdom A. Nkhoma (2015). Kuphunzira Chichewa: Chancellor College Publications
        Malamulo achiyankhulo mogwirizana ndi silabasi ya M.S.C.E

           

           



UNIT 1 SCIENTIFIC INVESTIGATIONS 
UNIT 2 HUMAN DEVELOPMENT
UNIT 3 THE HUMAN NERVOUS SYSTEM
UNIT 4 FLOWERING AND NON FLOWERING PLANTS
UNIT 5 POLLINATION, FRUIT AND SEED DISPERSAL
UNIT 6 SEED GERMINATION
UNIT 7 TECHNOLOGIES THAT CAN BE MADE IN THE SCHOOL FOR MARKETING
UNIT 8 CLASSROOM TECHNOLOGIES
UNIT 9 THE HUMAN DIGESTIVE SYSTEM
UNIT 10 VERTEBRATES
UNIT 11 INVERTEBRATES
UNIT 12 PARTS OF A PLANT
UNIT 13 METHODS OF COOKING
UNIT 14 MEALS FOR SEDENTARY WORKERS AND MANUAL WORKERS
UNIT 15 LAUNDERING A SHIRT AND A BLOUSE
UNIT 16 TECHNOLOGIES FOR HOME USE
UNIT 17 PROPERTIES OF LIGHT, HEAT AND SOUND
UNIT 18 FORCES
UNIT 19 NUTRITIONAL DEFICIENCY DISEASES
UNIT 20 DYEING MATERIALS
UNIT 21 MACHINES
UNIT 22 GROWING UP
REFERENCES

 

 

UNIT 1 SCIENTIFIC INVESTIGATIONS

STAGES OF A SCIENTIFIC INVESTIGATION

There are six stages of scientific investigation. These are:

 

These six stages can be summarized into three main stages which are:

 

PLANNING STAGE
This stage involves a number of steps.

The first step is to identify the problem to be investigated.

The second step is to write the statement of the problem in the form of a question The third step is to predict or guess the answer to the question or problem.
The predicted answer is called a hypothesis.

 

The next step is to identify what is going to be observed and measured.

These are the factors that would affect the results of the investigation which are called variables. A variable is anything that can change.

The next step is to identify the materials that will be required to carry out the investigation.

The last step of the planning stage is to come up with steps to be followed in the process of collecting data.

 

The above steps of the planning stage of an investigation are summarised as follows:
Step 1 identifying the problems to be investigated

Step 2 writing a statement of the problem to be investigated in the form of a question


Step 3 predicting or guessing the answer to the question, that is, coming up with a hypothesis

Step 4 identifying the variables

Step 5 identifying the materials required for carrying out the investigation

Step 6 coming up with the procedures for carrying out the investigation

 

IMPLEMENTATION  STAGE
The second stage of a scientific investigation involves implementing the plans that were developed during the planning stage.
This is the stage which the hypothesis are tested by carrying out the investigation.

During this stage, the variables to be investigated are deliberately changed while keeping the other variables constant.
The variables that are changed are observed and recorded as the investigation is being conducted. The purpose of carrying out an investigation is to collect data through observation.
If one is not satisfied with the data that has been collected, it is necessary to repeat the procedures. The data that is collected should be organised and presented in a meaningful way.
There are several ways of presenting data. These include tables and graphs.

 

When presenting data in the form of a graph, it is important to remember that:

  • a sharp pencil should be used when drawing graph lines
  • each graph should be given a title
  • a scale that can give a large graph sould be chosen so that points are plotted accurately
  • the vertical and horizontal axes should be labelled and the units for each axis should be shown
  • a line of best fit should be drawn if points do not lie on a straight line or smooth curve

 

When data has been collected, it should be organised in such a way that it is meaningful. The procedures of organizing data are referred to as data analysis.
One way of analysing data is the use of graphs.

Once the data has been analysed, there is need to interpret it.

The interpretation of data involves determining the relationship between variables using the analysed data.


The methods of determining the relationships between variables include:

  • Looking for patterns of data in a table
  • Interpreting the shapes of graph lines

In summary, the implementation stage of scientific investigation involves the following:
Step 1 carrying out the investigation according to the plans. Step 2 collecting data and presenting it in a meaningful way. Step 3 analyzing the collected data.
Step 4 interpreting the analyzed data.

 

CONCLUDING STAGE
The last stage of a scientific investigation is the concluding stage.

During this stage, the hypothesis is evaluated against the interpretation of the data.

That is, the relationship between variables that has been determined from the data is compared with the hypothesis of the investigation.
If the determined relationship from the analysed data agrees with the hypothesis then the hypothesis becomes the conclusion of the investigation.
If the hypothesis is different from the relationship determined from the results of the investigation then the hypothesis is not true.
What is important is that the conclusion must be based on the results of the investigation and not on the investigator’s wishes.

 

 

UNIT 2 HUMAN DEVELOPMENT

REPRODUCTIVE PARTS OF HUMAN  BEINGS

The male reproductive parts or organs are:

  • the testes
  • the penis

 

The testes produce and store the sperm.

The penis is for reproduction and for passing out urine.


 

                   

The female reproductive parts are:

  • the ovaries
  • the fallopian tubes or oviducts
  • the uterus
  • the vagina

 

Egg cells are produced in the ovaries.

The egg travels through the oviducts or fallopian tubes.

The vagina is the passage for sperm during sexual intercourse and is also the birth canal.

 

 

 


 

FERTILIZATION IN HUMAN BEINGS
Reproduction in human beings involves special sex cells. These sex cells are the egg and sperm.
The sperm is the male sex cell while the egg is the female sex cell.

During mating, the penis is inserted into the vagina. The seminal fluid which contains millions of sperm is then released into the vagina.



Sperm and egg cell unite Fertilization is the union of the sperm and egg (ovum).
After fertilization has happened, the fertilized egg moves down the fallopian tube to the uterus as it develops into an embryo.
In the uterus, the embryo attaches itself to the wall. The umbilical cord joins the embryo to the mother.

An embryo attached to uterus wall

The developed embryo usually takes about nine months before it is ready to be born.


When a baby is born it grows into a child, an adolescent and finally becomes an adult.

 

MISCONCEPTIONS ABOUT PREGNANCY
Some teenagers have misconceptions about pregnancy.


They think that a girl cannot have pregnancy if she does the following:

    • has sexual intercourse once
    • stands up and urinates soon after sexual intercourse
    • washes the vagina soon after sexual intercourse
    • wears a herbal string around her waist
    • has sexual intercourse while standing
    • has sexual intercourse while in water

 

UNIT 3: THE HUMAN NERVOUS SYSTEM

 

THE HUMAN BRAIN
The human brain is located in the skull.

It consists of three main parts:

    • Cerebrum
    • Cerebellum
    • Medulla oblongata

 

CEREBRUM
Cerebrum is the front and largest part of the brain.

It is responsible for:

    • Thinking
    • Speech
    • Movement of muscles
    • Control of senses

 

CEREBELLUM
Cerebellum is the middle part of the brain.

It is responsible for:

    • controlling balance
    • posture
    • coordination.

 

MEDULLA OBLONGATA
Medulla oblongata is the part below the cerebellum

It is responsible for:

    • controlling body activities such as heartbeat, breathing, blood pressure and digestion.

 

THE RELATIONSHIP BETWEEN THE BRAIN AND SENSE ORGANS

The brain is connected to different sense organs through nerves, via the spinal cord. The sense organs are eyes, ears, skin, nose and tongue.

 

EFFECTS OF DRUG AND SUBSTANCE ABUSE ON THE BRAIN

    • Mental disorders
    • Poisoning
    • Suffocation
    • Intoxication
    • Damage of nerve cells and brain cells
    • Injury
    • Depression
    • Death

 

CAUSES OF DAMAGE TO THE BRAIN

    • Neck and back injuries
    • Blows to the head
    • Diseases

WAYS OF TAKING CARE FOR THE BRAIN

    • Getting plenty of rest
    • Doing regular exercises
    • Eating meals that are well balanced at regular times
    • Avoiding smoking and drinking alcohol
    • Avoiding abusing of drugs and substances
    • Reducing levels of stress and relaxing

 

UNIT 4 FLOWERING AND NON-FLOWERING PLANTS

 

CLASSIFICATION OF PLANTS

There are two major groups of plants:

    • Flowering plants
    • Non-flowering plants

 

FLOWERING PLANTS
Flowering plants produce flowers.

Examples of flowering plants are maize, rice, mangoes and beans

 

 

 

 

 

 

NON-FLOWERING PLANTS
Non-flowering plants do not produce flowers.

Examples are algae (ndele), mosses, liverworts, ferns, mushrooms, lichens, pine and cedar.

USES OF FLOWERING AND NON-FLOWERING PLANTS

 

PARTS OF A FLOWER

A flower has internal and external parts.
The stamen is the male part of a flower consisting of the anther and the filament. The pistil is the female part of the flower. It consists of the stigma, style and ovary. The ovary keeps ovules which develop into seeds.
The ovary becomes a fruit.

The stamen, petals and sepals wither and fall off when the fruit has been formed.

 

FUNCTIONS OF THE PARTS OF A FLOWER


Part of a flower

Function

Flower stalk

Holds and connects the flower to the whole plant

Sepal

Encloses and protects the developing flower before it comes out

Petal

Attracts pollination agents such as birds and insects

Ovary

Keeps ovules which grow into seeds

Anthers

Produce pollen grains

Filaments

Holds anthers


Stigma

Receives pollen from anthers

Style

Connects stigma and the ovary

Ovules

Develop into seeds

 

 

UNIT 5: POLLINATION, FRUIT AND SEED DISPERSAL

 

POLLINATION AND FERTILIZATION

Flowers are important parts of plants. They are reproductive parts.
Reproduction takes place through the processes of pollination and fertilization.

 

POLLINATION
Pollination is the transfer of pollen grains from anthers to the stigma.

There are different types of pollination. These are:

    • Self pollination
    • Cross pollination

Self pollination is the transfer of pollen grains from anther of a flower to the stigma of the same flower or another flower on the same plant.

 

Cross pollination is the transfer of pollen grains from the anther of a flower to the stigma of another flower on another plant of the same kind.

 

Things that help the transfer of pollen from anthers to the stigma are called agents of pollination. These include bees, butterflies, birds, wind and water.

 

INSECT AND WIND POLLINATED FLOWERS
Insect pollinated flowers are different from wind pollinated flowers.. The following table shows some of the differences.


INSECT POLLINATED FLOWERS

WIND POLLINATED FLOWERS

Flowers are large to be easily seen

Flowers are usually small

Petals are usually brightly coloured

Petals are dull coloured

They produce scent to attract insects

They have no scent

They produce nectar

They have no nectar

Small quantities of sticky pollen are produced

Large quantities of light pollen grains are produced

Anthers hold firmly

Anthers hang loosely so that pollen can be blown
away easily

 

FERTILISATION

Fertilization is the union of male gamete and female gamete.

When a pollen grain lands on stigma, it grows to form a tube called a pollen tube which grows towards the ovule.
The pollen tube continues to grow down the style until it reaches one of the ovules in ovary.

When this happens the male part (male gamete) contained in the pollen tube unites with the female part (female gamete) inside the ovule to form a zygote.
The zygote develops into a seed.

The following instruction shows pollen tubes growing towards ovules.


After fertilization has taken place, the petals, stamen and style wither. The ovary then develops into a fruit.

 

HOW FRUITS AND SEEDS ARE DISPERSED
Fruits and seeds can be scattered from the parent plant.

Dispersal is the scattering of fruits and seeds from the parent plant.

There are different ways and agents by which fruits and seeds can be dispersed. These include wind, animals, explosive mechanism and water.
Fruits and seeds which are dispersed by wind are light and have wing-like structures or hairs. These features help the fruits and seeds to be carried away from the parent plant by wind.


Examples of fruits and seeds which can be dispersed by wind are those from cotton, Tridax and m’bawa.
The following illustration shows some of the examples of wind dispersed fruits and seeds.


Fruits and seeds that are dispersed by animals are either succulent or have hook-like features or sticky fluid which make them to stick to the body of animals or clothes.
Large, brightly coloured or scented fruits also attract animals and in the process dispersion can take place.
Examples of fruits and seeds that are dispersed by animals include oranges, tomatoes, black jack, guavas, mangoes, hedgehog grass and peaches.
The following illustration shows some examples of fruits and seeds that can be dispersed by animals.

Fruits and seeds that can be dispersed by water are less dense than water. An example of fruits that can be dispersed by water is a coconut fruit.


The following illustration shows a coconut fruit.


Some fruits and seeds are dispersed by explosive mechanism (bursting). These fruits and seeds have pods.
When the pods have dry, they suddenly open and scatter the seeds away from parent plant due to the expansion and contraction of the pods.
Examples of seeds that can be dispersed in this way are castor oil, peas, beans and chitedze. The following illustration shows some seeds that can be dispersed by explosive mechanism.

 

 

 

 

 

 

 

 

 

 

 

Fruit dispersal and seed dispersal are important because they help to scatter fruits and seeds thereby reducing the competition for space, air, moisture and mineral salts.
Plants grow well when they are well spaced.


UNIT 6 SEED GERMINATION

CONDITIONS FOR SEED GERMINATION
For a seed to germinate, it requires moisture, warmth and air.

It is possible to show through experiments that these conditions are necessary for seeds to germinate.

The illustrations below show the external and internal parts of a bean seed.
During germination, a bean seed undergoes five stages. The illustrations below show the stages.

 

 

 

 

 

 

 

 

 

FUNCTIONS OF PARTS OF A SEED

Parts of a seed

Function

Seed coat or testa

Protects the inner parts of the seed from damage

cotyledon

Contains food reserves which are used during
germination

Plumule

The upper parts of the embryo which grows into
the shoot

Radicle

Develops into the root system

Micropyle

Allows water and air to enter the seed

Scar (hilum)

For attachment to the pod


UNIT 7 TECHNOLOGIES THAT CAN BE MADE IN THE SCHOOL FOR MARKETING

TYPES OF TOYS
Toys can classified in a number of ways.

One way of classifying toys is based on the materials which have been used to make them.

Toys can be made from materials such as wood, rubber, maize pith, wire, clay, paper, plastic and cartons.
The table below shows the classification of toys based on materials used.

Materials used

Types of toy

Wood

Wooden toys

Wire

Wire toys

Clay

Clay toys

Paper

Paper toys

Plastic

Plastic toys

Rubber

Rubber toys

cartons

Carton toys

 


The following are examples of toys made from different materials.

 

FACTORS TO CONSIDER WHEN COSTING TOYS

  • Amount of materials used
  • Time spent in making the toys

  • Attractiveness of the finished product
  • Age group meant for the toy
  • Availability of the toy
  • Durability of the toy
  • Quality of the materials used
  • Demand
  • Cost of the materials, if bought

 

WAYS OF MARKETING TOYS

  • Advertising
  • Making a display of the finished products
  • Organizing a showcase

 

UNIT 8 CLASSROOM TECHNOLOGIES

 

CLASSROOM TECHNOLOGIES
There are different technologies that are used for teaching and learning in a classroom such as papers, radios, computers, calculators, rulers, chalkboards, pens, dusters, pairs of compasses and pencil sharpeners.
Teaching and learning can be difficult without these resources.

Where these resources are not available, it is necessary to improvise them.

 

Some problems of the technologies that are used in the classroom and their possible solutions.


Technologies

problems

Possible

Chalkboard

  • Not durable
  • Lack of care
  • Lack of maintenance
  • Hiring specialist contractors and evaluating their work.
  • Use of proper materials on the chalkboards
  • Proper storage for portable chalkboard
  • Maintaining the chalkboard when need arises

radio

  • High cost
  • Theft
  • Lack of care
  • Personalizing use
  • Poor reception
  • Resource mobilization by involving PTA
  • Civic educate the stakeholders
  • Maintain a tracking ledger
  • Have a strong room
  • Have a time table for using the radio

ruler

  • Some learners cannot

afford them

  • Improvise

paper

  • Expensive
  • Abuse of the resources
  • Practice paper recycling
  • Civic educate the stakeholders

IMPROVISATION OF CLASSROOM TECHNOLOGIES
Some of the technologies used in the classroom can be improvised.

Examples of technologies that can be improvised are chalkboards, rulers, pental markers, papers and protractors.

 

  • Improvised portable chalkboard

An improvised portable chalkboard consists of stands which are made of bamboo or planks and a board painted black or green.

 

  • Improvised chalkboard ruler

A chalkboard ruler can be made from a straight plank and marked using a standard ruler. Other materials that can be used are bamboo, cardboard paper and a hard plastic strip.

 

ADVANTAGES AND DISADVANTAGES OF IMPROVISED CLASSROOM TECHNOLOGIES


Advantage

Disadvantage

  • Materials are locally available
  • Encourage creativity
  • Assist in the teaching and learning process
  • Usually not durable
  • Time consuming when making the technologies
  • May not be precise

 

 

CARE AND STORAGE OF CLASSROOM TECHNOLOGIES
Different improvised materials might require different ways of storing and safe keeping. The materials can be stored in boxes, on stands, shelves or hangers.

 

UNIT 9 THE HUMAN DIGESTIVE SYSTEM

 

MEANING OF DIGESTION
Digestion is the process by which insoluble food, consisting of large molecules, is broken down into small soluble molecules.
The small molecules, in solution form, pass through the walls of the intestine and enter the blood stream.
Digestion and absorption of food take place in the alimentary canal.


PARTS OF THE DIGESTIVE SYSTEM

The digestive system consists of the alimentary canal and related organs.

FUNCTIONS OF PARTS OF THE HUMAN DIGESTIVE SYSTEM

 

PROBLEMS OF THE DIGESTIVE SYSTEM

 

CARE FOR THE DIGESTIVE SYSTEM

 

UNIT 10 VERTEBRATES

 

VERTEBRATES
Vertebrates are animals with a backbone.

 

CLASSIFICATION OF VERTEBRATES
Vertebrates are classified into five groups which are mammals, fish, amphibians, reptiles and birds.

 

The following table shows the group of vertebrates, their characteristics and examples.


Vertebrates

General characteristics

Example

Fish

  • Scaly bodies
  • Gills and fins
  • Laying eggs

Chambo, cat fish, utaka and usipa

amphibians

  • Moist skin
  • No scales
  • Four limbs
  • Webbed feet
  • Presence of lungs
  • Laying eggs
  • Live on land and water

Toad and frog

Reptiles

  • Dry scaly skin
  • Laying eggs
  • Presence of limbs in some animals
  • Breathing using lungs

Snake, tortoise, chameleon and lizard

Birds

  • Presence of feathers
  • Scaly feet
  • Beak
  • Two legs

Chicken, duck, pigeon and peacock


Mammals

  • Having mammary glands (breasts)
  • Hair or fur on the body
  • Presence of external ears with a soft flap called the pinna
  • Bearing live young ones

Mouse, pig, monkey and people

 

 

MOVEMENT OF FISH
Fish move in water by swimming.

They have fins and a streamlined body which make them possible to move rapidly in water. The following illustration shows the external parts of a fish.

TYPES AND FUNCTIONS OF FINS
The key function of fins is to help the fish balance and turn as it swims.

  • Dorsal fin

Dorsal fin protects the fish against rolling, and assists in sudden turns and stops.

  • Ventral (pelvic) fin

Ventral fin assists with moving up and down through the water, turning sharply and stopping quickly

  • Caudal (tail) fin

Caudal fin is the main propelling fin in most fish

  • Anal fin

Anal fin helps to maintain stable equilibrium

  • Pectoral fins

A pair of fins used for balancing and braking

  • Adipose fins

Adipose fin’s function not yet proven by scientists. Some said it serves as a pre-caudal flow


PROTECTION MECHANISMS USED BY SOME VERTEBRATES
Vertebrates have different mechanisms for protecting themselves.

These include biting, changing colour (camouflage), producing a hissing sound, running away, good eye sight and hiding.

 

 

UNIT 11 INVERTEBRATES

INVERTEBRATES
Invertebrates can be classified into four groups, namely, protozoa, worms, molluscs and arthropods.

 

  • Protozoa

These are also called microscopic animals.

Some of them live in seawater or fresh water while others live in bodies of other animals. Examples of protozoa include amoebas, plasmodia and trypanosome.
Amoebas are found in the mud in ponds.

They reproduce by dividing into two in a process called binary fission.

Binary fission is an example of asexual reproduction which does not involve the fusion of male and female gametes.

 

  • Worms

Worms can further be classified into the following groups:

    • Flatworms

Flatworms can be divided into two groups. These are free-living and parasites.
Planaria are examples of free-living flatworms while flukes and tapeworms are parasites. Blood flukes cause bilharzia in human beings.


  • Roundworms

Roundworms are also known as nematodes.

Some of the roundworms are free-living while others are parasites.


Ascaris, hookworms, filarial worms, and pinworms are examples of roundworms.

  • Segmented worms These are also called annelida.

They include earthworms and leeches.

The body of the worm is divided into several segments, hence the name segmented worms.

  • Molluscs

Molluscs are animals with shells.

Molluscs have soft and non-segmented bodies.

Examples of molluscs are snails, octopuses, slugs, oysters. Many of molluscs live in water.

 

  • Arthropods

These are animals with jointed legs.


Arthropods form the largest group of invertebrates which include insects, crabs, millipedes and spiders.

 

THREE MAIN COMMON CHARACTERISTICS OF ARTHROPODS

  • segmented body
  • have an exoskeleton
  • pairs of jointed legs

 

LIFE CYCLE OF A HOUSEFLY AND A GRASSHOPPER
Insects lay eggs which hatch into larvae.

In some insects larva changes to a pupa that develops into the adult form or imago.

The development in stages of an insect from the young to the adult is called metamorphosis.

There are two types of metamorphosis, namely, complete metamorphosis and incomplete metamorphosis.
In complete metamorphosis, an egg hatches into a larva, a larva develops into a pupa, which finally develops into imago or adult form.
Incomplete metamorphosis does not have pupa stage.

Insects such as houseflies and mosquitoes undergo complete metamorphosis.

Insects such as grasshoppers, bugs, termites and cockroaches undergo incomplete metamorphosis

ADVANTAGES OF INVERTEBRATES

  • Insects such as honey-bees and butterflies pollinate flowers which lead to the formation of seeds in flowering plants
  • Bees produce honey which can be used as food and medicine, and can also be a source of income
  • Source of food for humans, for example crabs and white ants
  • Some of the invertebrates such as ladybird beetles and certain ants can be used in the biological control of pest – the invertebrates can feed on certain pests
  • Some of the invertebrates help in aerating and improving soil fertility, for example, earthworms

 

 

 

 

 

 

 

 

 

 

 

Life cycle of a grasshopper

 

DISADVANTAGES OF INVERTEBRATES

  • Some insects such as locusts can damage crops
  • Some invertebrates are carriers of diseases, for example, mosquitoes can transmit malarial parasites (plasmodia); houseflies can transmit diarrhoeal diseases such as cholera; and tsetse flies are carriers of sleeping sickness
  • Invertebrates such as scorpions, bees and certain spiders can be harmful to humans when they sting or bite
  • Worms such as tapeworms, roundworms, pinworms and hookworms can infect humans and other animals and cause suffering.

 

 

 

UNIT 12 PARTS OF A PLANT

TYPES OF LEAVES AND ARRANGEMENT
There are different types of leaves.

The types can be explained in terms of their shape, arrangement and how they are attached to the stem.
There are various shapes of leaves.


The following illustration below shows some of the shapes of leaves

 

There are different leaf arrangements.

 


Some of these are shown in the following illustration below


There are two ways in which a leaf is attached to the stem.

One way is when a leaf is attached to a stem with a leaf stalk, for example: mango, tobacco, groundnuts and bluegum leaves.
Another way is when a leaf is attached to a stem without a leaf stalk, for example, maize, sisal, onion, and grass leaves.

 

Some leaves are simple while others are compound.

A simple leaf has one leaf blade attached to a leaf stalk.

A compound leaf has more than one leaf blade attached to a leaf stalk. The following instruction shows examples of simple and compound leaves.



a simple leaf                                                a compound leaf

 

 

TYPES OF STEMS
There are different types of stems.

These include:

    • Erect
    • Creeping
    • Climbing
    • Underground

 

ERECT STEMS
Erect stems stand upright.

Examples of erect stems are those of maize, okra, bluegum, mango and pawpaw.



The illustration below shows examples of erect stems.
CREEPING STEMS
Creeping stems grow along the ground and produce roots as they grow on the ground, for example, kapinga grass, sweet potato and strawberry.

The following illustration below shows examples of creeping stem.
CLIMBING STEMS
Climbing stems have weak stems and they seek the support of standing objects to secure an upright position.
They do so by using tendrils and twisting around another plant.

Examples include pumpkins, Chitedze, kalongonda, granadilla and white haricot beans (kayera).


The following illustration shows examples of climbing stems


UNDERGROUND STEMS
Underground stems grow under the ground.

Some examples of underground stems are Irish potatoes, bananas, bamboos, and many grasses.


The following instruction show example underground stems.
An Irish potato has curved marks looking like eyebrows. These are buds. An Irish potato is a stem because it has buds.
Note that a sweet potato is a root while an irish potato is a stem.

This is because sweet potato tubers are not normally used when planting sweet potatoes. Stem cuttings are used when propagating sweet potatoes.

TYPES OF ROOTS
There are different types of roots.

These include:

    • Tap roots
    • Fibrous roots
    • Adventitious roots
    • Prop roots
    • Aerial roots
    • Tuberous roots

A TAP ROOT
A tap root grows deeper and bigger as a plant grows. In woody stems, other roots branch from the tap root. Trees and shrubs have tap roots.
They keep the big trees fixed to the ground firmly to stop them from falling.


The following illustration below shows a tap root system
FIBROUS ROOTS
Fibrous roots grow spreading from the base of the stem. The roots are small, thin and normally similar in size.
Examples include maize plant and grass roots.

The following illustration shows fibrous roots


TUBEROUS ROOTS
Tuberous roots do not have buds.

Examples of tuberous roots are carrots, cassava, sweet potato and turnips.



The following illustration below shows tuberous roots

 

ADVENTITOUS ROOTS
Adventitious roots grow from the base of underground stem, for example onions.


The following illustration shows adventitious roots.
PROP ROOTS
Prop roots develop from the lower nodes of a plant and extend down into the soil.

Prop roots can be found growing on plants such as rice, wheat, oats, sorghum, maize, elephant grass and bamboo.

The following illustration below shows prop roots.


AERIAL ROOTS
Aerial roots grow on stems of plants such as kachere and mkundi. These roots grow outside the soil.

The following illustration below show aerial roots.

 

 

UNIT 13 METHODS OF COOKING

STEWING AS A METHOD OF COOKING
Stewing is a method of cooking food in a liquid for a long time to soften it. The food is cooked below the boiling point.
Stewing can be done on an open fire, on top of a stove or in an oven.

ADVANTAGES OF STEWING

  • It does not need constant attention
  • Tough pieces of meat are made tender.
  • No loss of nutrients because the liquid is served with the food
  • The food looks attractive and appetizing

 

DISADVANTAGES OF STEWING

  • Very slow method of cooking
  • Uses a lot of fuel

 

GUIDELINES FOR STEWING

  • Cut the food into even small pieces to expose the maximum surface area to heat
  • Keep the temperature just below boiling point
  • Add just enough liquid to cover the food
  • Use a fitting lid on a container
  • Serve the food and liquid together.

SUITABLE FOODS FOR STEWING
Suitable foods for stewing include tough pieces of meat, fish, beans, peas, fresh and dried fruits. The following is an example of a recipe using the stewing method

Stewed beef with vegetables

Ingredients

500g beef 2 onions
2 tomatoes
4 Irish potatoes
2 carrots
200g green peas Salt and pepper Oil for fry

 

Method

 

FRYING AS A METHOD OF COOKING
This is a method of cooking food in hot fat or oil. There are three methods of frying food.
Namely: dry frying, shallow fat frying and deep fat frying.

 

No fat or oil is used in this method. Food cooks in its own fat.
This method is suitable for very oily foods such as sausages, bwanoni, mafulufute, ngumbi and oily fish.

 

This method uses just enough fat or oil to cover the bottom of the frying pan to prevent the food from sticking to it.
Food is turned over to cook on both sides.

Suitable foods for shallow fat frying include chicken, eggs, pancakes and fish.

 

This method requires plenty of fat or oil, about half of the deep frying pan. The food is completely immersed or covered with fat or oil.
Suitable foods for deep fat frying include doughnuts, fritters, chicken, fish and chips.

 

ADVANTAGES OF FRYING

 

DISADVANTAGES OF FRYING

 

Guidelines for frying

 

The following is an example of recipe using frying method

Frying banana fritters

 

Ingredients

4 ripe bananas 15g of sugar
1 egg 125ml milk
Oil for frying 200g flour


Method

  • Peel and mash the bananas
  • Add sugar and one beaten egg
  • Add milk and flour
  • Drop a spoonful of batter in hot fat and fry on both sides
  • Sprinkle with sugar and serve.

 

 

UNIT 14 MEALS FOR SEDENTARY WORKERS AND MANUAL WORKERS

SEDENTARY AND MANUAL WORKERS
People doing various types of work should have their nutritional needs met properly.

These people may be employed elsewhere or may be doing different types of work at home. Manual workers and sedentary workers are two basic categories of people doing work.

 

SEDENTARY WORKERS
These are people who are not involved in heavy work.

Their work is usually light and it is mostly done while sitting down in one place.

Sedentary workers are usually office workers such as secretaries, managers, television and radio presenters, reporters, lawyers, pilots, administrators, telephone operators and drivers.

 

Guidelines for planning meals for sedentary workers

  • Be nutritionally balanced
  • Not contain too much fat or oils as they do not need too much energy
  • Contain foods from all the six food groups to provide variety in their diet

Below are some sample menus for sedentary workers


Sample breakfast

Sample lunch or supper

Orange juice Rice porridge Coffee with milk

Stewed fish Nsima
Boiled nkhwani
lemonade

 

Cooking and serving meals for sedentary workers

  • Avoid frying food for sedentary workers because fried foods take a lot of time to digest
  • Sedentary workers do not need a lot of energy. Therefore, cooking methods for their food should not require a lot of fat or oil

  • Cook food using boiling, stewing, roasting, grilling, baking, and steaming methods
  • Vegetables and fruit salads are ideal for sedentary workers
  • Serve meals in small quantities attractively in clean plates
  • Provide a variety of foods at each meal to avoid monotony
  • If the food is to be taken away, pack it in clean containers

 

MANUAL WORKERS
Manual workers are people who do heavy work.

These people spend a lot of energy and lose a lot of water and salt through sweeting.

Examples of manual work include gardening, chopping wood, moulding bricks and carrying heavy things such as bags of maize or rice.

 

Guidelines for planning meals for manual workers

  • Contain more energy giving foods
  • Contain foods from all the six food groups
  • Be nutritionally balanced
  • Contain adequate protein, vegetables and plenty of fluids
  • Provide a variety of foods at each meal to avoid monotony
  • Be packed properly in clean containers if it is to be taken away

 

Below are sample menus for manual workers


Sample breakfast

Sample lunch or supper

Lemon juice Mgaiwa porridge Tea with milk

Stewed dried fish Mgaiwa nsima
Boiled nkhwani with groundnut flour
Pineapples

 

Cooking and serving for manual workers
Cooking promotes palatability and digestibility of foods.

Food for manual workers should be cooked using suitable methods of cooking. Hence, meals for manual workers can be boiled, fried, stewed, roasted or baked.
Combining several foods in one pot helps to increase energy value of the foods especially if the foodstuffs used are of high energy value.
Such foods may include groundnut flour in vegetables or porridge, potatoes in meat, bean or chicken stew, fats such as margarine and butter in porridge or on bread and sugar in sweet dishes.


UNIT 15 LAUNDERING A SHIRT AND A BLOUSE

STAINS
Laundry involve a lot of processes.

One of such processes is removing stains from garments and articles.

A stain is a discoloured mark caused by spilling of foods and liquids on garments and articles. These stains cannot be removed by the normal way of washing.

There are many different types of stains which can discolour our garments and articles.

 

These stains are classified according to their origins:

  • Animal stains: egg, milk, blood and perspiration
  • Vegetable stains: tea, coffee, cocoa and grass
  • Mineral stains: rust, ink and dyes.
  • Other stains: soot, grease, tar and wax.

 

How these stains are treated depends on the chemical nature of the stain, the age of the stain, texture and colour fastness of the fabric stained.
However it is important to remove the stains before the normal washing of clothes because the washing process tends to fix some stains.

 

For good results, it is advisable to identify the cause of the stains and remove them as soon as they occur.

 

STAIN REMOVAL

General principles of stain removal

  • When removing stains start with water and then use reagents. Begin with cold water, followed by hot water and later boiling water.
  • If water alone fails, use soap solution and washing powders.
  • If the stain is stubborn, repeat the steps 1 and 2. If it persists, use bleaches, absorbents such as salt, blotting paper and solvents such as paraffin and benzene and methylated spirits.

 

WAYS OF REMOVING COMMON STAINS

  • Tea, coffee and cocoa These are vegetable stains.

They usually contain acid.

To remove them, pour boiling water through the stain at once. If it is not removed, use ammonia or borax and boiling water.
If it persists repeat the process

 

  • Fruit and wine

These are vegetable stains.

For fresh stains, cover with salt at once and pour boiling water. If unsuccessful, use lemon juice and salt.
If the stain persists use bleach.

 

  • Egg and blood

These are animal stains.

They contain albumen and are set by hot water. Therefore, soak in cold water and wash with soap. If unsuccessful, steep in cold water and salt.

 

  • Paint and tar

If the stain is fresh, rub it gently with a softened pad moistened with ammonia and paraffin. Remove all traces of grease and wash the article thoroughly with hot water and soap.

 

  • Grass

This is a vegetable stain.

Apply methylated sprits, rubbing the stain gently with a pad of soft cotton.

 

  • Ball point ink

Sponge with methylated spirits. If the stain is stubborn, use ammonia.

 

  • Chewing gum

Rub with ice-cube to set the chewing gum so it may be removed.


LAUNDERING A SHIRT AND A BLOUSE MADE FROM COTTON

Do the following when laundering a shirt and a blouse:

  • Check for torn parts such as holes and split seams and mend accordingly
  • Pre-soak the shirt or blouse in cold water
  • Wash thoroughly in warm soapy water, particularly, around the neckline and armholes
  • Rinse thoroughly in warm and then in cold water
  • Hang out to dry
  • Press if necessary then air and store

 

UNIT 16 TECHNOLOGIES FOR DOMESTIC USE

TECHNOLOGIES FOR DOMESTIC USE

The technologies for domestic use are those that are used in the home.


These technologies include the following:

  • A crotchet
  • Sewing needles
  • Mphero
  • Wooden spoons
  • A winnower
  • A hoe
  • and a mortal

  • A flour sieve
  • An axe
  • Knitting needles
  • A charcoal stove
  • A clay pot
  • A pestle

 

            

 



 

MAKING TECHNOLOGIES FOR DOMESTIC USE
Learners can make different types of technologies that can be used for domestic use. Making such technologies involves a number of steps.
These are:

    • Identifying the problem

The first step is to identify the problem to be solved.

 

    • Doing research

The second step is to find out as much information as possible about the problem. This may involve research, for example, by asking other people or reading about the problem.

 

    • Planning

The third step is to plan how you will solve the problem. This step involves brainstorming, considering different solutions and choosing an idea or solution that can be tried.

 

    • Outlining the technological processes

When a solution has been decided upon, you need to outline the process to be followed when designing the technology.
This would involve thinking about:

      • what exactly the technological device is expected to do
      • what materials are needed to make the device
      • the costs involved
      • the size and shape of the device
      • who will use my device
      • what the production process will involve
      • safety, health or environmental considerations
    • Making the technological device

This step involve getting the necessary tools and other material to make the technological device


    • Testing the technological device

Once the technological device has been made, it should be tested to see if it works according to expectations. If not, the whole process should be reviewed to identify and rectify any problem.

 

    • Evaluating the technological process

Evaluation should take place at each step of the technological process in order to assess how the production is progressing.

 

 

UNIT 17 PROPERTY OF LIGHT, HEAT AND SOUND

PROPERTY OF LIGHT
Light has several properties.

 

The list below shows some of the properties of light:

  • light travels in a straight line
  • light has speed
  • light can be reflected
  • light can be refracted
  • light rays form shadows when blocked
  • light rays can be converged or diverged
  • light that is white consists of different colours

 

LIGHT TRAVELS IN A STRAIGHT LINE
This property of light can be proved through experiments. The action of a pinhole camera and three identical rectangular cards with tiny holes at their centres arranged in a straight line proves that light travels in a straight line.
The following diagram shows what happens when light enters a pinhole camera and when light is shone on one rectangular card that is aligned with other two cards.



REFLECTION OF LIGHT
Light can travel through a vacuum and some media that are transparent. Light is reflected (bounced off) by certain media. Mirrors are good examples of objects that reflect light. Reflection of light from smooth surfaces is done in a special way. A ray that is incident on a mirror surface is reflected following the laws of reflection.

 

The diagram that follows shows reflection based on the law that states that the angle of incidence (angle between the incidence ray and normal) is equal to the angle of reflection (which is the angle between the normal and the reflected ray). The light that strikes the mirror surface at 900 is reflected along the same path.

 

REFRACTION OF LIGHT
Refraction is the sudden change of direction of light as it travels from one medium to another of different optical density. When an incident ray goes from a less dense medium like air to a denser medium like a glass block, the refracted ray is always refracted towards the normal. As the refracted ray travels from the glass to air, once again, it is refracted away from the normal.

 

The diagram that follows shows light travelling from a less dense medium to a more dense medium, and then to a less dense medium, once again.



TECHNOLOGIES THAT USE PROPERTIES OF LIGHT


Technologies

Property of light

Uses

Microscope

Refraction

To magnify objects

Periscope

Reflection

To see things above the observer or over an obstacle

Mirror glass

Reflection

To see an image of oneself

Telescope

Refraction

To make distant objects to look bigger

Car mirror

Reflection

To see what is behind vehicles

Reflector

Reflection

To make something visible

Projector

Reflection and refraction

To project images on a screen

Pair of binoculars

Refraction

To see distance objects clearly

 

PROPERTIES OF HEAT
Heat energy can be absorbed or lost by a substance. The heat energy lost by one substance is transferred to another substance even if there is no contact between them. Heat travels through various substances at different speeds.
The speed of heat in a substance may depend upon the nature of the substance and closeness of the particles in the substance.

 

As heat flows through substances it can:

  • cause expansion of matter
  • cause changes of state of matter
  • be transferred through a medium
  • make things move

 

TECHNOLOGIES BASED ON THE HEAT
Substances normally expand as heat passes through them. Thermometers are constructed based on the expansion and contraction of the liquid that is used. Some joints are made based on the principle of expansion and contraction.
There are technologies that have been made to cool a device so that it contracts for it to fit into the hole of another device. On expansion, the material firmly fits into the hole thereby making an extremely strong joint.
Such joints exist in bicycles, cars and other heavy machinery. Automatic switches (thermostats) in electric pressing irons and geysers work on the principle of expansion and contraction.
Vacuum flasks have been designed to employ some of the properties of heat. The vacuum flasks have a glass that has the inner part and its outer surface silvered.
The silvered surface radiates (emits) very little amount of heat and absorbs very little heat from its outer surface since polished (shiny) surfaces are bad radiators or emitters of heat.



The diagram below shows a vacuum flask.
A vacuum flask

Thermometers, cooling systems in cars and industries, electric pressing irons and geysers are some of the technologies that use properties of heat.

 

PROPERTIES OF SOUND
Sound is produced by anything that is vibrating. Just like heat, sound can be absorbed, transmitted through substances, reflected and refracted.
An echo is a good example of reflected sound. Sound travels at different speeds in different materials.
Sound requires a medium for its transfer. Sound spreads out in all directions from the source of production.

 

TECHNOLOGIES THAT USE THE PROPERTIES OF SOUND
There are a number of technologies that use properties of sound.

These include musical instruments such as a xylophone, mabatcha/badza, guitar, drum, flute, piano, trombone and trumpet.

 

 

UNIT 18 FORCES

TYPES OF FORCES

a pull

 

a push

A force can be a pull or a push that can change the state of rest of an object. The diagram that follows shows the illustrations of a pull and a push.

                                                   

Different bodies can exert a pull or a push on objects. The earth exerts a force of attraction on objects. The force the earth exerts on objects is called the force of gravity or the gravitational force.
Gravity is defined as the pull of the earth. When one object moves or tries to slide over another object, a force to oppose the motion arises.
The force that is produced as a result of sliding or rubbing two bodies together is known as the frictional force or friction.
One can also produce an electrostatic force. This type of force can be produced by rubbing the plastic case of a ball point against the hair or fur. When the case is brought close to small pieces of paper it attracts them.
This happens because of the force of attraction that exists between the pen and the pieces of paper. This attractive force is called an electrostatic force.
The diagram that follows shows a ball point case picking small pieces of paper.


Magnets also exert forces on each other as well as on materials that are magnetic. The force which a magnet exerts is called magnetic force.
The magnets will attract each other if unlike poles of the magnets face each other. Otherwise, a force of repulsion will exist when like poles of magnets face each other.

The following diagrams show attractive and repulsive forces between unlike and like poles of magnets.
lines of force around a magnet


A stretched elastic band possesses strain energy. The band can exert a force on other objects. The force that the elastic band exerts is called an elastic force. The forces that have been discussed so far are just a few examples of the many different types of forces that exist.

 

USES OF FORCES

  • forces can change the shape of objects
  • forces can make objects at rest start moving
  • forces can make objects move faster or slower
  • forces can make things spin round
  • forces can change the direction of moving objects
  • forces can stop moving objects
  • forces can produce heat

 

 


TECHNOLOGIES THAT USE THE PRINCIPLES OF FORCE

  • Sewing machines
  • Cars
  • Bicycles
  • Aeroplanes
  • Musical instruments
  • Electric fans

  • Boats
  • Traps
  • Bows and arrows
  • Balances
  • Mortars and pestles
  • Catapults

 

 

 

UNIT 19 NUTRITIONAL DEFICIENCY DISEASES

 

Nutritional deficiency diseases are due to lack or shortage of a particular nutrient in the diet.

When the body cannot cope with the little amounts supplied, specific signs and symptoms appear. Various nutritional deficiency diseases show different signs and symptoms.
Some of the deficiency diseases which affect people especially children are night blindness, scurvy, rickets, anaemia and goiter. These deficiency diseases can be prevented and treated.


NIGHT BLINDNESS
Night blindness is caused by lack of vitamin A in the diet. This deficiency disease is characterized by inability to see in dim light, dry and rough skin, and skin infections.

 

SCURVY
Scurvy is caused by lack of vitamin C in the diet and it is characterized by bleeding of gums, slow healing wounds, slow growth in children and loose teeth.

The illustration below shows a person with scurvy
ANAEMIA
Anaemia is caused by lack of iron in the diet and it is characterized by tiredness, pale hands, pale mouth, pale skin, pale mucus membranes and pale eyes and heart palpitations

 

GOITRE
Goitre is caused by lack of iodine in the diet. It is characterized by slow growth in children and an enlarged gland at the front of the neck.

The illustration below shows a person with goitre

 

RICKETS
Rickets are caused by lack of vitamin D in the diet and are characterized by soft bones. The teeth are also affected.
Due to the weight of the body, the soft bones of the legs bend outwards. Rickets mostly occur in children.



The illustration below shows a child with rickets

 

PREVENTIVE MEASURES AND TREATMENT OF DEFICIENCY
Nutritional deficiency diseases can be prevented by ensuring that the nutritional needs of various members of the family, especially children, are met through a proper diet. As such, families are to eat a variety of foods in the right amounts. Once affected by this nutritional deficiency diseases they can be treated the first step in treating deficiency diseases is diagnosis. There after the treated can be corrected supplying the missing nutrients in the diet. Nutrients supplements are used where the condition is severe.
Preventive measures and treatment of deficiency disease

Deficiency disease

Preventive
measures sources

Treatment

Suitable foods

Night blindness

Eating a variety of foods
(balanced diet)
including foods rich in vitamin A

  • Provision of foods rich in vitamin A

Yellow sweet potatoes, carrots, milk, oily fish, cheese, eggs, liver, oils, dark green vegetables
and fruits

Scurvy

Eating a variety of foods (balanced diet) including foods
rich in vitamin C

  • Provision of foods rich in vitamin C

Citrus fruits, potatoes, dark green vegetables

Anaemia

Eating a variety of foods (balanced diet) including foods rich in vitamin C

  • Provision of foods rich in iron and vitamin C
  • Use of iron tablets or folic

acid

Meat, liver, kidney , peas, beans, dark green vegetables

Goitre

Eating a variety of foods (balanced diet) including foods
rich in iodine

  • Provision of foods rich in iodine
  • Use of iodised

salt in foods

Iodised salt, sea foods, sea fish and shell fish

Rickets

Eating a variety of foods (balanced diet) including foods
rich in vitamin D

  • Provision of foods rich in vitamin D

Sunshine, oily fish, margarine, butter, eggs, milk, cheese


UNIT 20 DYEING MATERIALS

DYEING FABRICS AND OTHER MATERIALS

The process of dyeing fabrics and other materials can be done in different ways depending on the type of dye to be used.
Dyes come in different names such as dylon, dryad and reeves. These are suitable for dyeing natural fibres and good for commercial purposes.
These can be bought from shops. Dyes can also be made locally. These include boiled concentrated solution of tea leaves, inks, maroon coloured leaves of maize, onion skins, red cabbage, mushrooms, carrot tops, spinach and roots of some trees, for example n`joka in Yao.
It is essential to know the reaction of different types of dyes to fabrics and other materials. Different fabrics and other materials absorb dyes differently.
Fabrics made from natural fibres, for example, cotton, linen, and woollen materials dye more readily than fabrics made from artificial fibres, for example, nylon and terelyne.
Materials made from natural fibres give best results for dyeing because they readily absorb dyes.

Cotton fabrics and garments are the best for dyeing purposes. Cotton fabrics can easily be identified by burning a piece of fabric. Cotton fabrics will burn like wood, producing ash.
If the fabric shrinks, it is not cotton.

Other ways of identifying fabrics and other materials that are good for dyeing include:

    • Dipping a piece of material in a dye solution and observing for 5 to 10 minutes. If the fabric gives a deeper shade, it is good for dyeing. If it is pale, it is not good for dyeing
    • Putting drops of water on a piece of material. If the material readily absorbs water, then it is good for dyeing.

 

PREPARATION OF FABRICS AND OTHER MATERIALS FOR DYEING

The process of dyeing materials

    • Wash the material and remove dirt and soften it
    • Decide and prepare the design you want your material to be.

Here are examples of illustrations of pieces of fabric that have been prepared for dyeing and how the fabric looks like after dyeing.


 

USING ARTIFICIAL DYES

  • Dilute 40g of dylon in 1 litre of hot water
  • Stir well until the dye is dissolved
  • Add 1 tablespoon of kitchen salt to the solution and 1 packet dylon cold fix (about 50g) or soda
  • Stir well until the salt and dylon cold fix or soda are dissolved.
  • Add enough water just to cover the material
  • Immerse the material in the solution for 1 hour, keep on turning the material for the first 10 minutes. This allows the dye to penetrate deeper into the material.
  • Rinse thoroughly in cold water.

 

Note

    • 1 tin (about 40g) of dylon is enough for a 250g piece of fabric. Therefore, use only what is needed.
    • Salt, dylon cold fix or soda are added to fix the colour

 

USING NATURE DYES

  • Allow some coloured sheaths of maize cob or tea leaves or roots to boil for about 10 minutes
  • Immerse the material into the boiling solution
  • Keep on stirring at intervals for 30 minutes
  • Add at least a tablespoon full of salt
  • Stir until the salt dissolves
  • Allow the contents to cool down.
  • Rinse the material thoroughly in cold water

 

Note
The water should be just enough to cover the fabric to the dyed. Sometimes chemicals are added to the natural dyes to facilitate the absorption of the dyes.


UNIT 21 MACHINES

MACHINES THAT USE OF PRINCIPLES OF LEVERS
Levers have a number of functions.

The following table shows some of the machines that use the principle of levers and their functions.


Lever

Function

Wheelbarrow

Carrying loads

Battle opener

Opening bottles

Balance

Weighing masses

Pliers, spinners

Tightening bolts or unscrewing bolts

Jack

Lifting heavy bodies

Pair of scissors

Cutting things

Knife

Cutting things

Crowbar

Lifting things

Nail cutter

Cutting fingernails

Pair of tongs, tweezers

For holding small objects, hot objects or dangerous materials

Bicycle brakes

For stopping a bicycle

Bole holes

For drawing underground water

 

PULLEY SYSTEMS

Pulley are used to:

  • change direction of a force
  • reduce the force needed to raise a given load

Pulley systems can be found in garages, curtain rails, bicycles, cranes, elevators and toys.

 

 

 

UNIT 22 GROWING UP

PHYSICAL AND EMOTIONAL CHANGES IN ADOLESCENTS

 

Girls and boys may reach adolescence stage between the ages of 11 and 15.

Adolescence is the period when boys and girls are changing from childhood to adulthood. There are several changes which boys and girls undergo during this stage.
These include physical, emotional, mental and social changes.


The following table shows physical and emotional changes that boys and girls undergo as they grow up.
Changes in boys


Physical changes

Emotional changes

  • Grow taller and heavier. Their hands and shoulders become bigger and stronger.
  • The skin becomes oily and the face develops pimples
  • Grow hairs in the armpits, around the genitals and on the face
  • Produce sperm
  • Develop deep voice
  • Experience wet dreams
  • Begin to develop sexual feelings and start getting excited when they see a girl
  • Interest in girls increases and start taking extra care on how they look
  • Develop more self confidence and do not like to be forced to do things they do not want to do
  • Experience frequent changes in their mood
  • Become more sensitive to failure
  • Become more sensitive to remarks from

adults and peers about the changes they are going through.

 

Changes in girls

Physical changes

Emotional changes

  • Grow faster, their hips get wider and their breasts start to grow bigger.
  • The skin becomes oily and the face develops pimples
  • Hair grows in the armpits and around genitals
  • Experience menstrual period
  • Their voice becomes softer
  • Begin to develop sexual feelings and get excited when they see a boy
  • Interest in boys increases and they start taking extra care about how they look
  • Develop more self confidence and do not like to be forced to do things they do not want to do. They want to be treated like adults
  • Become more sensitive to remarks from adults and peers about the changes they are going through
  • Experience frequent changes in their mood
  • Become increasingly sensitive to failure

 

 

THE MENSTRUAL CYCLE
At puberty, girls will start producing egg cells. An egg is produced every month by one or both ovaries. This is called ovulation. Ovulation has a reproductive function. When the egg cell is fertilized, the results is pregnancy.


When ovulation is happening, the wall of the uterus becomes thick as it prepares to receive an embryo after fertilization. When the egg is not fertilized, it dies. The wall of the uterus then breaks down leading to a discharge of bloody material. This discharge of bloody material is called menstruation. Menstruation happens every month, hence it is called menstrual cycle.

 

Menstruation lasts about 7 days. Menstruation is a normal thing for girls. It may start at the age of 11 in some girls is as late as the age of 18 in others. A women menstruates up to the age of 45 to 50.

During menstruation, girls need to take extra care of themselves. They can do this by:

 

EFFECTS OF PREMARITAL SEX

 

Typed by Zikomo Masese Banda and Shadrach Bowa Chabwera (Brother-in-law) Edited by Zikomo Masese Banda

 

REFERENCES

MIE (2008), Science and Technology Teacher’s Guide for Standard 7, Domasi; MIE. Internet





UNIT 1 BASIC FACTS ABOUT STIS INCLUDING HIV AND AIDS

UNIT 2 HIV TESTING AND COUNSELLING

UNIT 3 GENDER AND HIV AND AIDS

UNIT 4 HOME BASED CARE AND SUPPORT

UNIT 5 PEACEFUL CONFLICT RESOLUTION

UNIT 6 INTERPERSONAL RELATIONSHIPS

UNIT 7 EFFECTIVE COMMUNICATION ON HIV AND AIDS

UNIT 8 SUPPORTING THE LESS PRIVILEGED

UNIT 9 DRUG AND SUBSTANCE USE AND ABUSE

UNIT 10 PEER GUIDANCE AND COUNSELLING

UNIT 11 DECISION MAKING AND PROBLEM SOLVING

UNIT 12 STRESS AND ANXIETY

UNIT 13 SELF ESTEEM AND ASSERTIVENESS

UNIT 14 PHYSICAL AND PSYCHOLOGICAL CHANGES DURING ADOLESCENCE

UNIT 15 SEX AND SEXUALITY

UNIT 16 PLANNING

 

UNIT 1 BASIC FACTS ABOUT SEXUALLY TRANSMITTED INFECTIONS (STIs) INCLUDING HIV AND AIDS WRITTEN BY ZIKOMO MASESE BANDA

 

FACTORS THAT INFLUENCE THE YOUTH TO HAVE SEXUAL RELATIONSHIPS

CONSEQUENCES OF SEXUAL RELATIONSHIPS

WHAT ARE SEXUALLY TRANSMITTED INFECTIONS
These are infections that can be transmitted through body contact during unprotected sex between an infected person and a healthy one.

COMMON SEXUALLY TRANSMITTED INFECTIONS

PROBLEMS ASSOCIATED WITH HIV AND AIDS

 

WAYS OF MANAGING PROBLEMS ASSOCIATED WITH HIV AND AIDS


  • Seeking early treatment
  • Introducing home based care units
  • Sensitising people on income generating activities
  • Sensitising people on showing love and care to the patient
  • Forming HIV and AIDS groups for easy access to basic needs and support
  • Providing guidance and counselling
  • Establishing orphanage centres

 

MODES OF TRANSMISSION OF SEXUALLY TRANSMITTED INFECTIONS INCLUDING HIV AND AIDS

  • Unprotected sexual intercourse with an infected person
  • Transfusion of contaminated blood
  • Common usage of contaminated or unsterilized sharp tools
  • Mother to child

 

EFFECTS OF SEXUALLY TRANSMITTED INFECTIONS INCLUDING HIV AND AIDS

  • Destruction of body organs
  • Miscarriages
  • Cervical cancer
  • Ectopic pregnancy
  • Baby born blind

 

PREVENTION OF STIs INCLUDING HIV AND AIDS

  • Having protected sex by using condoms properly
  • Abstinence from casual sexual intercourse
  • Being faithful to uninfected partner
  • HIV testing and counselling
  • Improving genital hygiene

 

UNIT 2 HIV TESTING AND COUNSELLING

THE ROLE OF HTC TO THE INDIVIDUAL, FAMILY AND COMMUNITY
To an individual;

  • Knowing one’s HIV status results in positive behavioural change whether one is infected or not.

  • A person who is tested negative for HIV still undergoes counselling to maintain his or her negative status
  • The one who is tested positive also receives counselling and is encouraged to protect himself or herself.
  • The one tested positive is also advised to seek medical, social and psychological support from health practitioners, religious leaders and others around.

To the family

  • Knowing the status of the infected and affected member helps care givers to play a supportive role.

To the community

  • Knowing the status of the infected and affected member helps care givers to play a supportive role.

 

THE KEY FACTORS OF HTC
The purpose of HIV test is to detect antibodies to HIV
These antibodies are produced when a virus or bacteria infects the body. It takes three to six months after exposure to HIV for a test to detect these antibodies.

 

THE PROCESS OF HTC

  • The client is first counselled. This is known as pre-test counselling.
  • The client is tested on a sample of blood to detect antibodies for HIV
  • The client undergoes post-test counselling
  • The client is told of the test results

 

HIV TEST RESULTS

  • A test can be HIV negative or HIV positive
  • If the test is HIV negative, it probably means that you are not infected.
  • If the test is HIV positive, it means that one is infected with HIV.

 

BARRIERS TO HTC

  • Scarce testing facilities
  • The stigma of HIV infection
  • Lack of information
  • Perception of low risk
  • Lack of confidentiality
  • Transportation problems
  • Fear of test results

WAYS OF OVERCOMING BARRIERS TO HTC

  • Encouraging people to be open and take AIDS as any other disease
  • Sensitising people on the importance of HTC
  • Publicising all the HTC centres in the area
  • Establishing more HTC centres throughout the country
  • Seeking counselling

 

 

 

UNIT 3 GENDER AND HIV AND AIDS

HOW GENDER ROLES ARE IMPARTED BY THE SOCIETY
Culture and societies influence the roles, behaviours, attitudes and activities that men and women display in the society.
This influence comes from parents, elders, teachers and peers. Other influences are from media, language, music and religion. By how toys and tasks are distributed by parents at home.

 

TERMS ASSOCIATED WITH GENDER
Sex roles

  • A biological or natural role performed by either a male or female that needs to be recognised and respected. For example, child bearing is for females, fathering a child is for males.

Gender stereotype

  • Expectation of what females should do which is different from males

Gender equality

  • Treating both males and females equally

Gender equity

  • The principle of fair treatment

Gender bias

  • Discriminatory attitudes, beliefs based on social beliefs about males’ and females’ roles

Gender inequality

  • Treatment that favours one sex over another

REASONS WHY MORE FEMALES THAN MALES ARE INFECTED WITH AND AFFECTED BY HIV AND AIDS

  • Some females do not have reliable sources of income and depend on males for their financial support
  • More females do not negotiate for safer sex
  • Females take care of the sick and orphans
  • They maintain the home
  • They participate in community work
  • Their biological make up makes them more vulnerable to contracting HIV which leads to AIDS These reasons increase their chances of contracting HIV which leads to AIDS.

FACTORS THAT PROMOTE GENDER ROLES IN THE SOCIETY

  • Culture
  • Religion
  • Family values
  • Mass media
  • Migration

 

 

 

UNIT 4 HOME BASED CARE AND SUPPORT

Home based care and support refers to the provision of medical, psychological, nutritious, spiritual and emotional support to a patient at home or in the community.

 

WHAT HOME BASED CARE AND SUPPORT INVOLVES
Home based care and support is carried out at the home of the patient, or his or her guardian's home.
It involves the provision of nutritional, emotional, psychological and spiritual support to a person suffering from HIV and AIDS related diseases or any other long illness.

 

PROBLEMS ASSOCIATED WITH HOME BASED CARE AND SUPPORT

  • inadequate knowledge on nutritious foods
  • inadequate knowledge on how to take care of the patient
  • lack of finances to buy required materials
  • lack of basic resources
  • inadequate supply of drugs

  • lack of conducive environment for the patient
  • lack of follow up by medical personnel
  • stigmatisation
  • inadequate psychological, emotional and spiritual support by the community

 

WAYS OF MANAGING PROBLEMS ASSOCIATED WITH HOME BASED CARE AND SUPPORT

  • training the care providers on how to take care of the patient
  • lobbying for financial support from well-wishers
  • mobilising the community for help in establishing drug revolving fund
  • providing a conducive environment by cleaning the surrounding and digging pit latrines
  • persuading medical personnel to visit the patients as frequently as possible
  • intensifying psychological, emotional and spiritual support for the patient

 

IMPORTANCE OF HOME BASED CARE AND SUPPORT

  • proper care is provided to the infected and affected person in a familiar environment
  • it is cost effective (it reduces costs for guardians and medical personnel)
  • it allows more people to be involved in caring for the patient
  • it reduces overcrowding in hospitals
  • it helps family members and community to accept the epidemic
  • it gives chance to guardians to do other activities while looking after the patient
  • it relieves the government of the pressure it faces on the number of health personnel, bed space and shortage of drugs

 

 

 

UNIT 5 PEACEFUL CONFLICT RESOLUTION

As people live together in a school, community or family they are bound to be involved in conflicts or disagreements because they have different interests, opinions, beliefs and views.
For them to live together peacefully, they need to learn to resolve these conflicts peacefully.

 

WAYS OF RESOLVING CONFLICTS PEACEFULLY

  • Negotiation

Negotiation is a process where people who are involved in conflicts come together and talk to each other about the conflict.


  • Mediation

Mediation is a process where two persons who are in conflict involve a third person to help them come up with the solution to the problem. This person is called a mediator.

  • Arbitration

Arbitration a process similar to mediation, however, the third person that is involved is called an arbitrator. The arbitrator acts like a judge as he or she gives the final judgement as to who is right and who is wrong.

WAYS OF OVERCOMING BARRIERS TO PEACEFUL CONFLICT RESOLUTION

  • not being prejudiced or discriminatory
  • being tolerant
  • respecting other people's ideas, customs and beliefs
  • being patient
  • dealing with an issue objectively and transparently
  • being assertive
  • promoting justice
  • promoting gender equality
  • accepting one's mistakes

 

BARRIERS TO PEACEFUL CONFLICT RESOLUTION

  • prejudice
  • intolerance
  • discrimination
  • gender inequality
  • pride
  • bribery

 

 

 

UNIT 6 INTERPERSONAL RELATIONSHIPS

Interpersonal relationship is interaction between and among people.

 

TYPES OF INTERPERSONAL RELATIONSHIPS

  • Relationships within the family
  • Relationships among peers
  • Relationships among juniors and seniors

  • Relationships between males and females

 

FACTORS THAT MAY ENHANCE RELATIONSHIPS

  • love
  • empathy
  • economic status
  • respect
  • effective communication
  • politeness
  • tolerance
  • care
  • gender sensitivity
  • observation of human rights
  • honesty
  • cooperation

 

FACTORS THAT DESTROY RELATIONSHIPS

  • envy
  • dishonesty
  • gossip
  • jealousy
  • poverty
  • violence
  • sexual harassment
  • poor communication
  • rudeness
  • disrespect
  • unfulfilled promises
  • gender inequality
  • theft
  • lies
  • property grabbing
  • change of status
  • witchcraft
  • abuse of human rights

UNIT 7 EFFECTIVE COMMUNICATION ON HIV AND AIDS

FACTORS THAT ENHANCE EFFECTIVE COMMUNICATION ON HIV AND AIDS

  • choice of channel of communication
  • choice of language
  • audience to be communicated

 

SKILLS THAT PLAY AN IMPORTANT ROLE IN EFFECTIVE COMMUNICATION ON HIV AND AIDS

  • tolerance
  • patience
  • empathy
  • negotiation

BARRIERS TO EFFECTIVE COMMUNICATION ON HIV AND AIDS MESSAGES

  • illiteracy
  • lack of knowledge
  • gender bias
  • low self esteem
  • poor channel of communication
  • age
  • religion
  • language used
  • social status of the one delivering the message as well as the one receiving it
  • stress and anxiety
  • noise

 

WAYS OF OVERCOMING BARRIERS TO EFFECTIVE COMMUNICATION ON HIV AND AIDS MESSAGES

  • appropriate words to be used when communicating
  • mutual respect between the sender and receiver
  • appropriate channel of communication
  • avoiding prejudice
  • being objective
  • improvement of literacy levels
  • respect for other people’s cultures
  • being knowledgeable on HIV and AIDS

UNIT 8 SUPPORTING THE LESS PRIVILEGED

THE LESS PRIVILEGED
The less privileged are people who lack opportunities or advantages enjoyed by other members in communities.

These include

  • orphans
  • the aged
  • the physically and mentally challenged
  • street children
  • widows
  • the sick Needs of the less privileged

 

NEEDS OF THE LESS PRIVILEGED

  • food
  • shelter
  • clothes
  • soap
  • beddings
  • medication
  • educations
  • spiritual and moral support
  • love
  • care
  • protection

 

WAYS OF ASSISTING THE LESS PRIVILEGED

  • be provided with adequate and nutritious food
  • be provided with reasonable clean home
  • be provided with adequate clothes
  • be provided with washing and bathing soap
  • be provided with blankets
  • be provided with adequate medical attention
  • be provided with adequate spiritual and moral support
  • be provided with adequate education that would empower them with suitable skills to be used
  • be trained to be able to engage in some income generating activities so that they can be economically independent
  • they also need to be loved and cared for

UNIT 9 DRUG AND SUBSTANCE USE AND ABUSE

MISCONCEPTIONS ASSOCIATED WITH THE USE AND ABUSE OF DRUGS AND SUBSTANCES

  • Drugs and substances make a person intelligent
  • Drugs make person forget his or her problems
  • Drugs are fashionable and that it is primitive not to use drugs and substances
  • Drugs make a person feel energetic when doing work or studying

 

SITUATIONS WHICH PROMOTE ABUSE OF DRUGS AND SUBSTANCES

  • Culture
  • Poverty
  • Unemployment
  • Loneliness
  • Negative peer pressure

 

Culture

Some cultures tolerate the use of substances such as alcohol and chamba during ceremonies such as weddings and funerals.

 

Poverty and unemployment

These make boys and girls start taking drugs and substances in order to forget their problems. As a result, they may engage in unprotected sex thereby contracting STIs including HIV and AIDS.

 

Loneliness

Sometimes loneliness can influence some people to start taking drugs and substances.

 

Negative peer pressure

Some youths may abuse drugs and substances because they see others doing the same.

 

HOW ABUSE OF DRUGS AND SUBSTANCES CAN EXPOSE THE YOUTH TO HIV AND AIDS

  • engaging themselves in an unprotected sexual intercourse because of loss of self control
  • using unsterilized needles to inject each other

UNIT 10 PEER GUIDANCE AND COUNSELLING

Peer guidance and counselling is where members of the same age group come together to help one another solve their problems.
The youth who are empowered have high self esteem and are able to stand for their rights.
While they may empowered by their parents and teachers, it is necessary that youths of the same age, class, group or school listen to and help each other on how to address the everyday challenges.
Youths must assist one another by finding solutions to their own problems by sharing experiences on how some of them addressed similar challenges.
This can be done through narrating the stories, sharing health talks, one-to-one talks, debates, songs, poems and drama

 

CHALLENGES THAT THE YOUTH ENCOUNTER

  • sexual abuse
  • drug and substance abuse
  • orphanhood

 

Sexual abuse
It is very common these days to hear that young people are sexually abused by adults. These adults may take advantage of the youth by offering them rewards such as money and gifts.
In schools, some teachers who are not responsible enough may promise girls and boys high grades in exchange for sexual favours.
This puts the youth at risk of contracting STIs including HIV and AIDS. It is therefore important that the youth resist and report such incidences.

 

Drug and substance abuse
Due to negative peer pressure, some learners indulge in drug and substance abuse. Alcohol and chamba make it difficult for one to say “no” to premarital sex which contributes to teenage pregnancies, STIs including HIV and AIDS, school drop outs and finally death.

 

Orphanhood
Orphans usually suffer grief and confusion. This is worsened by prejudice and social exclusion which may lead to dropping out of school and lack of health care. The resulting poverty and lack of support can expose them to risks such as contracting HIV and AIDS.

 

WAYS OF ADDRESSING CHALLENGES THAT THE YOUTH ENCOUNTER

  • By training the youth to think positively

  • By training the youth to have a sense of belonging
  • By training the youth to stand firm for their rights
  • By accepting situations in which they are
  • By finding positive ways of improving their situations

 

 

 

UNIT 11 DECISION MAKING AND PROBLEM SOLVING

SITUATIONS THAT MAY REQUIRE DECISION MAKING AND PROBLEM SOLVING SKILLS

  • Adolescence
  • Sexual relationships
  • Peer pressure
  • Cultural practices
  • Conflicts with parents
  • Conflicts among youths

 

Adolescence
This is the time when youths undergo physical, emotional and psychological changes. They begin to search for their identity.

 

Sexual relationships
Due to physical and psychological changes, youths become curious to know the physical changes of the opposite sex. In addition to this, they become sexually attracted to members of the opposite sex.

 

Peer pressure
This is the influence by members of the same age group to behave in a particular way. Peer pressure may have both positive and negative effects.

 

Culture practices
Some cultural practices can lead to the spread of STIs including HIV and AIDS because they encourage young people to indulge themselves in risky behaviours such as early sex and drug and substance abuse. Such cultural practices are initiation ceremonies, chokolo, fisi, kusasa fumbi and mbirigha.


EFFECTS OF WRONG DECISION MAKING AND PROBLEM SOLVING


Situation

Effects on the youth

Adolescence

  • Youth indulge themselves in immoral behaviours leading to contraction of STIs including HIV and AIDS.

Sexual relationship

  • Unwanted pregnancies
  • Abortion
  • Drop out of school
  • Contraction of STIs including HLV and AIDS

Negative peer pressure

  • Leading to drug and substance abuse
  • Crime
  • Suicide
  • Contraction of STIs including HIV and AIDS
  • Unwanted pregnancies

Culture practice

  • Forced marriages
  • Early marriages
  • Contraction of STIs including HIV and AIDS.

 

 

WAYS OF RESOLVING CONFLICTS AMONG THE YOUTHS AND PARENTS

  • the provision of guidance and counselling
  • another person initiating a friendly discussion in which the parent and the youth will discuss their problems
  • both sides or one of them accepting ideas from the other side
  • the parent and youth having the spirit of putting oneself into another’s situation

 

THE IMPORTANCE OF DECISION MAKING AND PROBLEM SOLVING WHEN RESOLVING CONFLICTS AMONG THE YOUTHS AND PARENTS

  • Decision making helps a person to analyse an issue and think critically about it in order to solve a given problem
  • Promoting the ability to resist situations that may lead to problems
  • Helping one to avoid delinquency
  • Helping individuals to concentrate on productive activities

 

 

 

UNIT 12 STRESS AND ANXIETY

SITUATIONS THAT MAY LEAD TO STRESS AND ANXIETY

  • child abuse
  • too much work

  • death of a loved one
  • adolescence
  • academic failure
  • divorce
  • teenage pregnancy
  • poverty
  • bullying
  • teasing
  • unfaithfulness

 

EFFECTS OF STRESS AND ANXIETY

  • suicide
  • prostitution
  • abortion
  • mental confusion
  • depression
  • theft
  • alcohol and drug abuse
  • violence
  • school drop out

 

WAYS OF MANAGING STRESS AND ANXIETY

  • having enough rest
  • playing games
  • exercising
  • seeking counselling
  • talking and interacting with people
  • learning to relax properly both mentally and physically
  • watching television
  • listening to music
  • reading

 

 

 

UNIT 13 SELF ESTEEM AND ASSERTIVENESS

FACTORS THAT PROMOTE HIGH SELF ESTEEM

  • constructive criticism
  • accepting guidance and counselling

 

CHARACTERISTICS OF PEOPLE WITH HIGH SELF ESTEEM

 

CHARACTERISTICS OF PEOPLE WITH LOW SELF ESTEEM

 

IMPORTANCE OF ASSERTIVENESS

 

HOW SELF ESTEEM PROMOTES ASSERTIVENESS

high self esteem promotes assertiveness in that it makes one stand firm in achieving one’s goal in life

UNIT 14 PHYSICAL AND PSYCHOLOGICAL CHANGES DURING ADOLESCENCE

MEANING OF PUBERTY AND ADOLESCENT AND ADOLESCENT
Puberty
Puberty is a period when boys and girls reach the age when their physical features begin to change from the body of a child to that of an adult.

 

Adolescence
Adolescence is a period in a person’s life between childhood and adulthood.

 

Adolescent
Adolescent is a young person between childhood and adulthood.

 

PHYSICAL AND PSYCHOLOGICAL CHANGES IN BOYS AND GIRLS DURING ADOLESCENCE

Changes in boys


Physical changes

Psychological changes

  • Growing taller and heavier. The hands and shoulders become bigger and stronger.
  • The penis and testes increase in size
  • The penis becomes erect more often and there may be wet dreams
  • The skin becomes oily and pimples grow on the face
  • Hairs grows around pubic area, in the armpits and eventually on the face and chest
  • Producing sperm
  • The voice becomes deeper
  • They prefer to be treated like adults and want to make their own decisions
  • They develop more self confidence. They do not like to be forced to do things they do not want to do
  • They develop sexual feelings and start getting excited on seeing a girl
  • Interest in girls increases and start to taking extra care on how they look
  • There are frequent changes in their mood and sensitive to their appearance
  • They develop increased sensitivity to failure
  • They become more sensitive to remarks from adults and peers about the changes

 

Changes in girls


Physical changes

Psychological changes

  • Grow faster. The hips get wider and the breasts start to grow
  • The skin becomes oily and pimples develop on the face
  • Hair grows around vagina and the armpits
  • They develop sexual feelings and start getting excited on seeing a boy
  • Interest in boys increases and start to taking extra care on how they look

  • They experience first menstruation period
  • Enlargement of the labia and clitoris
  • Ovaries get bigger and developed
  • voice becomes soft
  • They develop more self confidence and do not like to do things they do not want
  • They prefer to be treated like adults and want to make their own decisions
  • They become sensitive to remarks from adults and peers about the changes
  • Frequent changes in their mood occur
  • They become increasingly sensitive to failure
  • Sexual curiosity – desire to know more about sexual organs especially of opposite sex
  • Keen on reading books concerning sex and other social activities
  • Desire for independence from parents and other adults
  • Feeling of love and hate

 

The physical changes in boys and girls during adolescence tend to influence their psychological changes.
This is because at this stage the sex hormones called testosterone in boys and oestrogen in girls are being produced. These hormones influence their emotional behaviour.

 

 

 

 

UNIT 15 SEX AND SEXUALITY

Sex refers to one’s reproductive system which differentiates males from females. Sexuality is the total expression of who one is as a human being whether male or female.

SOURCES OF INFORMATION ON SEX AND SEXUALITY

  • Parents
  • Mass media
  • Peers
  • Community
  • Religion

Parents

Parents are an important source of information from which children learn about sex and sexuality. As parents teach children about accepted codes of conduct and behaviour, they learn about sex and sexuality

 

Mass media

Mass media such as television, radios, newspapers and magazines contribute a lot to information on sex and sexuality.

 

Peers

Peers is another important source of information from which children learn about sex and sexuality. They acquire knowledge about males and females. In addition, they learn about their roles as they play and work together at school and home.

 

Community

Children learn a lot about sex and sexuality by observing what goes on in their community. They also learn through interaction with the members of the community during initiation ceremonies.

 

Religion

Religion is another source of information to children on sex and sexuality. It teaches different principles of moral behaviour. As children learn about these moral principles they also acquire information about sex and sexuality.

 

MISCONCEPTION ABOUT SEX AND SEXUALITY

  • having sex while standing cannot make a girl become pregnant
  • having sex only once cannot make a girl pregnant
  • the size of girl’s breasts increases if touched frequently by males

 

CONSEQUENCES OF MISINFORMATION ON SEX AND SEXUALITY

  • increasing the possibility of contracting STIs including HIV and AIDS
  • disrespecting parents and elders
  • lawlessness in the society

 

IMPORTANCE OF HAVING APPROPRIATE INFORMATION ON SEX AND SEXUALITY

  • it may help the youth to cope with problems that come with adolescence
  • it may help the youth to avoid getting involved in sexual relationships which may lead to contracting of HIV and AIDS

UNIT 16 PLANNING

Planning is the process of setting guidelines for oneself to achieve intended goals or objectives. A plan in a self disciplining guideline to ensure that activities are carried out efficiently.

STAGES IN THE PLANNING PROCESS
Planning involves many stages. Some of the steps are:

 

  • Identifying goals

Outlining activities one wants to do

 

  • Organising resources

After the goals have been identified, you think of the resources that you need to achieve your goals. These may include human, material, time, monetary resources. This needs skills such as decision making, creative thinking and critical thinking.

  • Choosing course of action

Selecting alternative ways of achieving your goals by choosing what activity to do.


  • Implementing the plan

Translating the plan into action or doing the activity using the resources available.

 

  • Monitoring

This is making a follow up to see the progress of the activity to do

 

  • Evaluation

Assessing what has been done. You actually judge whether the activity is being done according to your plan.

 

THE IMPORTANCE OF PLANNING

    • it helps to save time
    • it helps to save money
    • it helps to save materials
    • achievement of goals
    • it is easy to follow the procedures
    • it helps to check and judge whether what was planned has been done
    • it helps to monitor how the activity is being done
    • it helps in obtaining and using resources wisely
    • it helps to avoid contracting STIs including HIV and AIDS
    • it helps an individual living with HIV and AIDS to avoid spreading it to other individuals including the unborn child
    • it helps individuals living with HIV and AIDS to provide for the future of their children including making a wall

 

SITUATIONS THAT REQUIRE PLANNING

    • choice of career
    • marriage
    • family
    • business
    • safe motherhood

 

SITUATIONS  THAT CAN  CHANGE PLANS

    • Dropping out of school
    • Early marriages
    • Peer pressure
    • Rainfall patterns’
    • Stress and anxiety

 

 

 

 

 

 

 

REFERENCES

MIE (2008) Life Skills Teacher’s Guide for Standard 7, Domasi; MIE. MIE (2008) Life Skills Learner’s Book for Standard 7, Domasi; MIE.